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Inscript Collective

@inscript.tf

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exploring our relationship with type and tools 𓀍𓁅
check out our sister-event @fleuron.tf

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📣 Open Call: 25 years of Processing and we want to see everything you’ve made!

We’re launching two community channels on @aredotna to archive and celebrate all the work made with these creative tools.

If you have a Processing Java or p5.js project that you’d like to share, add it to the channel! In your block, include the project title, author’s name, and a brief note about how you used Processing.

We’ll add submissions into curated collections that will be featured on our website and community celebration events.

🔗 Share your work with us - link in bio

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Haven't had a lot of time lately to play on personal projects and experimentations, but this one was really fun. Exploring how to start from simple motion ideas, trying to turn them into a system and define a final design which, in a reverse-engineered approach, becomes the resting point of the original motion idea.

The typefaces I used are from
@bojjoe

#motion #animation

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Made w/
Ae+Processing+Cavalry

#motiondesign #aftereffects #cavalry

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Graphic and branding design by Taiwan’s @nayu_hsiao.

Projects shown include Tianwei: Flowers Blooming at the End of the Irrigation Canals, Shapes of Everyday Life: Proposals for Perception Reboot, 2025 Lunar New Year of the Snake Card, and cover for Blossoming: Value and Innovation in Taiwan’s Industrial Textiles.

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Inspired by so much of @studiomimu’s work. Design from Sydney, run by @m.souvanthalisith and @m.a.ricafrente.

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From @kunelgaur’s exhibition, Signs of Life, alongside a few archive works.

Gaur started his career in graphic design, moved into mainline advertising, only to leave it five years later to start his own design studio that evolved into a full service creative agency, and later co-founding a tech startup that brings together artists and brands through activations using augmented reality. All while evolving his artistic practice as a designer, creating a body of work that is inspired by architecture, typography, and creative writing.

Across the artworks, Gaur examines how contemporary life is shaped by the structures, codes, and systems that surround us.

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🔜 tickets available: 🔗 fleuron.tf

@nahuel.gerth impressed us a helluva lot during his 2024 @inscript.tf presentation, using the body as an interface toward typographic ends. Now, we’ve invited him back to make a cameo (or more!) at our upcoming @fleuron.tf, and delve into the ways he thinks about nature through the lens of code

The 2026 #fleuron—taking place live, online, April 22-24—will showcase work from @colorsandthekids, @aiste_ambrazeviciute, @mrkdrf, @_marcdavid_, @bonnie2.0.0, @hypereikon, @perspek.steven, @annaluciacodes, @jinyoungkim.official, @celinehurka, @launorma, @petreske, @yudho.xyz, @alexvxvxvxvx. 🤍 Meant to be a broad catalyst for learning and tech, the presentations at #fleuron span creative code, illustration, typography, installation art, interactivity, gadgetry, dimensional design, and new tools, with a focus on what’s captivating creative minds today, presented both as theory and practice.

tickets available: 🔗 fleuron.tf 🤍 🌱
🌏 36€, 15+ presentations, 6 months of access

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Print on anything, engrave on leaves, follow the whimsical plant-art of @originalrose and our co-curatorial account @fleuron.tf for all sorts of things not type, that might just inspire, your type.

💜🖤

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Design by @y17studio_official, FLAVOR BOOK issue1 - Shu Niang. 風味書ISSUE 1 薯釀. AD/D: 葉騫 Ye Qian、查吟 Zha Yin. C: 谷語者 The Grain Whisperer.

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Check out the latest experiments from creative code wunderstars and past @inscript.tf speakers @schultzschultzgrafik.

And follow us at here and at 🔜 @fleuron.tf as we announce our upcoming speaker line-up for late April.
💚🧡💜❤️💛

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Embroidered works by textile craftsperson and artist @masaki.komoto and @masaki.komoto in collaboration with graphic designer @yuri_sato. In collaboration, the duo search for fresh approaches to needlecraft by introducing aesthetics usually associated with graphic design, whilst simultaneously respecting centuries-old techniques used in sewing and embroidery.

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