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24.Oktober 2026 Herzliche Einladung zur HDC Ausstellung - Preisverleihung - Agora Talk Die Projekte der Nominierten und Gewinner:innen der @hessendesigncompetition 2026 werden im Rahmen einer Ausstellung im Designhaus in Darmstadt präsentiert. Besucher:innen haben dabei die Möglichkeit, Einblick in die aktuellen Positionen des hessischen Designnachwuchses zu erhalten und bei der Preisverleihung dabei zu sein. 15:00 - 16:30 Uhr 
Agora Round Table: „DESIGN COMPETITIONS. SEEN. RECOGNISED. NEXT?“ 
Was leisten Designwettbewerbe für die nächste Generation? Mit: Silke Philipp-Deters, Leiterin @designforum_rlp Barbara Glasner, Co-founder Verlag form and Publisher form Design Classics @barbaraglasner @formdesignpublishing Paul van Laar, Geschäftsführer & Owner @barskidesign Prof. Kai Linke, @studio_kai_linke Christine Fehrenbach, Geschäftsführerin @hessendesignev 17:00 Uhr Begrüßung + Grußworte 17:45 Uhr Preisverleihung 18:30 Ausstellung - Getränke - Fingerfood kostenlose Anmeldung hessendesign.de Ausstellung Designhaus, Darmstadt Eintritt frei 23. - 25. Oktober 12:00 - 17:00 Uhr Gewinner:innen 2026 Sidney Gschwender @Sidneyxgg / @hochschuledarmstadt Henriette Kolléra @henriettepaulina / @hochschuledarmstadt Lennard Ludig @lennardludig/ @hfg_offenbach David Wellen @wellen.dsgn / @hfg_offenbach Anerkennung / „Projekt von gesellschaftlicher Relevanz“: Maike Müller @maike_m99 / @hochschuledarmstadt Gefördert vom Hessischen Ministerium für Wirtschaft, Energie, Verkehr, Wohnen und ländlichen Raum. Gefördert von der Wissenschaftsstadt Darmstadt. In Kooperation mit dem Hessischen Staatspreis Universelles Design @germandesigncouncil @germandesigncouncil.foundation Fotos: BenKuhlmann @ben_benno
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Three days of books, talks and late nights. DASH FEST is on. The World Artbook Festival comes to Fahrgasse 87 from 9 to 11 October, part of World Design Capital Frankfurt RheinMain 2026, together with DIFFUS. On the tables: independent publishers and artists including Slanted, Valiz, Nieves, Sorry Press, Public Possession, Ruby Press, gta Verlag, Shift Books, Stefan Marx and more. FRI 9.10. 18–20 Poetic Conversations w/ Katerina Zherebtsova & Inna Krasnoper 20–22 Opening Night: Saufisaufi w/ @speisekneipe SAT 10.10. 11–19 Book Sale 14–16 Poster Workshop 19–21 Benchtime w/ Wish, Flashback Edition SUN 11.10. 11–18 Book Sale, HFG Radio live 14–16 Stencil & Spray w/ Philipp A. Schäfer 14–16 Poster Workshop Read, eat, drink, buy, repeat. Free entry. #dashfest #artbookfestival #wdc2026 #dashpress #ffm
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Cologne Cathedral (German: Kölner Dom) is a Catholic cathedral in Cologne, Germany. It is a renowned monument of German Catholicism and Gothic architecture and was declared a World Heritage Site in 1996. It is Germany’s most visited landmark, attracting an average of 6 million people a year. At 157 m the cathedral is the tallest twin-spired church in the world and the third tallest church in Europe.
