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Holly Hay

@hols_hay

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2077

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Image Director _
@annika.systems
Previously …
@wallpapermag @anothermagazine @another_man

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That time Ben Whishaw put his shoes on the chairs, dove headfirst into a pie, played with the cutlery, plonked his shoes in the table, and left a mess at Quo Vadis.
🥮🍸🍽️👞

#chieskafortunesmith
#benwhishaw
@port_magazine

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The Beauty of Blackness. 🐆🖤

@chieskafortunesmith
@wallpapermag

#chieskafortunesmith

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Another image from @heldswimwear with @vicctoriaaguiar #heldswimwear #womensswimwear

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FC CLASS OF 2026 EXHIBITION OPENS 27 MAY @lethabygallery

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What began as a conversation between women and mothers about the true meaning of luxury and our relationships to time and memory became an inspired pursuit: to create a considered collection of future heirlooms, to seek out extraordinary craftsmen around the world, to draw upon centuries of European artistry across personalization and heritage printing techniques, and to build four distinct worlds of our own- storied character studies brought to life. Mémoire is devoted to the development of exemplary artifacts predestined to persist. Made for every moment after. @memoireworld

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IMAGE DIRECTION, @jessica_mccormack
With_
@rosieharrietellis
@alfieditrolio
@thearcadeproduction

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Make up artist NANCY SUMNER for HELD Spring 2026

@nancyvsumner

#EighteenManagement

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Margot and Fergus Henderson at The Rochelle Canteen in London 2022 with @wallpapermag

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Mohawk Superfine was the paper of choice for the recently opened SIT WITH THAT exhibition in New York City.

We spoke to co-curators @for____scale and @hols_hay to find out why Mohawk’s clarity, depth and tactile surface was the ideal foundation for the 10 large-format prints now on display at the showroom of @usmmodularfurniture
David Michon @for____scale explained, “We didn’t want the installation to feel too formal, too ‘fine art’. The main message needed to be more nuanced – about décor and culture being all around you, so approachability to the show, and the images was important. Mohawk Superfine gave us a beautiful, simple paper with a touch of texture which was perfect and made the images look great.”

Holly @hols_hay described how, “These photographs were never made for a digital screen, they were made for a physical space. We had a duty to make sure the experience became sensory and human. The images demanded being viewed via a very precise material. With no framing, the paper needed to be part of the installation itself and Mohawk Superfine gave it that gravitas.”

On show until 30 April 2026
28–30 Greene Street, NYC

With work by Alessandro Furchino Capria, Brian Griffin, Takashi Homma, Yushi Li, Joanna Piotrowska, Scheltens and Abbenes, Dorothea Sing Zhang, Alec Soth, Hannah Starkey and Larry Sultan.

Photo credit - @marco_galloway

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