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Earlier this year we had the pleasure of working with @harmo.paris on the design of the racks and fixtures for @family3_0 newest store in Aix-en-Provence. The various elements were designed in order to find a balance between a rational use of stainless steel and a need for maximum visual impact. We opted for a mat finish, the most production-efficient and durable surface, and decided to use both welded and mechanical connections in order to obtain a highly precise but delicate outcome. Our intention was to create fixtures that would bring the sense of aesthetic usually associated with collectible design into the technical requirements of retail design. As designers, makers and installers we could apply our consideration and expertise on the entirety of the process, creating a coherent installation both in terms of production and user/customer experience. The elements consist of 38 linear meters of racks, six hooks, four door handles, three shelves, one corner shelf, eight outdoor tables, four lounge chairs, two counter stools. Stainless steel fixtures for @family3_0, store design by @harmo.paris. Fixtures design, engineering, production and installation by @heimviladrich
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We are not only totally obsessed with type, but we are also big fans of the amazing designers and art directors putting it to good use. Here’s a roundup of Nimbus Sans spotted in the wild: 1-2: Branding for Daniec Górecki & Partnerzy by @anna_nawara , @jakublehmann & @artek_miyagi - 3. Book Cover by Verso Books AD: @andypressman GD: @michaeloswellgraphicdesigner - 4. Editorial by @heimviladrich - 5. Branding by @andreareza_ for Easy Jouse - 6. Branding by @studiogruhl for Spellbound. Read about every project in detail at atypeofamigo.com. 🔗 Link in bio Looking for a curated open-source font library? 🗂️ Check our Type Hub.
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Glissière collection by @heimviladrich on display at @mve_collection back in May.
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HEIM+VILADRICH . . . #heimviladrich #artaschairs
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REST Chair by @heimviladrich Inspired by the public furniture created by René Malaval during the 1950’s and 1960’s, and developed for @family3_0 store in Aix en Provence. Suitable for indoor and outdoor. Inquiry at office@heimviladrich.com
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Originally developed for @family3_0 in Aix-en-Provence, the REST chair draws on the fixtures designed for the store while referencing the post-war furniture developed by René Malaval throughout the 1950s and 1960s. Malaval’s now-iconic furniture from the South of France was distinguished by its use of leftover steel plates from the ammunition industry, located in part in the Hautes-Pyrénées, where the designer/welder was originating. Defined by a distinctive circular perforation pattern combined with tubular steel frames or curved steel plates, his benches, chairs and tables were widely adopted by both municipalities and private clients. His benches in particular, with their robust yet elegant and remarkably comfortable construction, can still be found in villages throughout Provence, the Camargue and the French Pyrenees. They remain one of the most emblematic examples of Southern French public furniture. The stainless steel easy chair is suitable for out-and-indoor and crafted from 6mm folded stainless steel. It showcases exaggerated armrests and a twenty degrees inclined seating ensuring a comfortable yet active posture. The perforated surfaces promote airflow and improve thermal comfort, while an enlarged opening in the right armrest is designed to accommodate a parasol, providing shade and protecting both the chair and its occupant from intense sunlight. REST Chair is available for purchase at office@heimviladrich.com
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Undisciplined Ethnobotany 2–3 June 2026 Orangerie du Jardin des Plantes, Montpellier, France Presented as part of Undisciplined Ethnobotany, the 2026 Annual Meeting of the @societyforethnobotany (SEB) The exhibition brought together artists, designers and researchers whose work explores plant-human relationships through film, photography, sound, installation, textile and participatory practices. Rather than treating plants as objects of study, the exhibition approached them as co-creators of social, cultural and ecological worlds. Julia Mensch — Colorado Inês Quente — For Every Algae Its Place Shuang Xu — Root Carriers Lucie Benoit — Listening Bodies: Sound as Method, Encounter, and Transformation in Ethnobotanical Fieldwork Camila Chebez, Ana Tomas Danuka & Barbara Mączka — Subtropical Ghosts and Memory Potions: Towards Brewing an Affective Archive of Yerba Mate Anna Tüdős — What Does Asparagus Do? – Making Ethnobotanical Knowledge Felt Emílie Rážová — Leaky Pocket Felipe Castelblanco — Behind the Night / Detrás de la Noche Borrachero Dreams and the Quantic Plant The Devil’s Breath Scenography: @heimviladrich Artistic Committee: @beatrizmanteigas (@quintadasrelvas - @fbaul) @denisemissbianco (@csm_news) @alexis__loisel_montambaux (@montpelliercontemporain), @vincent_porcher_photo (@cnrs), @guillomethnobota (@cnrs), Tara Lasrado (Arvae), @linseyrendell (@hgkbasel_criticalmedialab @hgkbasel_transversaldesign), @sash_strelec (@haenkehaenke - chair). Photography @audrey_viste + film stills —— This work received support from: the French government, managed by the Agence Nationale de la Recherche (ANR) as part of the investment programme France 2030 under the reference « ANR-21-EXES-0005 » ; from the Occitanie Region; and from the ExposUM Institute of the University of Montpellier.
