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Melalui SUAI: The Gaze Can’t Dress Me, Dinda Sulisna dan Istifadah Nur Rahma mengeksplorasi bagaimana berbagai tatapan: agama, budaya, sosial, hingga media membentuk cara perempuan melihat dan memahami tubuhnya. Berangkat dari pengalaman perempuan berhijab, karya ini kemudian berkembang menjadi pertanyaan yang lebih luas tentang tubuh, agensi, dan pilihan. Dalam Reels ini, Dinda dan Isti berbagi tentang proses Work in Progress mereka serta apa yang berubah dalam perjalanan mengikuti Lab Inkubasi Keproduseran. Sebuah karya yang masih terus mencari bentuk, sekaligus terus mempertanyakan: seberapa jauh keputusan atas tubuh benar-benar berasal dari diri sendiri?
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Seneng sanget … ha ha hi he … seger, rawon mie ayam, sayangku
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Perayaan "Kenduri Setali Laku" Yayasan Biennale Jogja tahun 2026 - - - 🗓️ Jumat, 2 Oktober 2026 ⏰13.30 - 21.30 📍Kampoeng Mataraman _ _ _ Senang sekali bisa menjadi Pandoming Senam dari "Asolola” Senam Aerobik* Bersama Aum Dayu @aumdayu dan Ibu-Ibu Kelompok Wanita Tani Bangunjiwo @srihartini5847 Kalau bukan karena usulan mbak @ist.i___ buat jadi pandom dan acc mbak @alia.swastika gak bakal saru panggung dengan Coach kita mbak Heni & mbak Rani @ranisatrya bersama dengan ibuk-ibuk yang semangatnya gacooor abis dan cetar membahana badai katulistiwa pokoknya JOSSS Gandossssss... Semangatnya gak habis-habis sampai menjelang magrib 😂😂😂😍😍😍. Ini adalah pengalaman yang badasss dan senang rasanya bisa menjadi bagian dari Yayasan @biennalejogja Sebuah jeda untuk melihat kembali perjalanan Biennale Jogja bersama masyarakat: orang-orang yang ditemui, kerja yang dijalankan, dan hubungan yang tumbuh di antaranya itu emang ada. Biennale juga mengajak orang-orang yang menonton untuk menelan, mengambil jeda, mengingat, berbagi. Info lain buat kawan-kawan... "Kenduri Setali Laku" juga menghadirkan pameran arsip, percakapan, pertunjukan, pidato kebudayaan, dan ruang untuk menengok kembali laku yang telah dijalani bersama. Pameran masih berlanjut ya kawan-kawan... 🗓️ Jumat, 2 Oktober - 6 Oktober 2026 ⏰13.00 - 20.00 WIB 📍Kampoeng Mataraman INPO: Kalau perlu PANDOM dia caramnya Bapak/ Ibu. 😁 kebetulan 4 bulan ini salam satu pekerjaan saya adalah instruktur senam KOWAAR Kowaar alias Tukang Bacoot e Instruktur🙌🏼🙏 Dokumentasi oleh @_pravitavivi
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Participating in the 2026 Gwangju Biennale Academy International Curator Course, which emerged from Okwui Enwezor’s Global Institute, initiated at the Gwangju Biennale in 2008, has been one of the highlights of my year so far. Across Gwangju and Seoul, we encountered exhibitions, artists, archives, institutions and histories, while thinking collectively about what it means to curate within and in relation to place, histories and contemporary conditions. And then there was everything else: so much good food, getting lost, long days, laughter, karaoke nights, trips to Olive Young, conversations that went on forever and all the discoveries in between. The generosity within the cohort made the two weeks feel less like a programme and more like hanging out with friends. I arrived not knowing anyone and somehow left with a new group of friends I didn’t know I needed. They say, some experiences stay with you because of what you learned. Others because of the people you met. This one, for me, is both. Thank you to the Gwangju Biennale Foundation, our Queen @yesmijoo my Chingu @borrattee @nowherejmc and everyone who made this experience possible. ❤️ #gbicc #gwangjubiennale2026
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#gbicc 2026 Gwangju Biennale International Curator Course Two weeks that felt unbelievably joyful and dreamlike have passed, and what remains are dear friends. Every moment we shared was a continuous peer learning, and there wasn’t a single moment when I wasn’t happy and fulfilled in Gwangju. Thank you so much for everything @yesmijoo @nowherejmc @fake_as_moon_landing @borrattee Leaving Gwangju behind, I’ll see you all again!💕💕
