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Saan man mapunta, palaging bitbit ang mga kuwento ng mga mangingisda sa Zambales. 🌊⛵️

Nagpapasalamat na maging bahagi ng Counter-Cartographies: Research-in-Progress, isang eksibit ng Casa San Miguel sa Art Luzon fair, curated by Ryan Alcarde at Franco Brobio.

Nagbukas ang Art fair kahapon at tatagal hanggang October 18 sa Bulwagan ng Kanlahi sa Lungsod ng Tarlac.

Sana makabisita po kayo 🩵

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counter-cartographies: research-in-progess

Casa San Miguel’s Art Luzon exhibition is a research-in-progress work anchored in the layered histories of Zambales. It features the 1902 US edition of the 1875 Carta General del Archipiélago Filipino, the most detailed map of the Philippine territories during the Spanish colonial period, reproduced for the purposes of American colonization. Against the cartographic imagination of empire, the exhibition brings together works of artists Elmer Borlongan, Carlo Gabuco , Mia Casal, William Matawaran and Eunice Sanchez, foregrounding the oral histories of the people of the province. These are placed in conversation with archival materials from Casa San Miguel, drawn from its 3 decades of stewardship within and alongside its community, as well as news clippings by local journalist Joanna Aglibot, whose reportage features the lives of the Zambales fisherfolks and their every journey into disputed waters.

curated by Ryan Alcarde and Franco Brobio

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ขอแนะนำผู้เข้าร่วมโครงการ Monsoon School #2- Field as Method! [Swipe left for English]

deCentral ยินดีต้อนรับผู้เข้าร่วมโครงการ Monsoon School # 2 ทั้ง 10 ท่าน

ด้วยพื้นเพที่หลากหลายทั้งในเชิงภูมิศาสตร์ ความรู้ความเชี่ยวชาญ ประสบการณ์ชีวิตของผู้เข้าร่วมโครงการแต่ละท่าน ทั้งจากประเทศไทย ภูมิภาคเอเชียตะวันออกเฉียงใต้ และประเทศอื่น ๆ เราเชื่อว่าแนวทางการทำงานที่หลากหลาย ประสบการณ์ที่แตกต่าง รวมถึงมุมมองในการทำความเข้าใจสิ่งต่าง ๆ รอบตัวที่ต่างกัน จะช่วยให้ผู้เข้าร่วมจะได้เรียนรู้ไปพร้อม ๆ กัน รวมถึงเรียนรู้จากกันและกัน เพื่อร่วมกันก่อร่างสร้างความหมายให้แก่ Monsoon School # 2 ตลอดระยะเวลา 8 วันนี้

ฮหว่าง วู
เนติเสฏฐี ธาตุอินจันทร์
ทวีโชค ผสม
คราสซูลา ชาง
วราลักษณ์ อิ่มมณี
คลาริสซา ลิม ไค ลี
เล็ก เกียรติศิริขจร
ดยะห์ นินดยาสารี
ฟรังโก โรดอลโฟ โบรบิโอ
เทเรซา เดียร์เดน

ทำความรู้จักผู้เข้าร่วมโครงการรวมถึงแนวทางการทำงานของแต่ละท่านได้ในเว็บไซต์ของเรา (ลิงก์ในไบโอ)

#deCentral #PracticeRespondSupport

Meet the participants of Monsoon School #2 - Field as Method!

We are delighted to welcome ten participants of Monsoon School #2 from Thailand, across Southeast Asia, and beyond. Coming from different geographical, disciplinary, and lived positions, they bring diverse practices, experiences, and ways of understanding the world around them. Throughout the 8 days together, they will learn with and from one another and collectively shape what Monsoon School #2 becomes.

Hoàng Vũ
Nethisetthi Tathinjun
Thaweechok Phasom
Crassula Shang
Waraluk Immanee
Clarissa Lim Kye Lee
Lek Kiatsirikajorn
Dyah Nindyasari
Franco Rodolfo Brobio
Theresa Dearden

Learn more about each participant and their practice on our website. Link in bio.

#MonsoonSchool

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Rules in Flux: Dialogue and Open Game Library

Rules in Flux is a dialogue developed as part of the Balay da Judge Writer and Artist Residency Program. The fellows hope to converse with the audience on how gameplay factors into critical thinking and decision-making. Through sharing their process, they pose the question: “How can games help us respond to the crises of the present?”

After the talk, there will be a selection of games for attendees to play and engage with.
🃏 Barangay Masikap by Mykey Cuento & IDEALS Inc
🛠️ Strike! by The TESA Collective
👥 Co-opoly by The TESA Collective
👨‍💼 Billionaires & Guillotines by Max Haiven

About Loopy Engine
Loopy Engine functions as a laboratory for playing and dissecting games. It delves into the possibility of using play to create discursive spaces, and to imagine speculative futures through game narratives and mechanics.

🗓 Sept 27, 2026 (Sunday)
🕐 12:00 PM – 4:00 PM
📍 Puón, 1 F. Ortega Hi-way, Tanqui, City of San Fernando, La Union
❗️This event is free and open to all!

Poster by @gojuris

#AFTLibrary
#PuonBookshop
#LoopyEngine
#FilipinoGames

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🎮 WELCOME TO BALAY DA JUDGE

The Alfredo F. Tadiar Library is pleased to welcome Juris Go, Franco Brobio, Lyra Garcellano, and Nissie Arcega of Loopy Engine as our artists-in-residence for the Balay da Judge Residency Program, happening September 16–30, 2026.