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Die Schönsten Deutschen Bücher zu Gast beim @budapestikonyvfesztival Organisiert von der @buchmesse 📸 @akospolgardi
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Who’s afraid of Pink, Magenta and Rose? Farbe als politisches Instrument Vortrag von Barbara Glasner Kunsthalle Nürnberg @kunsthallenuernberg Dienstag, 22.9.2026, 18.00 Uhr Der Vortrag widmet sich der Kulturgeschichte einer Farbe zwischen Protest, Konsum und gesellschaftlicher Zuschreibung. Pink gilt als älteste Farbe der Welt und besitzt bis heute enorme symbolische Kraft: pinker Rauch, pinke Masken oder Protestzeichen stehen für Sichtbarkeit und Widerstand. Einst Farbe männlicher Macht, später Symbol weiblicher Rollenbilder, wurde Pink von feministischen und queeren Bewegungen politisch zurückerobert. Zwischen Barbie, Popkultur und Aktivismus zeigt sich: Pink polarisiert. Die Farbe steht zugleich für Klischee und Emanzipation, für Kommerz und Protest - und ist damit bis heute ein wirksames politisches Instrument. Who’s Afraid of Pink, Magenta, and Rose? Color as a Political Instrument Lecture by Barbara Glasner Kunsthalle Nünberg @kunsthallenuernberg Tuesday, September 22, 2026, 6:00 PM This lecture explores the cultural history of a colour, examining the interplay between protest, consumerism, and social attribution. Considered the oldest colour in the world, pink retains immense symbolic power to this day: pink smoke, pink masks, and pink symbols of protest stand for visibility and resistance. Once a colour associated with male power and later a symbol of female gender roles, pink has been politically reclaimed by feminist and queer movements. Spanning the realms of Barbie, pop culture, and activism, it is clear that pink is polarizing. The colour represents both cliché and emancipation, commerce and protest—making it a potent political instrument to this day. Last in situ-picture: Detail from Liza Dieckwisch’s installation at the exhibition „ibid. 30 Positionen aktueller Malerei“, Kunsthalle, 2026
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Who’s afraid of Pink, Magenta and Rose? Farbe als politisches Instrument Vortrag von Barbara Glasner Kunsthalle Nürnberg Dienstag, 22.9.2026, 18.00 Uhr Der Vortrag widmet sich der Kulturgeschichte einer Farbe zwischen Protest, Konsum und gesellschaftlicher Zuschreibung. Pink gilt als älteste Farbe der Welt und besitzt bis heute enorme symbolische Kraft: pinker Rauch, pinke Masken oder Protestzeichen stehen für Sichtbarkeit und Widerstand. Einst Farbe männlicher Macht, später Symbol weiblicher Rollenbilder, wurde Pink von feministischen und queeren Bewegungen politisch zurückerobert. Zwischen Barbie, Popkultur und Aktivismus zeigt sich: Pink polarisiert. Die Farbe steht zugleich für Klischee und Emanzipation, für Kommerz und Protest - und ist damit bis heute ein wirksames politisches Instrument. Who’s Afraid of Pink, Magenta, and Rose? Color as a Political Instrument Lecture by Barbara Glasner Kunsthalle Nürnberg Tuesday, September 22, 2026, 6:00 PM This lecture explores the cultural history of a colour, examining the interplay between protest, consumerism, and social attribution. Considered the oldest colour in the world, pink retains immense symbolic power to this day: pink smoke, pink masks, and pink symbols of protest stand for visibility and resistance. Once a colour associated with male power and later a symbol of female gender roles, pink has been politically reclaimed by feminist and queer movements. Spanning the realms of Barbie, pop culture, and activism, it is clear that pink is polarizing. The colour represents both cliché and emancipation, commerce and protest—making it a potent political instrument to this day. Last picture: Detail from Liza Dieckwisch’s installation at the exhibition „ibid. 30 Positionen aktueller Malerei“, Kunsthalle Nürnberg, 2026
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Spread the word! Thank you to our media partners for supporting the first edition of Currents #currentsberlin #designinberlin
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Currents Berlin (@currents.berlin) is right around the corner, running from September 10–12, 2026. The new, decentralized design festival founded by Laura Ewert (@lauraewertofficial) and Jasmin Jouhar (@jasminjouhar) is focused on furniture, interior, and product design. With over 60 locations and participants across the city, it’s almost impossible to see it all. That’s why we’ve put together a list of our top go-to spots and events. Find a short version here and a long one with links at thethingmagazine.com. We love supporting people who try new things. It’s a risk, and in our opinion, that deserves backing. That’s why we are media partners for this endeavor and sat down with Laura and Jasmin for an interview to gain insight into