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Filwa Nazer

@fillimore

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Frieze main tent yesterday in the order I saw them: William Kentridge, Sheila Hicks, Alison Wilding, Salman Toor, Tacita Dean, Nada Elkalaawy, Joan Jonas, Tacita Dean, Jongsuk Yoon, Anya Paintsil, Anne Hardy, Kaye Donachie, Lynette Yiadom-Boakye, Lubaina Himid, Reggie Burrows Hodges, Filwa Nazer, Sarah Lucas, Hew Locke, no label, Janaina Tschäpe. Lots of other stuff I liked too but these are my faves.
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CARBON12 X SELMA FERIANI AT FRIEZE LONDON BOOTH D33 • Excited Return to Frieze London with @catalinaswinburnstudio @nourmalas_ @monia.benhamouda.studio @zinebsedira @heyitsbunmi @sarah.almehairi @ambasayalbennett @mahamalluh @fillimore
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For Frieze London (@friezeofficial ) this year, we are pleased to present new and recent works by Maha Malluh (@mahamalluh ), Zineb Sedira (@zinebsedira ), Monia Ben Hamouda (@monia.benhamouda.studio ) Catalina Swinburn, (@catalinaswinburnk ) and Filwa Nazer (@fillimore ). Bringing together sculpture, painting, and textile, the presentation explores themes of memory, history, ritual, and landscape through five distinct practices. We are delighted to once again share the booth with CARBON 12 (@carbon12gallery ). See you at booth D33! 📆 14 - 18 October 2016 1/5 Maha Malluh, Oil Candies 6, 2018 2/5 Zineb Sedira, Illuminated Footage, 2026 (detail) 3/5 Monia Ben Hamouda, A brief period of darkness, flames and barricades XX, 2026 4/5 Catalina Swinburn, Excavated Vestige I, 2026 (detail) 5/5 Filwa Nazer, Interlude, Untitled 1, 2026 (detail)
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Selma Feriani Gallery is pleased to return to Frieze London, (@friezeofficial ) presenting new works by Zineb Sedira (@zinebsedira ), Monia Ben Hamouda (@monia.benhamouda.studio ), Filwa Nazer(@fillimore ), Catalina Swinburn (@catalinaswinburnk ), and Maha Malluh (@mahamalluh) . Across painting, sculpture, and textile, the presentation brings together distinct practices that engaging with memory, histories, materiality, ritual, landscape, and transformation. 📍 Booth D33, The Regent’s Park 14–18 October 2026 We look forward to seeing you in London.
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Along the Way If in Riyadh, you should not miss Misk Art Institute’s new exhibition, Along the Way, which brings together over 34 Saudi and non-Saudi artists and 69 artworks and objects to explore the theme of movement and relocation, not just physically to new places but also intellectually as a journey of self-exploration and renewal. The curators Aram Al-Ajaji and Shadin Albulaihed explain that “movement takes shape through the ties that bind individuals to one another, and through the circulation of experience by which understanding is formed, carried, and transformed”. The exhibition is intertwined with poetry describing the benefits of travel. It draws on maps and cartography and also painting, photography, and sculpture to digital practices and archival materials, including rare manuscripts. The exhibition arranges the works as a series of crossings rather than a linear progression, encouraging viewers to pause and reorient themselves in relation to the works and to each other. Misk Art Institute is a non-profit cultural organization concerned with the arts, founded in December 2017, and seeks to contribute to the development of a creative society and make art available to everyone via educational programs, art residencies, etc. It has amazing publications about Saudi and Arab artists. You should check it out! Asma Bahmim, My Home in my Head, Mixed media collage Sara Al Abdali, Makkah, Gouache and gold on paper Mohamed Siam, Mount Arafat, Mixed media Manal AlDowayan, Landscapes of the Mind, Giclé prints Filwa Nazer, In Search of the Seam, Cotton thread on poly jersey and nylon core Reem Al Faisal, Digital prints Dia Azzawi, The Will of Life, Coloured silkscreen prints Mona Saudi, Homage to Mahmoud Darwish, The Earth Poem, Silkscreen and watercolour on paper Fahad Hawari, The Ship, Oil on canvas Ziad Dalloul, Le Livre des Villes, Book of prints on paper abduladeem Shali, Buried Emotions, Oil on wood Anuar Khelifi, Sirr, Acrylic on canvas Gulam Mohammed Shiekh, Simurgh and the Paris / Hunted, Acrylic on board Mohamed Amine Hamouda, Oasis Maps, Natural dyes on palm waste fibers @miskksa