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𝓤𝓷𝓭𝓲𝓼𝓬𝓲𝓹𝓵𝓲𝓷𝓮𝓭 𝓔𝓽𝓱𝓷𝓸𝓫𝓸𝓽𝓪𝓷𝔂 departs from the premise that ethnobotany does not belong exclusively to the domain of science, nor to the authority of institutional knowledge production. To insist on the presence of art and design is therefore not an act of undisciplinarity, but a recognition that these practices, too, participate in the study of how humans relate to the vegetal world, and how these relations shape cultures, economies, cosmologies, and futures. Through film, image-making, textile, sculpture, sound, and embodied practices, the presented works approach plants as co-creators of our shared, entangled social, political, and ecological worlds. Rather than treating them as objects of inquiry through an extractivist gaze, the works position artistic practice itself as a research methodology: capable of producing situated forms of knowledge, affective infrastructures, and alternative modes of attention to plant-human relationships. Conceived spatially by Heim+Viladrich, the exhibition unfolds as a porous and materially attentive environment. Based in Montpellier, the studio’s practice moves between object design, architecture, and scenography, often foregrounding local material ecologies, vernacular gestures, and forms of reuse that question extractive notions of production. Their intervention for the Orangerie works with the site as a living condition. In this sense, the scenography enters into dialogue with the artworks, proposing exhibition-making itself as a form of ecological and situated practice. 2-3 June 2026 | Orangerie, @jdpmontpellier Featuring works by @anna_tudos_ @emilie.razova Lucie Benoit @yourwildmoment @ines_batata_quente @shuang.x.u @studio.amancay @pigment_e_motion @dnkntms @julia_mensch_ @felipecastel Scenography @heimviladrich Photography @miguelteodoro Artistic committee @beatrizmanteigas (@quintadasrelvas) @denisemissbianco (@csm_news) @alexis__loisel_montambaux (@montpelliercontemporain), @vincent_porcher_photo (@cnrs), @guillomethnobota (@cnrs), Tara Lasrado (Arvae), @linseyrendell ( @hgkbasel_transversaldesign), @sash_strelec (@haenkehaenke). Part of @societyforethnobotany
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Fragments from RAD DESIGN 2026, an exhibition exploring Radical Domesticity through collectible design, bringing together a wide range of practices, from experimental and speculative positions to approaches rooted in material research, technique, and use. RADICAL DOMESTICITY Curated by Muromuro Studio and hosted by Grotto Gallery Part of RAD ART FAIR 2026 Photos by @yap.studio
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Heim+Viladrich website 🔗 Link in bio Design: @endvc, @rimasuu_std Development: Kolin Weidmann #design #webdesign #websitedesign #typography #browsingmode
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What if the way we live isn’t something inherited, but something we can constantly reimagine? Explore a selection of 16 exhibited works that navigate the space between object, body, ritual, and architecture, from material-driven investigations and speculative approaches to pieces grounded in use, tactility, and everyday gestures. Together, they construct a landscape where domesticity becomes fluid and negotiable. 1. LS GOMMA - Salon Chair 2. Clara Schwveers - Entangled Mirror 3. Laurids Gallée - PL02 4. Nicolas Zanoni - Retouche 5. Bogdan Ciocodeică - Duomo 6. Wendy Andreu & Bram Vanderbeke - Regular Pyramid 7. Jean-Baptiste Durand - Spring Chair 01 8. Nicolas Zanoni - Chair brûlée 9. Martin Laforêt - V1LC25 10. Adrian Kiss - Moto 7 11. Andrei Arion - They never argue over which car to chase 12. BRUT Collective - A city’s long table 13. Lucian Bran - Gripen’s Ande 14. Heim+Viladrich - 3SB 15. Arthur Vandergucht - FR02 16. Muromuro Studio - HS01 Visual identity by Andrei Şendrea RADICAL DOMESTICITY Curated by Muromuro Studio and hosted by Grotto Gallery Part of RAD ART FAIR 2026
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[Les œuvres de la commande « Créer un vase » : « Vase_Proteor_485_min_11/2024 » d’Heim+Viladrich] 📅 Du 29 avril au 20 septembre 2026 📍La Platine – @citedudesign, Saint-Étienne Présenté dans le cadre de l’exposition « Créer un vase », le « Vase_Proteor_485_min_11/2024 » d’Heim+Viladrich (@heimviladrich) est le témoin des spécificités techniques, matérielles et sociales d’une époque. Pour cette pièce, le duo collabore avec PROTEOR (@groupe_proteor), entreprise spécialisée dans la fabrication d’orthèses et de prothèses orthopédiques. Le vase est conçu à partir du scan d’une prothèse de jambe, avec des matériaux liés à cet univers technique : plastique, matériaux composites, textile et titane. Par son échelle, l’objet évoque celle des prothèses humaines. Il mobilise aussi la chaîne de fabrication de ce secteur : scan 3D, fraisage numérique, façonnage, plasturgie, travail du textile et métallerie. Une fois le vase achevé, les designers le photographient au sein de l’atelier, sur les machines et dans les mains de celles et ceux qui ont participé à sa fabrication. Leurs prénoms — Camille, Cédric, Céline et David — figurent directement sur la pièce. Avec ce vase, Heim+Viladrich rendent donc visibles les gestes, outils et personnes qui façonnent les objets techniques de notre quotidien. Après Saint-Étienne, le vase sera présenté au Jardin des métiers d’Art et du Design @le_jad_fr (JAD) (Sèvres), d’octobre 2026 à février 2027, avant de rejoindre La Piscine – Musée d’art et d’industrie André Diligent @museelapiscine (Roubaix), de juin à octobre 2027. 👉 Plus d’informations sur la commande publique via le lien en bio. Visuels : 1. © Heim+Viladrich / Cnap. Crédit photo : Rebekka Deubner (@rebekkadeubner). Design floral : Pierre Kavaciuk (@pierrekavaciuk) 2. © Heim+Viladrich / Cnap. Crédit photo : Fabrice Lindor 3. et 4. © Heim+Viladrich / Cnap. Crédit photo et vidéo : Heim+Viladrich #Cnap #CommandePublique #CréerUnVase #HeimViladrich #DesignContemporain #DesignFrançais #MétiersDArt #ObjetDesign #VaseDesign
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