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Platform for new & experimental opera.

Thank you for two electrifying seasons!

We are grateful to all the artists, institutional partners, and to you for supporting original theater, music, dance, film, exhibitions, and talks by artists from LA and around the world.

Stay tuned for our coming Fall season announcement soon, and take a look back at REDCAT’s fall 2025 and winter/spring 2026 seasons.

Sharon Chohi Kim - Guadalupe Maravilla - nora chipaumire - S. Pearl Sharp - Angel City Jazz - Dan Rosenboom’s Coordinates Orchestra - Devin Daniels - Rudresh Mahanthappa’s Hero Trio - For Living Lovers - Rebecca Baron and Douglas Goodwin - Janie Geiser - Annapurna Kumar - Yaloo Lim - Wendell McShine - Julie Murray - Charlotte Pryce - Abigail Severance - Elia Arce - The Getty Research Institute - San Cha - Maylee Todd - Jacob Wolff - Gabriela Burdsall - Diana Wyenn and Ammunition Theatre Co. - Orin Calcagne and Jenson Titus - Divya Victor - Carolyn Chen - AMOC* - jeremy de’jon guyton - Luna Izpisua Rodriguez - Lu Coy - James “Cricket” Colter - Micaela Taylor - sam wentz - Calla Henkel and Max Pitegoff - Chantal Akerman - Sonia Wieder-Atherton - Sarah Rothenberg - Monday Evening Concerts - Carmen Maria Machado - Matana Roberts - Guillermo E. Brown - Carmina Escobar - The Industry - Wild Up - Eliza Bagg - M.A. Tiesenga - Julia Holter - Alex Tatarsky - Gibson + Recoder + Garet - Harmony Holiday - Bernard Brown - Imani Archer - Georgia Anne Muldrow - JACK Quartet - LA Phil Insight - Rashaun Mitchell + Silas Riener - Ben Caldwell - Atsuko Okatsuka - Jibz Cameron - T. Akuchu - Dimitri Chamblas - James Gregg - Caitlin Javech - Jodie Landau - Beth Morrison Projects - Shayok Misha Chowdhury - PARTCH Ensemble - Michael Asher - Museum of Contemporary Art, Los Angeles (MOCA) - MPA - Los Angeles Contemporary Orchestra - The Broad

$Three regalia pieces I created for @industryopera’s groundbreaking opera Sweet Land are now on view at the Underground Gallery at Yorkshire Sculpture Park in Britain as part of Hold to This Earth: Works by Contemporary Indigenous North American Artists from Tia Collection, on view through April 2027. @yspsculpture @tiaartcollection Sweet Land (2020) opera begins with the Arrivals washing ashore and making contact with another civilization they call the Hosts. From there, the story fractures, following multiple perspectives. Beginning as a procession through Los Angeles State Historic Park, the opera ultimately erases itself, challenging familiar narratives of Manifest Destiny through Indigenous and experimental storytelling. Sweet Land was created through a deeply collaborative process with Director Yuval Sharon and my contributions as Director and Costume Designer, Composers Raven Chacon and Du Yun, and Librettists Douglas Kearney and Aja Couchois Duncan. As The New York Times wrote, “Sweet Land is a bewildering and ghostly new opera... a parable of, and fantasia on, Manifest Destiny.” Representing more than 35 Tribal Nations and multiple generations of artists, Hold to This Earth celebrates Indigenous artists who honor ancestral knowledge while remaining unapologetically contemporary. Bringing these works together creates a powerful conversation across Nations, generations, and artistic practices, affirming that Indigenous cultures are living, evolving, and actively shaping the future. I’m honored to have the regalia from Sweet Land, along with additional works from my practice included in this exhibition. 📸 Sweet Land opera, 2020. Photograph by Casey Kringlen for The Industry Cannupa Hanska Luger, Sweet Land Regalia, 2026. Courtesy of Tia Collection, Photo India Hobson, courtesy YSP$

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