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The People of the Home: Its Soul At the heart of every home are its people, those who reside within its walls and who infuse it with memory, warmth, and meaning. Through gestures, voices, and the quiet rhythm of daily rituals, the domestic space becomes a living archive of emotion and identity. This section honors that invisible choreography: the murmur of bedtime stories, the rustle of Eid garments being laid out, the clink of teacups, and the laughter that lingers long after guests have gone. Home is more than a physical structure; it is shaped by the presence and actions of those who inhabit it. Everyday moments, braiding hair, preparing a meal, applying henna with a grandmother, become threads in a sensory tapestry of belonging. In their repetition, they cultivate connection, continuity, and love. The photographs and objects in this space highlight the emotional fabric of domestic life and how memory becomes embedded in the smallest of details. They remind us that memory is carried first in people, through their voices, habits, and touch, long before it is housed in walls. - Filwah Nazer , The Children Series & The Family Album Series, 2014–2015 - Roaa Mofreh , As I Peel the Room’s Wound, 2025 - Suknah Hassan, Invisible Connection - Nawaf Aldohan, Two Memories Curated by @gaida_almogren 🗓️ 30 Oct 2025- 26 Sep 2026 📍Ithra #EchoesOfTheFamiliar #صدى_المألوف #Ithra
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“Echos of the Familiar” Group Exhibition، @ithra Museum The concept of home transcends mere physical space, embodying a tapestry of memories intricately woven into its very walls. It is within these confines that the echoes of laughter from childhood games intermingle with the remnants of disagreements and tears shed upon pillows. Each drawer brims with knickknacks whose purposes remain elusive yet evoke nostalgia. The scent of maternal cooking and the rhythmic snoring of a father create a comforting ambiance, while the presence of a grandmother before the television grounds us in familial continuity. These shared experiences resonate universally, forging a collective nostalgia for “al zaman al Jameel,” the beautiful time. Saudi Arabia has undergone significant transformations, from the mud houses of the 1940s to the modern concrete and brick structures of the 1970s, culminating in European-influenced designs of the 1990s, that reflects a dynamic cultural narrative. This exhibition will engage audiences across generations, inviting grandparents, parents, and children alike to reconnect with distant memories that spark joy. Featuring a blend of familiar objects and ephemera used in daily life and contemporary art that honors traditions and documents Saudi pop culture. Curated by @gaida_almogren 🗓️Oct 2025- Sep2026 📸Ithra studios #EchoesOfTheFamiliar #صدى_المألوف #Ithra
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It was an honor to curate « Echoes of the Familiar », a group exhibition at @ithra Museum, bringing together 28 artists at different stages of their artistic careers. What made this experience truly special was the diversity of artistic practices and perspectives. It was the sense of connection that grew throughout the process. Across generations, mediums, memories, and experiences, we gradually became a family. Echoes of the Familiar reflects on home, memory, belonging, and cultural identity in the context of 20th-century Saudi Arabia. Through contemporary artistic practices engaging with traces of everyday life (furniture, photographs, recipes, games, letters, objects, and forgotten details) the exhibition considers the home as a living archive: a place where individual and collective memories accumulate, shift, and echo. From the living room and kitchen to bedrooms, corridors, and thresholds, the works explore how ordinary spaces and objects become vessels for memory, longing, imagination, and identity. They invite us to think about what it means to inhabit a place, to remember it, and to long for a past we may never have personally experienced. I am deeply grateful to the 28 artists who trusted this process, shared their stories and practices, and made this exhibition what it became. It was a privilege to witness these different artistic journeys come together and to feel that we were building a strong bond as a group. 🗓️Exhibition from October 2025-September 2026 📸 ithra Studios #EchoesOfTheFamiliar #صدى_المألوف #ithra
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A busy season is ahead at Selma Feriani Gallery. 🍂Starting this September, from exhibitions in Tunis to international art fairs, and a new residency, there’s a lot to look forward to across the coming months. Swipe through to discover what’s coming up! 📍Save the dates and we’ll see you there !
