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Grover Pro Percussion

@groverpro

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Proudly crafting the world’s finest percussion products since 1980!
𝙁𝙤𝙪𝙣𝙙 𝙞𝙣 𝙩𝙝𝙚 𝙬𝙤𝙧𝙡𝙙’𝙨 𝙛𝙞𝙣𝙚𝙨𝙩 𝙘𝙤𝙣𝙘𝙚𝙧𝙩 𝙝𝙖𝙡𝙡𝙨™

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¿Porqué Grover Pro?

Nuestra artista Michelle lagos nos comparte su experiencia y su preferencia por Grover Pro!

#groverpro #groverprolatinoamerica #michellelagos #percusionsinfonica

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A beautiful triangle sound is only the beginning.

Antonín Dvořák - Symphony No. 9, “From the New World”
III. Scherzo: Molto vivace | Triangle
Performed by Lise Duarte Nuñez.

The triangle's brightness can draw the ear immediately. But Dvořák's Scherzo asks for more than isolated flashes of sound: the written part includes sustained tremolos, separate attacks and rests. They do not all have the same musical job.

THREE THINGS TO LISTEN FOR

Placement: can you hear where the attack belongs within the pulse, rather than hearing only an isolated metallic sound?

Clarity: does a change in volume also change the character of the attack? A more forceful stroke is not automatically a more useful sound.

Resonance: listen past the initial contact. Where your passage includes a roll followed by a separate stroke, can you hear both the continuity and the new attack?

A PRACTICE IDEA

Choose a short passage and count through it before playing. Record one take, then listen twice: first for rhythmic placement, then for the sound after each attack. Write down one difference you want to explore and change one variable at a time.

This is a listening exercise, not a fixed rule about where to strike or when to dampen. Those choices depend on the written part, the instrument and the musical context.

Save this for your next triangle practice. What do you find hardest to judge: the entrance, the sound colour or the resonance?

Follow @lisepercussion for orchestral percussion and sound-focused pedagogy.
Professional and educational enquiries: contact@liseduartenunez.com

Score reference: Greek National Opera, percussion audition excerpts, Triangle 2. Listening exercise adapted.

#Dvorak #NewWorldSymphony #Triangle #OrchestralPercussion #PercussionTechnique

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😂🧹 E se la casa diventasse un lavoro a tempo pieno… senza ferie e senza stipendio?! 🤣🏡

Oggi sulla mia pagina vi porto nel mondo di “Storia di una super-casalinga” di Ursula Wölfel, una storia tutta da scoprire, tra faccende domestiche, situazioni esilaranti e tanta voglia di ridere! 😂

Perché diciamocelo: tra pulire, riordinare e sistemare, una vera super-casalinga meriterebbe una medaglia olimpica! 🏅🧽 E magari anche un bel caffè servito direttamente sul divano, con la casa già in ordine! ☕🤣

📖✨ Pronti a sorridere insieme a me? Guardate il video e ditemi nei commenti: siete anche voi dei supereroi delle faccende domestiche oppure fate finta di non vedere la polvere? 😂👇

#storiedaascoltare #storytellingitalia #racconti #letturaadaltavoce #chimes

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You know the passage. Then someone listens, and it feels different.

What are you practising: the passage, or performing the passage?

For this series, I'm using a teaching analogy: hardware and software.

HARDWARE is your musical technique: sound, rhythm and control.

SOFTWARE is how you respond under pressure: where your attention goes, how you work with nerves, and how you continue after a mistake.

Your technique hasn't become useless. But worry can draw attention away from the music you prepared.

“Don't miss” names what you fear. A musical cue points towards what you want to do.

Here are possible examples, not universal formulas:

“Keep the phrase moving” might remind you of the direction between notes.

“Warm sound” might recall a tone you have already explored.

“Steady pulse” might reconnect you with an established rhythmic feeling.

The words need meaning in YOUR passage. Choose one cue, try it while playing, and notice whether it supports your intention. A reassuring phrase alone is not the goal.