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Late summer in Gwangju encountered with very cute classmates at the GBICC and very cute aunties in the Daein Market🌞
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A little update from meee~ ✨ I’m happy to share that my solo work, SUAI: The Gaze Can’t Dress Me will be presented as part of Dance Now Asia 2026. A work about the body, the gaze, and the experience of being seen. I’m still taking it all in. Grateful, nervous, excited, and ready for this journey🤍 See you in Taipei, Taiwan-!! 🇹🇼 #2026DanceNowAsia #DNA #SUAITheGazeCantDressMe
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Private masterclass at my studio. Banyak asyupan gosyip syeni nasyonal. LOL
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Two weeks in Gwangju that felt both intense and gently expansive. I arrived with some curiosity and questions, and left with even more questions and deeper feelings — about historical narratives, diaspora, and how we stay together. Grateful for the chance to sit with histories, share questions, walk through the city, and think alongside people from different places and practices. Thank you for the conversations, the bus trips, the meals, and the willingness to stay with uncertainty together. Thanks to my cohort for bringing so much inspiration and thanks to our queen @yesmijoo @nowherejmc @fake_as_moon_landing @borrattee and the Gwangju Biennale Foundation team who made this possible❤️‍🔥❤️‍🔥❤️‍🔥 #GBICC
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Over the past few weeks, I had the opportunity of being part of an incredible cohort of curators for the @gwangjubiennale International Curator Course, coordinated by @yesmijoo. The theme, “You Must Change Your Default,” rightfully echoed this year’s biennale theme, which is “You Must Change Your Life”. Both themes felt like quiet invitations to pause, unlearn, look again, and allow ourselves to be changed. One question from our first day stayed with me; What does it mean to be a subject of experience? It made me think deeply about my practice, and about the value of not always knowing. As @master_ab reminded us, perhaps it is okay to be an “unserious curator”- to play, doubt, fail, wander, and remain open to what emerges. There is freedom in allowing curiosity to lead. Gwangju and its people gave me so much; new questions, generous conversations, friendships, laughter, and moments of quiet reflection. I leave with a heart full of gratitude to the Gwangju Biennale, the GBICC team, my fellow participants, and the beautiful cities of Gwangju and Seoul. Kangsanmita🫶🏾!!!
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I’m so grateful to have been a part of the 2026 @gwangjubiennale International Curator Course, spending two weeks in Korea with the sweetest cohort of curator colleagues. This was my first time back in Korea since I came with my mom and grandma over 20 years ago, so the edition’s theme “You Must Change Your Life” felt pretty apt. I learned so much in the moments between our lectures and field trips - the ajummas hand feeding us at dinner, going to olive young after class, listening to the cicadas in the trees, and singing bohemian rhapsody collectively at karaoke until 4am 😭 Thank you to our fearless leader @yesmijoo and to @nowherejmc @borrattee @fake_as_moon_landing for keeping us alive lol and creating such a safe space for us to make cherished memories 💕 hoping this isn’t goodbye and just see you later <3
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A short trip to Gwangju Biennale invited as a guest speaker for GBICC (Gwangju Biennale International Curator Course) @gwangjubiennale with meaningful conversations and a wonderful hangout at Pavilion @statelessmind_jambatan Walking the streets of Gwangju with performance art and kompang along the way.
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