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Where to find our artists this season! As summer draws to a close, discover where the work of Selma Feriani Gallery artists can be encountered around the world! This selection brings together institutional exhibitions, biennials, and ongoing projects, offering different ways to encounter the artists’ work beyond our spaces in Tunis and London. To explore the full programme and discover where to find our artists beyond our gallery spaces visit our website ! We will return on 18 September 2026 with two new exhibitions: @elena.damiani ’s Subsurface and @sebaespejov ‘s Winged Stone.
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Filwa Nazer (@fillimore ) presents works from her series Topoanalysis in “A Necessary Fiction: Maps, Art, and Models of Our World” organized by the Saudi Ministry of Culture at the Abbazia di San Gregorio in Venice. Curated by Sara Almutlaq (@sara.endipity ) and Aurora Fonda, with associate curators Zaira Carrer (@zaira.carrer )and Amina Diab(@aminabdiab ) the exhibition brings together historical cartography, archival materials, and contemporary artistic practices to explore the ways maps shape our understanding of the world. Nazer’s Topoanalysis series uses textile to explore the emotional and psychological dimensions of space, creating intimate topographies that move between presence and absence, interior and exterior. On view through 22 November 2026 at Abbazia di San Gregorio in Venice. Photos by Mark Blower
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‘The Hands want to see, the eyes want to caress,’ Saudi Modern exhibition in Beit Tamr, Jeddah, 2021. Filwa Nazer is a visual artist whose practice ranges from digital print and collage to textile and photography. Her artwork, ‘The Hands want to see, the eyes want to caress’ reflects the essence of Beit Bajnaid in Jeddah, one of the 15 case study buildings researched in the first Saudi Modern exhibition. Tracing the spatial history of certain parts of the house, the artist delves into how it has engaged with time and inspects the fragility and malleability of spaces as they continue to transform chronologically. 'ﺗرﯾد اﻷﯾدي أن ﺗﻧظر تريد اﻟﻌﯾون أن تلمس،' ﻣﻌرض ﺳﻌودي ﻣودرن ﻓﻲ ﺑيت تمر, ﺟدة, ٢٠٢١. ﻓﻠوة ﻧﺎظر ﻓﻧﺎﻧﺔ بصرية تمتد ممارستها الفنية ﻣن اﻟطﺑﺎﻋﺔ اﻟرﻗﻣﯾﺔ واﻟﻛوﻻج اﻟﻰ اﻟﻧﺳﯾﺞ واﻟﺗﺻوﯾر اﻟﻔوﺗوﻏراﻓﻲ. 'تريد الايدي ان تنظر وتريد العيون ان تلمس' ھﻲ ﻣﺟﻣوﻋﺔ أﻋﻣﺎل ﺗرﻛﯾﺑﯾﺔ ﻣﺳﺗﻠﮭﻣﺔ ﻣن ﺑﯾت ﺑﺎﺟﻧﯾد ﻓﻲ ﻣدﯾﻧﺔ ﺟدة، أﺣد اﻟﺧﻣﺳﺔ ﻋﺷر ﻣﺑﻧﻰ اﻟﺗﻲ درﺳت ﻓﻲ ﻣﻌرض ﺳﻌودي ﻣودرن اﻷول. ﺗﺗﺣرى اﻟﻔﻧﺎﻧﺔ ﻣن ﺧﻼل أﻋﻣﺎﻟﮭﺎ اﻟﻔﻧﯾﺔ ﻣﺎ ﯾﺣدث ﻟﻠﻣﻛﺎن اﻟﻣﮭﺟور ﻣن ﺗراﻛﻣﺎت ﺣﯾث ﯾﺟﻣﻊ اﻟﻣﺑﻧﻰ بشكله اﻟﺣﺎﻟﻲ ﻣﺎ ﺑﯾن اﻷﺳﻠوب اﻟﺗﻘﻠﯾدي واﻟﺣدﯾث، وﻣﺎ ﺑﯾن روح اﻟﺗﺣﻔظ واﻻﻧﻔﺗﺎح ﻛﻣﺎ ﯾﻌﻛس ﺟذور اﻟﺣداﺛﺔ اﻟﻌﻣراﻧﯾﺔ ﻟﻠﻣﻧزل وﻣﺎ ﺗﺑﻌﮭﺎ ﻣن ﺗﻐﯾﯾرات.
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