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Ignacio Acosta

@ignacio_acosta

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Visual artist and researcher

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I'm excited to share this with you all.

Activist Elizabeth Johansson, artist Ignacio Acosta, Louise Wolthers and myself are joining efforts to keep the unique grassroot gathering place alive and thinking together about how to shape and sustain a new Myggholken Artist Residency.

Please read, pass it on and contact us if you are interested.

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Vi är så tacksamma över att få ställa ut dessa underbara böcker – kom förbi och ta en titt på dem! 🙌

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Last week, the P͟o͟s͟t͟-͟E͟x͟t͟r͟a͟c͟t͟i͟v͟i͟s͟t͟ ͟P͟r͟o͟p͟o͟s͟i͟t͟i͟o͟n͟s͟.͟ ͟M͟o͟v͟i͟n͟g͟ ͟I͟m͟a͟g͟e͟s͟ ͟a͟n͟d͟ ͟E͟c͟o͟l͟o͟g͟i͟e͟s͟ ͟o͟f͟ ͟V͟i͟o͟l͟e͟n͟c͟e͟ workshop brought together more than 20 international scholars, artist researchers, filmmakers, and activists at Utrecht University around a shared question: how do moving images intervene in ecologies of violence and extractivism, from production to reception?

Throughout the presentations, moving images appeared as archive and counter archive, as evidence, as sound to listen to, as expanded cinema with a screen made of clay, as live audiovisual performance, as curated exhibition, and as audiovisual essay. They made the logics, infrastructures, temporalities, and affective dimensions of extraction perceptible, together with its intersections with other histories of violence. They traced resistance, brought communities together around and against extraction, opened critical conversations, and mobilised accomplices. They served as strategies of states and corporations to manage opposition to extraction and to present it as necessary, sustainable, or desirable.

Attending to these ecologies meant attending to the extractive practices of moving images themselves, including practices of image analysis and creation: their conditions of production, their modes of circulation, and the multidirectional relations they establish with the people, places, and more than human worlds they encounter.

Post-extractivism accompanied these conversations as an aspiration, a critical horizon, and a way to ask what it can become, staying attentive to the moving image practices that are changing what extractivism makes seem inevitable.

Thank you to all participants and session chairs and to the @environmentalhumanities_uu . Pots-extractivist Propositions was organised by the ecoviolence team and @salomelopescoelho

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Idag tittade vi in hos vår granne! Vägg i vägg med Stoorstålka ligger antikvariatet Myggholken. Där träffade vi Ignacio Acosta, en chilensk konstnär som tillsammans med Elizabeth Johansson tar hand om den lilla bok- och mötesplatsen här i Jokkmokk.

Myggholken öppnades 2011 av Elizabeth och hennes man Leif Öhman, som sedan dess har gått bort. Nu hjälper Ignacio till att ge platsen nytt liv, med böcker, konst och möten mellan människor. I filmen berättar han mer om Myggholken och hur platsen också inspirerar hans konst.

Och öppettiderna? De har flaggöppet! När flaggan är ute är det bara att titta in.

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MES DE LA FOTOGRAFÍA | 2026

Por segundo año consecutivo, Letargo y Actinómetro (@actinometro) conmemoran el mes de la fotografía con una serie de propuestas de fotógrafos afincados en Chile. En esta ocasión, la mencionada evocación hace eco a través de una ecocrítica acerca de las visibles problemáticas, en la contingencia actual, de la desertificación.

Fotógrafxs:

Mauricio Soto (@ogmsoto)
Marcos Zegers (@marcoszegers)
Natalia Flores (@floresdeacua)
Cristian Ordoñez (@c_ordonez)
Pia Acuña (@piaacuna)
Ignacio Acosta (@ignacio_acosta)
Catalina Gonzalez (@cata.gzz)
Estefanía Muñoz (@estefania.munoz__ )
Oskar Huerta (@oskarhuertafoto)

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Från lanseringen av COFFEE. FIGHT. REPEAT. En kollektion i begränsad upplaga av Anders Sunna och Stoorstålka. Finns nu att beställa i vår webbshop.

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Om du vill besöka oss, skicka ett SMS eller ring 0761079793. Välkommen!
🌈 💚🌲
#jokkmokk

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Have you got your copy yet? 📙

If you still haven’t got your hands on this year’s Design Researchers in Residence publication, Mineral, you can read and download it via the link in bio.

Featuring the work of Alfred Yatlong Yeung @alf.y__, Elise Limon @eliselimon, Rafael El Baz @raffaelloelbaz and Rosa Whiteley @rosawhiteley, the publication expands on the research on display – considering minerals not as passive resources, but as materials whose extraction has deep social, economic and environmental impacts on local landscapes.

The display is free to visit at the Design Museum until 20 September.

Image 1, 2 and 4 by @henrywoide, Image 5 by @justinetrickett, Image 3, 6 design by @anendlesssupply

#DesignResearchersInResidence #Mineral #DesignResearch #GreenTransition

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🔉 Dreamy pictures from @jezrileyfrench & @pheobelaw Murmuration residency a few weeks ago. I kept on being mesmerised by people collecting sound that I put my own sound collection on hold ~ witnessing moments of silence ~
Healed by the sound of moss and shallow waters, silent walks and fence listening. Thank you Jez and Pheobe for inviting me to share my work and learn from all of yous. This is only a snippet of our lives in the Cairngorms, alongside our Finnish team (last picture) of invited artist @launaulaunau and @hanna_tuulikki , what a dream come true.
Thank you, you, on the picture, in the background ~ for letting me in.
Collective listening will save us all.

@gulabiphoto doing the best work at bringing these expired films to life.

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I Myggholkens skyltfönster samlar vi böcker med fokus på barn, lokala/samiska och ekologiska perspektiv, tillsammans med böcker av lokala författare som den samiska författaren och pedagogen Anna Nutti Wiandt, samt vintageföremål, fågelbroderier, fotografier och en skulptur av vitryggig hackspett av konsthantverkaren Kjell Vågberg. Alla är välkomna

Niilla, Anna Nutti Wiandt . 2024
Stina på rymmen. Anna Nutti Wiandt. 2022.
Muddus nationalpark. Ola Engelmark. 2014
Han kom från Tornedalen. Stig Darthammar. 2011.
Greenpeace Eric Claudi- 1990.
Skidlöparen Misse. Mary Calhoune. 1982.
Moster Paulas kattcafé . Charlie Jonas. 20921-
Torbjörns klagan/ Tranhalsen- Agö fyr. Sibngel - Vinyl.

bokborsen/urberskruppenjokkmokk

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A video installation translated into print. The timecode stays.

@ignacio_acosta ’s Archaeology of Sacrifice examines how the meaning of sacrifice has shifted from sacred ritual to a structural condition of contemporary extractive capitalism. Our task: find a structure for something that was never meant to stand still.

The embossed cover presses a stylised quarry into raw cardboard, a tactile reference to the act of extraction. Inside, conventional pagination gives way to timecodes that situate each image precisely within the film sequence. A change of paper stock separates the image and text sections, with a single spot color reinforcing the distinction.

A precise system for communicating a time-based work in static form.

Full case study on ➡️ s-f-p-s.com

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