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GRAPHIC Magazine

@graphic_propaganda

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즐거운 군산 (비매품)

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모든 감정을 태워버린 후 나에게 어떤 사랑이 남았는지 계속 묻고있다 감정들이 회복된다면 베를린을 가보고 싶단 생각도 한다 럽스타같은것을 꿈꾸며

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Hey friends ✨ Good things are worth the wait 🤭 here were the books shared from #7! Swipe for what everyone shared around the theme ‘Noise’ back in June, as part of the event Saturdate by @objectifscentre!

Thank you for taking the time to share with us your thoughts 📝

Also: Our next sesh #9 is a tad special! Look out for it at the end of this month… at everyone’s favourite art book fair ❤️ Cyall~~~

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Session #7 was themed Noise, and it was so interesting to see how noise can be interpreted, classified and defined – be it literal noise, visual noise, mental noise, music, vibrations… thank you for showing up and sharing your mind within our cosy book club!

Housed under the warm and lovely roof of @objectifscentre as part of their event Saturdate (if you haven’t checked it out yet you should!) Thank you Objectifs! 🎤🎶

See y’all soon!

💿💚💿

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new in/restocks/last few copies of the usual suspects ★ all at Broadway Market this weekend ★

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#publicservice nice to be back! teaching @guc_egypt

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Dig through Seoul independent art bookshops to find this issue dedicated to Amsterdam, special place in my heart. Graphic Magazine 24 on Amsterdam, 172 pages, 2012

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A cosa servono le fiere dell’editoria indipendenti? Noi che una fiera di editoria la produciamo, sappiamo bene come Rispondere a questa domanda, ma gli amici di Graphic, rivista coreana di Graphic Design, hanno deciso di dedicare tutta un’edizione del loro magazine a questo tema. Passando in rassegna le più longeve fiere di editoria indie al mondo e il loro immaginario visivo, ci danno la risposta che volevamo vedere nero su bianco: le Fiere esistono perchè esiste un mondo su carta che ostinatamente resiste alle logiche commerciali.
Insomma, esistiamo per ricordarvi che la bellezza esiste ancora. Quella fine a se stessa, e quella che ha scopi ben più nobili del mercato.

#magazine #independentmagazine #graphicdesign #riviste #frabsmagazines

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was featured in GRAPHIC #51: Art Book Fair Now, summer 2025 issue

"It (Rehearsal Art Book Fair) happens out of necessity - when new questions arise, when critique is urgent, when the field of (independent) publishing demands to be examined, broken apart, and reimagined."
- Interview with Shisi Huang, 79p-86p

In the background of the phenomenon of the collapse of the Art Book Fair, <GRAPHIC> @graphic_propaganda @propaganda_publishers invites a range of art book fair organizers to share their perspectives on the current state of the art book fair ecosystem and the roles these events should play. Metaphorically, this issue serves as a large roundtable featuring over 30 art book fairs from around the world —from long-established to newly founded—each with its own mix of tradition, scale, background, and motivation.

GRAPHIC #51 / 230*300mm / 248 Pages / Release date 18 Aug / English and Korean
Planning and design by Youngsam Kim @o.sam.kim Shin Yunho @shindokho
Editing Kim Lee Jae
Translation by Kim Lee Jae, Lee Seo Young

Reading access at Bungee Space

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늦잠자는 바람에 바로 앞의 분까지 사가시고 끊긴,
넘버원 떡볶이 ;_;

미술관으로 가는 노오란길.

1시부터 6시까지의 언리밋 행사장.

정신없이 구경하고 이야기들으며 카드긁고 송금하다보니,
마감시간채우고, 밥과 커피 간절-

역 하나 사이라 걸어가야지 했다가,
마감직전 도착한 #비스킷플로어.

그리고 무려 한시간 대기 후,
#공릉닭한마리.

마지막 뜻하지 않게 남대문시장까지 돌고,
향이랑 막 웃다가 들어왔네-

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Tone in Tongue is now on view at the Maryland Institute College of Art from October 20 to November 14!

Culture, like a shadow, shifts and transforms over time. The Chinese idiom “如影随形” rú yǐng suí xíng (“as the shadow follows the form”) evokes this fluid and intimate relationship—one element inseparably linked to another. Tone in Tongue adopts this metaphor to explore the deep interconnection of East Asian visual culture, tracing how shared histories and distinct, aesthetic identities continue to resonate in contemporary design.

Tone in Tongue is curated and organized by Mary Y. Yang @marukie and Zhongkai Li @zhongkai_li

Exhibition design by Shuang wu @reawakening47 and Xinran Zhou @lmond_x

Installation by Cindy Kim @minsuuna, Andy Li @andy1ii, and Vi Tuong Ngo @doublecorn110

Furniture designed by Penghui Henry Zhang @professor_jobs

📷: Xinran Zhou

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Radical Characters presents Tone in Tongue at Maryland Institute College of Art

Bronze Gallery
October 20–November 14
Brown Center, 3rd Floor
1301 W Mt Royal Ave
Baltimore, MD 21217

Culture, like a shadow, shifts over time. The Chinese idiom “如影随形” rú yǐng suí xíng (“as the shadow follows the form”) evokes this fluid, inseparable relationship. Tone in Tongue adopts this metaphor to explore East Asian visual culture, tracing how shared histories and aesthetic identities continue to resonate in contemporary design. Through the lens of graphic design, typography, and independent publishing, the exhibition highlights the tension and harmony between shared language and individual expression across the region.

Tone in Tongue, the exhibition title and a play on words, draws from the Hanzi character 同 tóng (together or in common) and is composed of the radicals 凡 fán (all) and 口 kǒu (mouth or gateway), symbolizing a shared language.

Presented in four, interconnected parts, Tone in Tongue features the work of 50 international designers and 100 publications, including:

▶ Commissioned posters by international studios
▶ Contributions from emerging practitioners selected through an open call
▶ A curated collection of independent publications
▶ A design magazine tour that traces evolving perspectives on East Asian graphic design over the past two decades featuring Design360° (China), GRAPHIC (South Korea), and idea magazine (Japan)

Tone in Tongue is curated and organized by Mary Y. Yang and Zhongkai Li

Independent Tone is curated by Mac Naiqian Wang

Tone in Print are selected by Design360°’s editorial team, GRAPHIC’s editorial team, and Madoka Nishi (Former Editor-in-Chief of IDEA Magazine)

Exhibition design by Shuang Wu and Xinran Zhou

Exhibition identity typeset in commonSans (Xiaoyuan Gao, notyourtype foundry)

Custom stools designed by Penghui Henry Zhang

Installation by Cindy Kim, Andy Li, and Vi Tuong Ngo

Photography by Xinran Zhou

#RadicalCharacters #ToneinTongue #mica #baltimore

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