@loopy.engine functions as a laboratory for playing and dissecting games. They explore how play can create discursive spaces and help us imagine speculative futures through game narratives and mechanics. During their residency, the group will be working on a game about how communities nourish one another, alongside a publication documenting and reflecting on that process.

Joining us are four artists and cultural workers whose practices move across comics, painting, curation, cultural work, game-making, writing, installation, and other forms of play:

@gojuris is the creator of Janjan Comics, a web-series exploring labor, politics, and everyday life.

@frunkkun is a curator and cultural worker whose projects engage with queer identity and play as a discursive and artistic medium.

@galacticleelee is a visual artist whose practice examines economic and social systems through painting, installation, moving images, comics, writing, and, more recently, board game development.

@antioedipus3000 is an award-winning game maker interested in the ways we engage with our worlds and each other through play.

Together, they form Loopy Engine: a space for asking what games can do, what play can make possible, and how we might use both to think about the worlds we inhabit and the worlds we could build.

We’re excited to have them at the Library and in La Union, and we invite our community to follow along as their residency unfolds. 🌀

📅 September 16–30, 2026

📍 Alfredo F. Tadiar Library

And save the date: September 27 for a special public event with Loopy Engine. More details soon!

#BalayDaJudge
#AFTadiarLibrary
#LoopyEngine
#ArtistsInResidence
#GamesAsArt

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Loopy Engine 🌀 functions as a laboratory for playing and dissecting games. It delves into the possibility of using play to create discursive spaces, and to imagine speculative futures through game narratives and mechanics. ♟️💭

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It was such a joy to lead the first day of workshops for @parasite.hk’s Workshops for Arts Professionals this summer ☀️

We started the morning with a Monday Chatroom session, getting to know the participants and their positions on art and tech today. The afternoon session focused more on identifying challenges and areas for growth in our fields, and devising possible solutions to address them. I shared numerous projects from Web3, including (and especially) ones that failed, as case studies for how we might intervene.

Thank you again to the entire Para Site team, and especially to @lookstefan and @yuenyukl, who nudged me to look back at my learnings from Web3. It is my time building and learning and curating in Web3 that taught me how much value there is in embodied research, and I appreciated the opportunity to look back at projects and spaces that I have held close to me, even if they did cease.

I look forward to seeing how you all continue to build 🧚

Photos courtesy of @parasite.hk

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Hong Kong Express ❣️

(Thanks to the amazing @parasite.hk team @yuenyukl @lookstefan and @jtaylorfoster )

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With love from Slop Kong

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“Vibe-coded World” Workshop today! It was so fun!!!! Thanks so much @parasite.hk again for the invite!!! @yuenyukl @lookstefan
.
2026 participant cohort:
Franco Brobio (@frunkkun), Jeremy Chen (@dragonhawaiichen), John Chow Ho Fung (@john0829), Guo Cheng (@cheng.guo), Erfan Ghiasi, Danny Hartanto Kristiawan (@_d.nn), Ana Marinkovic (@anksyee), lacopo Prinetti (@iacprinetti), Crassula
Shang (@crassula.shang), Lua Vollaard (@fangedluamena), canvaswan (@canvaswan), Ailsa Wong (@ailsa.ww), and Hui Ye (@huiyeist)
.
2026 Para Site Workshops for Arts Professionals
17 24-30 August 2026
° Hong Kong
The 9th edition of our Workshops for Arts Professionals runs alongside the International Conference,
‘Unsubscribe All!’! This year, we’re diving into where contemporary art meets technology - beyond inevitability narratives, towards alternative
methodologies for artistic production, collaboration, and knowledge exchange.
Rather than treating tech as a ‘black box’, we approach it as socially embedded infrastructure shaping our environments, languages, and communities. With a regional focus on Asia-Pacific, the programme tackles resource sharing, cross-disciplinary collaboration, and equitable access.

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Congratulations to @frunkkun for being selected as part of this year’s cohort at the 2026 @parasite.hk Workshops For Arts Professionals!

Frank has curated “Rough House” by @hubineer and @tokwap, co-curated “Slow Miracle” @slowmiracle2026 at @spare.bedroom , and curating the forthcoming solo show of @hubineer titled “Last Resort” this November at @tipontipon_ , La Union!

Frank also wrote the exhibition texts for @tokwap ‘s “Walang Naiwan Kundi Ang Hamog Sa Mga Dahon,” concluding his residency at @abungalowproject .

We’re so proud of you, Frank! ❤️🫶🏽

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June is typically the start of monsoon season, so to pick Bonnie Bailey’s “Ever After”, one of the most iconic songs of the summer, was an interesting choice. Instead of embodying the heartbeat of summer, this song was chosen because of its significance to Ginoe and his partner, Reenon, who describes choosing the song as almost becoming like a fresh drink of water.

By making Damgo Coffee Shop a space that felt more lived-in and almost like an extension of the comfort of home – a cup of coffee, music you love, and the people you care about most- the inspiration for the art was sparked from a place of deep intimacy.

So grateful for the opportunity to write this piece and dive into the intimacy of the afters. 🤍

You can read the rest of my piece about Foreverafters at @thriveartprojects

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