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Gamma-Rapho

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GAMMA RAPHO Mode. Page dedicated to fashion from GAMMA RAPHO photo agency, 1st European source of photographs with 20 million images.
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@pierrecardin by @rodrigobasilicati Spring Summer 2027 🗓️⠅Tuesday, 06/10/2026 🕔⠅05:00 P.M. 📍: Patinoire • @espace_sportif_pailleron , 32 Rue Édouard-Pailleron, 75019 Paris, France 📸: @claissevirgil ✍️: @lafeuille98 💬: The closing day 9 of #parisfashionweek wouldn’t have felt complete if there wasn’t the slightest hint of a performative twist to its proceedings, as #pierrecardin showcased its latest at an ice-skating rink (not quite expected for Spring Summer), which featured choreographed routines at the opening as well as during the closing moments, and had its creative director, #rodrigobasilicati present bespoke “retro-futurist” looks, but with a contemporary allure to them, as their structures were inspired by the technology infused within the @europeanspaceagency ‘s spacesuits, used in training for future moon landings, and undoubtedly nodded to the Maison’s cherished DNA of differentiating monochromatic hues and intriguing geometry, showcased in majority of the jumpsuits that were quite skin-tight, and within the evening section too. #fhcm
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@cfcl_official by #yusuketakahashi “Knit-Ware VOL. 13: Harmony” Spring Summer 2027 🗓️⠅Tuesday, 06/10/2026 🕜⠅01:30 P.M. 📍: Toguna (Level 3) • @palaisdetokyo , 13 Avenue du Président-Wilson, 75116 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Amidst the present surroundings which evoke darkness and despair, it is no guess that the solution to such baseless negativity is being flexible, supple, and pragmatic, even when faced with the onset of unfortunate times, as Yusuke Takashi’s new #cfcl edition of 43 buoyant beauties (an acronym for #clothingforcontemporarylife , and now N°13 in his “Knit-ware” series), witnessed the designer being inspired by the Finnish architect, Alvar Aalto’s (1898 - 1976) philosophy of harmony and purpose, which was expanded into a series of lurex knit dresses tacked on with tiers of handkerchief-like swatches, one-shouldered tops that resembled cloudy puffs, and lots of room for transparencies exhibited in the form of knit jumpsuits, or knit trousers, or even knit dresses, that heralded comfort and movement, which are indeed necessary. #parisfashionweek #fhcm
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@litkovska_official by @li_litkovska “STRICHA” Spring Summer 2027 🗓️⠅Tuesday, 06/10/2026 🕦⠅11:30 A.M. 📍: @cafe_beaubourg , 43 Rue Saint-Merri, 75004 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Translating to an “encounter” or a “meeting”, Ukrainian designer, #lilialitkovska of #litkovska decided to unfurl the meaning behind this word (the collection’s title originates from Hutsul, a dialect of Ukrainian spoken by the subethnic group with the same name), in her novel showcase of 31 exits, wherein Litkovska dealt with the idea of confrontations (undoubtedly in a positive light), but more from an artistic perspective and especially with relation to the self, as the lineup featured tops embroidered with faces (a collaboration with Ukrainian artist, Borys Kosarev), puffy volumes with drawstrings for adjustment purposes, and a medley of clashing textures such as frayed seams and colourful fringes to evoke the aesthetic of a visual mêlée, but with more of a curated, purposeful, and well-crafted bent to it, as vividly exhibited here. #parisfashionweek #fhcm
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@ujoh.official by #aconishizaki + #mitsurunishizaki Spring Summer 2027 🗓️⠅Tuesday, 06/10/2026 🕙⠅10:00 A.M. 📍: Salle Claire • @maisondesmetallos , 94 Rue Jean-Pierre-Timbaud, 75011 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Even if the showspace featured metallic barriers with the intent of a precisely-defined choreography for the models to walk around the audience, there was nary a presence of these physical hindrances within #ujoh ’s new collection of 45 exits by Aco Nishizaki and Mitsuru Nishizaki, that witnessed a preponderance of denim reimagined in refreshing fusions and breathable volumes, via the brand’s preferred technique of deconstructing the conventional, which thereby introduced fresh ideas in everyday dressing, where any of this collection’s pieces would ideally be suitable for every kind of occasion. #parisfashionweek #fhcm
