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@ivankaroco

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@ukrainianpavilioninvenice @solomiyamag @ickpakyiv @bytext_com

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Recently, the Ukrainian Pavilion joined the Pavilion Days at Biennale Arte 2026 (@labiennale), with two curated tours at the Giardini offering a closer look at the ideas behind the exhibitions.

The programme continued with “Under Security Guarantees: Footage from Ukraine”, a screening of two documentary films by members of the Kinotron Group (@kinotron.group): “Under the Sign of Anchor” (2024) by Taras Spivak (@spivak_t) and “Special Operation” (2025) by Oleksiy Radynski (@oleksiy.radynski). The screening was followed by a conversation with Taras Spivak, moderated by the public programme’s curators Ivanna Kozachenko (@ivankaroco) and Katia Khimei (@katia_khimei).

The Pavilion Days were organised by the Global Commissioners Group. The screening took place at Ca’Buccari (@ca.buccari), with Nova Ukraine (@novaukraine) supporting the event and the Ukrainian team’s participation in the Pavilion Days.

#BiennaleArte2026 #InMinorKeys #SecurityGuarantees #UkrainianPavilion

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The Horse Under the Apricot Tree
Inter-room Space @mizhkimnatnyi_ _
October 17, 2026
by @polidavydenko @dnspnk

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Meet @ivankaroco, @wells_sebastian, @_y_u_r_i_________ and @tonino.tonini in Warsaw @u_jazdowski on Tuesday for a presentation and discussion of the new issue of Solomiya — State of the Nation. Furthermore, it is a rare chance to to see the short film «Chronicles of Anachoret» by @m.svitlo and @salt.salome.

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Save the date: join us on 11 October at Ca’Buccari (@ca.buccari) in Venice for a screening of two documentary films and a conversation with filmmaker Taras Spivak.

“Under Security Guarantees: Footage from Ukraine” is a screening presented as part of the public programme of the Pavilion of Ukraine. It brings together two documentary films by members of the Kinotron Group (@kinotron.group): “Under the Sign of Anchor” (2024) by Taras Spivak (@spivak_t) and “Special Operation” (2025) by Oleksiy Radynski (@oleksiy.radynski).

The films trace two moments in the country’s history, from the collapse of the Soviet Union and the disarmament of independent Ukraine to the Russian occupation of the Chornobyl Nuclear Power Plant in 2022. Working with archival footage, they explore questions of ideology and militarisation.

The screening will be followed by a conversation with Taras Spivak, moderated by the curators of the Pavilion’s public programme, Ivanna Kozachenko (@ivankaroco) and Katia Khimei (@katia_khimei).

11 October, 2–4 pm
Ca’Buccari, Venice

Language of the event: English
Subtitles: English
Admission: Free

Advance registration is required. Link in bio.

The project is implemented with the support of the Ministry of Сulture of Ukraine, UNESCO, Sushko Philanthropy, ZAG, Nova Post, Ajax Systems, Avrora Multimarket, and Agrosem.

Media partners: Suspilne Kultura, Radio Kultura, Artslooker, The Kyiv Independent.

#BiennaleArte2026 #InMinorKeys #SecurityGuarantees #UkrainianPavilion

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How do you describe yourself before someone else does?

Eastern Europe and its many variations: post-communist, post-Soviet, post-socialist, and more recently, the “New East”… Labels that shape how the region is understood and what gets published, translated, funded and circulated.

The discussion brings together @kathryn.zazenski of @mostmagazine__, Dinara Khalilova and Alina Stamenova from @pomizh.media, Ivanna Kozachenko from @solomiyamag and Jan Wenzel from @spectorbooks.

CZ

Jak popsat sám sebe dříve, než to udělá někdo jiný?

Východní Evropa a její varianty: postkomunistická, postsovětská, postsocialistická, v poslední době také „New East“… Označení, která ovlivňují, jak regionu rozumíme a co se z něj publikuje, překládá, financuje nebo šíří.

Debata propojí @kathryn.zazenski z @mostmagazine__, Dinaru Khalilovu a Alinu Stamenovu z @pomizh.media, Ivannu Kozachenko ze @solomiyamag a Jana Wenzela ze @spectorbooks.

🔴 3.10. Saturday / Sobota | 15:30 main stage

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Учора був Книжковий рейв у Бібліотеці КПІ.

І ми досі трохи там.

Дякуємо всім, хто прийшов. Попри тривоги, переривання і день, який вкотре вимагав від нас вміти жити за дуже дивних обставин.

Ми читали разом і одне одному, слухали тексти й музику, знайомилися, говорили, мовчали поруч. Просто були разом. І вчора особливо відчувалося, наскільки нам цього не вистачає.

Дякуємо всім, хто читав уголос: письменникам, музикантам, режисерам і всім, хто на кілька хвилин віддав свій голос чужому тексту.

Дякуємо музикантам, які сім годин створювали звуковий простір Книжкового рейву й не відпускали нас із нього.