their process and how Currents finally came to be. Visit thethingmagazine.com for the full conversation. If you want to support emerging talent during the festival, the premiere of seetech (@_seetech) should be at the top of your list. For the first time, the Weißensee Academy of Art Berlin (@kunsthochschuleberlin) is launching its new “seetech label,” showcasing exemplary work from its prototyping labs and alumni to highlight how academic research evolves into real-world design. We love a good design discourse. That’s why we’re not only highlighting the lineup of talks across the Currents Agenda, we’re also hosting one ourselves. It’s called “Berlin—The Lost Creative Capital?” and explores whether the city still holds potential as a cultural hub. Our guest lineup is nothing short of Berlin design royalty, featuring Laura Ewert (Currents Co-Founder), designer Hanne Willmann (@hannewillmann), and Sophie Langhorst (@sphlnghrst), a design master’s student and longtime employee of Sabine Marcelis. The exhibition “(Behälter)”, in cooperation with Magazin (@magazin_com), explores the origins of design through one of humanity’s fundamental need: storage. Conceived by Martina Dimitrova (@dimitrovamartini), the exhibition brings together well-loved storage objects, and their everyday contents, pulled directly from the personal lives of local creatives. (Full disclosure: the thing Magazine founder Anton Rahlwes contributed one of the featur
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Hessen Design Competition 2026: Eine ausgewiesene Jury aus renommierten Expert:innen der Designbranche hat sich intensiv mit den nominierten Arbeiten auseinandergesetzt. In einer mehrstündigen Jurysitzung diskutierte und bewertete sie die Projekte aus unterschiedlichen fachlichen Perspektiven und wählte schließlich vier Preisträger:innen aus, die für herausragende Designqualität aus Hessen stehen. HDC zeichnet sich insbesondere durch die Förderung der Preisträger:innen im Rahmen eines Mentoring-Programms aus – dieser Wissenstransfer ist der Beginn und die Grundlage einer erfolgreichen Designkarriere. @barbaraglasner @formdesignpublishing @thea.griep @omcc_office @studiojonathanradetz @olafbarski @barskidesign @annettebertsch.bbc @christine.fehrenbach @dialog_plan @wissenschaftsstadt_darmstadt @wirtschafthessen Fotos: Ben Kuhlmann/HDC2026 @ben_benno
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As part of the conference of the German Colour Association, taking place from 9–10 October in Regensburg, we will present the DFZ Student Award 2026. The award is adjudicated by a jury from academia and design. Total prize fund: €1,200 We are looking for submissions by students addressing the theme Colour and Ecology (e.g. in relation to sustainability, materiality, perception, culture, or environment). The awarded projects will be exhibited during the conference. Selected winners may be invited to present their work. Deadline: 11. September 2026 Submit your digital poster to vorstand@deutsches-farbenzentrum.de Submitted works must have been created within the last 24 months as part of a Bachelor’s or Master’s degree programme. Eligible to apply are students and graduates of all disciplines. Submissions may be made in German or English. International submissions are welcome. For further information: vorstand@deutsches-farbenzentrum.de
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What if design’s most interesting ideas don’t come from one discipline, but from the space between two? That question became the foundation of a shared practice, and eventually, a book. We’re excited to welcome Corinna Gratzl & Julia Klass, Co-Founders of In Search Of, to FORM / FUTURE! Corinna and Julia met during their Master’s in Communication Design at Lake Constance. Corinna is trained as an interior architect with experience in New York and Berlin, Julia is shaped by media management, PR and corporate communications. Together, they founded In Search Of, a practice behind spatial installations, participatory interventions, and cross-disciplinary projects, most recently curating the WDC Campus for World Design Capital Frankfurt RheinMain 2026. Their talk builds on their book Dialog Beyond Disciplines, tracing the roots and approaches shaping cross-disciplinary practice today. They argue that design’s answer to societal challenges isn’t found in isolated expertise. It’s found in dialog beyond disciplines. Catch the full talk on 10 September 2026 at Tempelhof Airport. Get your ticket via the link in bio. FORM ⁄ FUTURE is an initiative launched as part of Berlin’s designation as a UNESCO City of Design (@design_cities). Funded by the Senate Department for Economic Affairs, Energy, and Public Enterprises (@senwienbe) | Implemented by Berlin Partner | Curated by 3STN (@3stn_berlin).
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