TRY THIS:

1. Choose a passage you have already prepared.
2. Recall your cue before one recorded take. Continue after a mistake.
3. Listen back. What did you hear in the sound or phrasing? Did the cue help you return to the music?
4. Write one observation and one next step.

Recording can add pressure for some musicians, not everyone. Mental preparation supports musical work; it doesn't replace it or guarantee an audition result.

Save this for your next practice. In the comments, tell me your passage and the cue you would try.

Follow @lisepercussion for episode 2: working with nerves.

For professional or educational enquiries:
contact@liseduartenunez.com

Inspired by Don Greene's Audition Success. Hardware/software and the examples above are my teaching adaptations, not quotations from the book.
.
#AuditionPreparation #MusicPerformance #PerformancePsychology #MusicianLife #Percussion First page of Audition Success, episode 1. On an aubergine background with gold circuit lines, text asks: “You can play it at home. What changes in an audition?” Below, Lise plays a large bass drum. The topic is hardware/software. An arrow invites the reader to swipe.

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First concert of the master’s degree with the CMU Symphonic Orchestra premiering @matcampbell.media marimba concerto with @marcojschirripa 🤟🏼

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"Nights in the Gardens of Spain". I never get tired of this wonderful masterwork by Don Manuel de Falla! Loving this @groverpro #TRBPH8 triangle: shimmering, colorful, noble, luminous and impressionistic! Like a fountain in Córdoba 😉😉. @ospa_orquesta @teatrojovellanos

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Daphnis et Chloé – Suite No. 2 (Tambourine excerpt)
Maurice Ravel
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#OrchestralPercussion #Tambourine #Ravel #Percussionist #WomenInMusic

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《Timeless Classics 盛世經典》 @ekcc.hk

@francesyip_official X @elisachanchan X @johnnyyim

6 shows done! Such a blast playing these timeless classics for three absolute legends! Big thanks to our super MD @johnnyyim for having me, and as always, great team with @emily_meikwan of bouncing ideas for the percussion setup and chemistry was as locked in as everrrr

📸 @ccfai007
📸 @marcotang1998

#sept2026

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Make your choice right
@groverpro

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Carmen - Danse Boheme

Premiere i kveld! Totalt 8 forestillingar denne og neste veke. Ta gjerne turen 😊

Video frå øving forrige veke.

#carmen #tambourine #orchestralpercussion #danseboheme #percussion

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🥁 XXVII Festival Internacional de Percusión del CMPR - 2026

📅 18 de septiembre de 2026

Lise Duarte Nuñez | “La sección de percusión: caja, accesorios, teclados y repertorio — sonido, color y expresión”

Lise Duarte Núñez regresó al festival para compartir una segunda clase magistral con nuestros estudiantes, esta vez enfocada en la sección de percusión y en cómo el sonido, el color y la expresión se integran al trabajo con la caja, los accesorios, los teclados y el repertorio.

Agradecemos a Lise Duarte Núñez por ser parte del festival y por compartir nuevamente sus conocimientos y experiencia con nuestra comunidad. Con esta clase magistral cerramos nuestro recorrido por las clases magistrales del XXVII Festival Internacional de Percusión. ¡Gracias por hacer de esta edición una tan especial y llena de recuerdos memorables! Nos vemos en la próxima.

📸 Tania Acosta/Angeline Algarín

#FestivalInternacionalDePercusión #CMPR #Percusión #AquíSeViveMúsica #XXVIIFIP2026

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Concierto tributo a Selena Quintanilla con @morochaoficial como solista bajo la dirección de Edgar Gutierrez en el Teatro Nova @club_recreativo_nova

Compartiendo escenario con
Felipe Meza
Jacobo Ruiz
@celina_mtv

Baquetas:
Groover: Solo Glock M6 @groverpro @groverprolatinoamerica
Consiguelos en @mikespercussion

Cámara:
GoPro Hero 12 @gopromx @gopro

#selenaquintanilla #symphony #music #percussion #orchestra

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