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Isabelle Bucklow

@isabellebucklow

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freelance writer, editor @motordancejournal

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Over the past few months, @librairiesanstitre, @referencepoint180 and @micadanses hosted us to talk about dance, the work of the L0lita collective and our first publication, L0lita Danse.

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Isabelle in custom yellow <3

Pieces available at studio and made to measure. Dm for more info

🍋🍋

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The August issue of @theworldofinteriors features a story I photographed of the Tribeca apartment of artist Pat Oleszko. It’s very nice to see in print and even better to read, excellent and compelling words by @isabellebucklow who will apprise you of Pat and her universe. The universe of Pat. A person and place you should know especially since she has finally formally ascended to her natural status as The Queen of New York. My words and my estimation but I don’t think anyone would disagree with me. I was fortunate to linger there for the 2 days we took to make these photos. I’ll have to do another post with more close up-

Thank you to @bvwnr @isabellebucklow for having me and @ivanshaw for your helpful support

The magazine whose pages I have long admired. As they used to say, The Greatest Interiors Magazine in the World, The World of Interiors.

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@floholzinger on the cover!

Heartfelt thanks to everyone who has contributed to bringing SEAWORLD VENICE (@austrianpavilion) to life, and to everyone who has helped share it with audiences worldwide.

@monthly_art, @zeitmagazin, @theaterderzeit, @032c, @emergentmagazine, @artdogistanbul

@noralmes,@reverendmotherflash, @lucifirevoodoo, @fleshpiece, @fancychances, @keitymeier, @linneatullius, @bookofluna, @soduncan, @fibieyewalker, @xana.novais.23, @nettinuganen, @hannahfinncontortion, @frau_malonda, @mrxavierp, @constanzaperezdelara, @alexander_kusmak, @audreymerilus, @andreabakermezzo, @laurapante, @maartjepasman, @gibranacervantes, @kastaniechristiane, @polyeste, @proggybla; @neonlobster_

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Issue 15 is now available for pre-order. Link in bio!

Featuring:

Antoni Miralda (@antoni_miralda)
B. Ingrid Olson (@bbbingaaa)
Hilary Lloyd #HilaryLloyd
Manfred Pernice #ManfredPernice
Racheal Crowther (@rachealcrowther)
David Hammons #DavidHammons
Wilhelm Sasnal (@wilhelm_sasnal)
Jannis Kounellis #JannisKounellis
Arthur Jafa (@anamibia)
Richard Prince (@richardprince12345)
Florentina Holzinger (@floholzinger)
Victoria Colmegna (@86.others)
Oberon Parry-Laidler (@lordladle)

With writing by: Dessislava Pirinchieva (@thisisdessiss), Sam Lincoln (#SamLincoln), Isabelle Bucklow (@isabellebucklow), Olesia Shuvarikova (@lesya.shu), Charlie Mills (@chardonnie), Ken Hollings (@hollingsville), Stephan Schmidt-Wulffen (@schmidtwulffen), Phillip Pyle (@phillippyle) and Alexander Bokser (@sbokser)

Covers: Wilhelm Sasnal, Florentina Holzinger, Antoni Miralda

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✨ Ever wondered what our graduates do next? ✨

Isabelle Bucklow graduated with a BA in History of Art in 2018 and now works as a freelance writer and critic 👩🏻‍💻

“I never had a career plan, nor do I have one now, and that is (I think) ok. I did however always know I wanted to write, so I was persistent and motivated and found ways to always do that alongside all kinds of work. It can feel like the first job you get after university is decisive and sets you on a path but it doesn’t need to be that way, you can always change. In fact, History of Art really sets you up for that because the skills you acquire are so transferable.”

🔗 Read the interview via link in bio 🔗

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Editorial coordination for ‘Lolita Danse’

Active in Paris in the 1980s, Lolita Danse was a collective of ten artists who rejected all hierarchy and fixed forms. @mestiza_estudio’s uncovering of the group’s archives in this book reveals its intact vitality. Hundreds of previously unpublished documents retrace ten years of collective imagination. With an essay by @isabellebucklow

Hardcover
29 × 21 cm, 304 pages
Bilingual (English, French)

Published in 2026 by @messmessmessmess
Creative direction: @monichiiwa
Creative production: Maïa Loucif
Graphic design and production: Anaïs Chappelet

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Contribution to the third edition of the Motor dance journal. A group work with Anthea Hamilton and Lewis Ronald. The pages behave as eaves dropper on other people’s contribution or an expensive handbag advert nested and slicing through the publication. Bringing the flicking back. Thanks to @motordancejournal @isabellebucklow @hannahmaewoods for putting collaboration under the best spotlight.

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Isabelle in her Rose Dove for the launch of the third and final edition of @motordancejournal @sadiecoleshq! An uplifting evening of poetry, movement and writing on dance curated by Is and @hannahmaewoods 🫀We love this publication and a year or so ago contributed a piece on costume, so are forever motordance fans. This edition considers the politics, ethics, histories and futures of moving, forming movements, and dancing together and you can buy a copy on their website.

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FIT FOR A FAMILY. At home with the Gettliffes.

I like contrast, it’s true, but not too hard a contrast. I like the contrast that you discover nearly without paying attention to it,’ says Christine. ‘I don’t like to shock.’ Everything announces itself quietly, often requiring the eye, or the body, to move around a curve to reach the entry or focal point. The sweeping, cocoon-like form of the concrete shower, for example, recalls the opening of a spirally coiled shell.

Text: @isabellebucklow
Photography: @oskar.proctor

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GARGLE RECAP: @motordancejournal

Thank you to everyone who joined us for the final GARGLE of 2025!

🔗 Tap the link in bio to revisit all GARGLE events from 2025

Images: © GARGLE by Sadie Coles HQ. Courtesy Sadie Coles HQ, London. Photo: @katiemorrison.photography

Francesca Gavin @roughversion
Evie Ward @_waev_
Edward Thomasson @edwardthomasson

Photo: @katiemorrison.photography

#GARGLEbySadieColesHQ

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Christine Gettlife at home, Elise and Didier nearby. With @jermainegallacher @ton.magazine and @isabellebucklow

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