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@chanelofficial by @matthieu_blazy “La Conversation - Part Three - Different Faces of the Same Coin” Ready-to-Wear Spring Summer 2027 🗓️⠅Monday, 05/10/2026 🕗⠅08:00 P.M. 📍: Nave (Level 0) • @le_grand_palais , Avenue Winston-Churchill + Avenue du Général-Eisenhower, 75008 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Time does fly by at an incredibly uncontrollable speed, and so did the flock of birds (not quite literally, but wish they did for that cinematic effect), suspended alongside an orb resembling the lunar surface, from the mammoth glass roof of the Grand Palais’ cavernous showspace (the décor this season was designed by French scenographer, Richard Peduzzi’s @atelierpeduzzi ), that rung in the first anniversary of recently-instated #chanel creative director, #matthieublazy ’s “Blazymania” (coined lovingly by the press and his legion of fans, given the intense outpouring of love and admiration for his textural euphoria and imaginative universes, following his game-changing debut at this renowned Maison, last year), wherein he extended on his conversation with the namesake founder (this present edition was the third-part instalment to this thematic series, with his Spring Summer 2026 and Fall Winter 2026 showings acting as the maiden and sophomore chapters), and expanded on that spiritual dialogue with a whopping 83-look lineup, that poetically charted Gabrielle “Coco” Chanel’s life in several remarkable milestones, with elements borrowed from Edwardian tailoring and constrictive corsetry, that progressively loosened up, and was rendered buoyant & feather-light, thanks to a list of in-house innovations, devised and executed by the Maison’s treasured coterie of artisanal workshops, housed in @le19m . #chanelshow #parisfashionweek #fhcm
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@kikokostadinov by @laura_deanna_fanning Women's Spring Summer 2027 🗓️⠅Monday, 05/10/2026 🕓⠅04:00 P.M. 📍: Salle des Textiles (Level 1) • @lecnam , 292 Rue Saint-Martin, 75003 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: A darkened room illuminated by strategically-placed spotlights was the chosen scenographic setting for the new #kikokostadinov women’s counterpart by sisters and co-creatives, #lauradeannafanning , who showcased 36 looks that was quite conceptually-driven but possessed enough practicality for real life , that took its seasonal inspiration from Italian visual artist, Nanda Vigo’s (1936 - 2020) minimalist installations, wherein she explored light and its luminous capacities with respect to varying spatial constraints, which therefore became the visual guide for the Fanning duo, who transferred her artistic philosophy to their inventive sartorial language, that incorporated experimenting with layering by using differing textures and weights of textiles, to not only give birth to a multi-dimensional result in terms of the overall look, but also managed to successfully interpret the way in which Vigo would often utilise contrasting materials and transform them into imaginative assemblages, as evidenced within her works to exhibit her achieved outcome, and also thanks to the mathematics of geometry that was vividly featured within the edit’s triangular tops, and skirts with inverted triangles. #parisfashionweek #fhcm
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@shiatzychen by #shiatzychen “In Accord” Spring Summer 2027 🗓️⠅Monday, 05/10/2026 🕦⠅11:30 A.M. 📍: Saut du Loup (Level 1B) • @palaisdetokyo , 13 Avenue du Président-Wilson, 75116 Paris, France 📸: @claissevirgil ✍️: @lafeuille98 💬: Spring Summer always demands for freshness, lightness and romance, be it in the clothing or in spirit, as all these aforementioned aspects were present in abundance within the almost 50-year old Taiwanese brand, Shiatzy Chen’s newly-unveiled showcase, that saw 60 refreshing and summer-ready looks presented (inclusive of a few men’s looks injected within the edit), that was inspired by the orchid’s purity and structure, and stretched across nine different chapters, which had the exquisite bloom incorporated and infused in various ways pertaining to colour, design and embellishment (also not forgetting the set design, that saw the particular floral species blown up to life-like scale): opening with “Orchid in Bloom” that had feathery or floral-embellished bralette tops paired with sober tailoring; to the third chapter, “Petals in Motion” which comprised of airy pieces that bore aerodynamic panels cut and moulded to resemble orchid petals; to the sixth part, “Orchid in Ink”, that consisted of masculine elements woven-in with the orchid branches crafted in leather, and embossed perfectly; to “Orchid After Dark”, the final ninth chapter, that had magical evenings under starry nights in focus. #parisfashionweek #fhcm
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@sacaiofficial by #chitoseabe “Moment of Becoming: The Art of Wearing One’s Inner World” Women’s Spring Summer 2027 🗓️⠅Monday, 05/10/2026 🕙⠅10:00 A.M. 📍: La Grande Nef • @collegedesbernardins , 20 Rue de Poissy, 75005 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: “Trompe l’œil” or “tricking the eye” is a choice artistic technique that has always fascinated #sacai ’s #chitoseabe with its consistent incorporation to the hilt, as evidenced within her numerous showcases, and also present in her current seasonal edition of 45 tailoring-meets-flou amalgamations (Abe was back on the #parisfashionweek runway, following her temporary shift to a lookbook presentation during the previous Autumn Winter 2026 season), that didn’t just comprise of her noteworthy sartorial confluences such as: a pair of cargo trousers with its seams taken apart and configured with a bouncy kick-pleat to morph into a skirt, or a shirt with its typical sleeves replaced by an arresting pair of bow-tied versions for a more operatic flair, or even a black coat with peaked shoulders that had its internal canvas out and melded with a quilted puffer to display technical prowess, but also witnessed some intriguing textural applications sprinkled within the lineup, either in the form of silvery necklaces that garlanded the models’ shirt collars and necks, or zoomed-in cable knit or sequin embroidery motifs printed across the militaresque pieces, that certainly brought playful nuances to tactility. #fhcm
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@muglerofficial by @miguelcastrofreitas “A Trilogy of Glorified Clichés, Part III: NATURALIA X” Spring Summer 2027 🗓️⠅Sunday, 04/10/2026 🕡⠅06:30 P.M. 📍: Les Salles du Carrousel (Access⠅Arc de Triomphe du Carrousel), Place du Carrousel, 75001 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: An year into the tenure of former Sportmax design studio alumnus, and #mugler ’s current creative director, #miguelcastrofreitas , its becoming furthermore evident how Castro Freitas’ trying to revive the noteworthy gems and past wonders of this pathbreaking Maison, known to treasure the unconventional, and champion the same to heights of "impossible beauty", but with his personalised twist and signature eye to the creative process, that subsequently witnessed the darkened oval room encircled by around 32 screens showcasing Björk’s circa-1995 “Possibly Maybe” music video by Stéphane Sednaoui (a custom-made visual and aural collaboration crafted by @caspersejersenstudio and @tehoteardo ), play to the reveal of 43 painstakingly-crafted “primal” realisations, which answered the question of humans tapping into their inner animal instinct, and letting go of all inhibitions to come in touch with their unbridled state, all of which consecutively trickled-down into quite a daring and sometimes-racy grouping of bespoke elements that collided both flora and fauna in some brilliantly-laboured results, courtesy of the Maison’s directory of treasured partnerships with specialised artisanal studios. #parisfashionweek #fhcm
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@maisonvalentino by @alessandro_michele “Antibiblioteca” Spring Summer 2027 🗓️⠅Sunday, 04/10/2026 🕞 + 🕠⠅03:30 P.M. + 05:30 P.M. 📍: @bibliothequesaintegenevieve , 10 Place du Panthéon, 75005 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Leave it to #valentino creative director, #alessandromichele to take over one of Paris’ most celebrated and cherished academic spaces, and privatise its expansive reading room for his latest #valentinoantibiblioteca showing that comprised of a mouthwateringly delectable selection of 80 passages (shown on both genders), which undoubtedly borrowed its vestimentary cues from the Roman Couture house’s valuable vault of jet-set appropriate beauties and scintillating evening wonders, subsequently transmuted into contemporary renditions, that saw the namesake founder’s sartorial philosophy of unapologetic glamour meet the maximalist decadence of its current artistic figurehead, within a plethora of inspiring pairings featuring tightly-zipped monochromatic bustier tops over lacy skirts with fluted hems, ruched and embroidered party wear in contrasting hues and sometimes bordered with puffy bows for a feminine flair, feathery trimmings over knitted skirts for that touch of quirky eccentricity, and collegiate-inspired layering options for the guys with double-breasted blazers or incorrectly-buttoned trench coats over baggy three-pleated trousers, that came accessorised with baseball caps. #parisfashionweek #fhcm
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@akris by #albertkriemler Spring 2027 🗓️⠅Sunday, 04/10/2026 🕑⠅02:00 P.M. 📍: Grande Verrière (Level 2) • @palaisdetokyo , 13 Avenue du Président-Wilson, 75116 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Sunday’s afternoon nourishing sunlight streamed-in through the glass-roofed venue, which cast the ideal amount of radiance to the colourfully-tactile grouping of 55 exits, assembled within the latest showcase of Albert Kriemler’s #akris , that derived its seasonal inspiration from the vibrant abstraction and exuberant brushstrokes found within Austrian painter, #marthajungwirth ’s catalogue of expressive canvases, that struck quite a touching chord with the Swiss designer, who managed to collaborate with the artist’s estate following a personal audience with her, and ended up showcasing not only the brand’s trustworthy staple of tailored separates in a summery palette of beiges, creams and lilacs, alongside a series of carefully pin-tucked pleated dresses that displayed fluidity and gracefulness for that perfect twirl around the city’s streets, but also dedicated enough space to a stunningly mesmerising execution of the artist’s signature techniques creatively interpreted, and subsequently exhibited with panache on the collection’s many pieces, either in the form of ombré jacquards with its savage underbelly shown, or multiple embroidered ribbons that mimicked painterly applications. #parisfashionweek #fhcm
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@miumiu by #miucciaprada “HERE AND NOW” Spring Summer 2027 🗓️⠅Sunday, 04/10/2026 🕐⠅01:00 P.M. 📍: Hypostyle Hall • @cese_officiel - Palais d'Iéna, 9 Place d'Iéna, 75016 Paris, France 📸: @victor.virgile.fashion ✍️: @lafeuille98 💬: Advancing their show by a good couple of days, considering their sworn allegiance to the afternoon slot on the closing day of #parisfashionweek , the younger sister to Miuccia Prada’s mainline behemoth, #miumiu (solely designed by her along with her design team, with no presence of any sort of artistic interjection by any co-creative, and the only external contributions solicited from collaborators, who participate in the collection’s secondary and tertiary aspects), was back at the Auguste Perret-designed edifice, with its primary showspace transformed to either resemble a school gymnasium, or even a multi-purpose sports centre (designed by @studiodennisvanderbroeck , and complete with stadium-style bleacher seating), which became the backdrop to not just the host of celebrity faces injected within the cast for a good dose of visibility, but also an athletically-charged lineup that took the youthful plurality of everyday wardrobe items, and ran with the idea through 75 looks that included boxer shorts, jeans and skirts knotted with shoelaces (courtesy of a collaboration with @wrangler ), retro wallpaper and upholstery print motifs emblazoned on dresses and scarves fashioned into midriff-baring tops, “worn-out” pieces with crinkly textures, and a little sliver of delicious sparkle for that sweetened conclusion. #fhcm
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