Дякуємо Бібліотеці КПІ за запрошення і довіру зробити разом подію такого масштабу.

Дякуємо Збройним Силам України за те, що все це взагалі можливо.

Дякуємо команді, яка придумувала, будувала, носила, друкувала, домовлялася, зустрічала, пояснювала, вирішувала й тримала ці шість поверхів разом.

Дякуємо команді світла, яка допомогла перетворити бібліотеку на зовсім інший простір @serhii_serhiiyovych

Дякуємо бригаді швидкої допомоги, яка чергувала з нами весь день.

І всім, кого неможливо перелічити в одному пості, але без кого цього дня просто не було б.

Учора ми ще раз переконалися: книжка може бути дуже хорошим приводом зібратися разом.
Дякуємо, що рейвили з нами.
Фото обкладинки @tetiana_makotovchuk
•
Yesterday was the Book Rave at the KPI Library. And part of us is still there.

Thank you to everyone who came despite the air raid alerts and interruptions. Yesterday reminded us how much we need to simply be together.

Thank you to everyone who read aloud: writers, musicians, directors, and everyone who lent their voice to someone else’s words.

Thank you to the musicians who created the sound of the Book Rave for seven hours.

Thank you to the KPI Library for inviting us and trusting us with an event of this scale.

Thank you to the Armed Forces of Ukraine for making all of this possible.

Thank you for raving with us.

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Зазвичай на рейвах виступають музиканти. На нашому музиканти читатимуть.

Павло Гоц візьметься за «Життя цікаве» Петра Мастовчука. Режисер Павло Остріков поділиться уривками зі своїх сценаріїв, зокрема ще неопублікованих. Женя Бабенко та Світлана Левченко читатимуть власні книжки, а редактори й автори «Соломії» представлять своє видання.

Наталія Гаріпова обрала літературу з промовистою назвою «Срав пес, перділи гуси, або Велика енциклопедія життя». А Олександр Хоменко прочитає щось, що розділить ваше життя на до і після. Принаймні ми на це розраховуємо.

У каруселі знайомимо з усіма, хто читатиме вголос, і ділимося повним розкладом. Гортайте, обирайте, кого хочете послухати, і зберігайте собі.

Хоча радимо послухати всіх. Особливо якщо у вас є вільні сім годин у середу.

30 вересня, 12:00–19:00
Бібліотека КПІ, Берестейський проспект, 37 Л
Читання вголос: 6-й поверх, аудиторія 6.5

Вхід безкоштовний за попередньою реєстрацією. Посилання в біо.
•

Usually, musicians perform at raves. At ours, musicians will read.

Pavlo Hots will take on Life Is Interesting by Petro Mastovchuk. Director Pavlo Ostrikov will share excerpts from his screenplays, including some that have never been published. Zhenia Babenko and Svitlana Levchenko will read from their own books, while the editors and contributors of Solomiya will present their publication.

Natalia Haripova has chosen a book with the rather telling title The Dog Shat, the Geese Farted, or The Great Encyclopedia of Life. And Oleksandr Khomenko will read something that will divide your life into before and after. At least, that’s what we’re counting on.

In this carousel, we’re introducing everyone who’ll be reading aloud and sharing the full schedule. Swipe through, pick who you want to hear, and save it for later.

Although we recommend listening to everyone. Especially if you happen to have seven free hours this Wednesday.

September 30, 12 PM–7 PM
KPI Library, 37L Beresteiskyi Avenue

Readings: 6th floor, Room 6.5
Admission is free with prior registration. Link in bio.

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summer26

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Odesa
August
2026

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Huge thanks to the Indiecon team @indiemags ❤️‍🔥 for the invitation and support! We’re so happy to be part of the festival and to share VEHA’s work with such a wonderful community. What an amazing organisation and experience ☺️🙏🌿

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We are extremely happy to announce that our new issue, Solomiya No.6—State of the Nation, is available for pre-order! Reserve your copy in Ukraine and internationally at a reduced price of 16€ (18€) / 700₴ (800₴) until September 4, 2026.

We started thinking about this issue at the 61st Venice Biennale, a place built around dialogue between nations. Yet again and again, conversations about art and politics returned to national identity: who belongs, who speaks for a nation, and whose solidarity counts. The return of the Israeli and Russian pavilions brought protests and solidarity movements, but these movements often remained separated from one another. Meanwhile, Russia’s attacks on Ukrainian cities continue to intensify, with negotiations still out of reach. We began asking what happens when the nation becomes the main language through which we understand politics.

State of the Nation looks at nationalism as something so familiar that it can become almost invisible, connecting experiences that do not fit neatly into national categories: migration, uncertainty about the future of the war, contested identities, and forms of solidarity that cross borders. Across the issue, these questions take us through nationalist traditions in postwar Germany, counter-mapping in the ancient Mediterranean, solidarities between Estonians and Russophone Estonians in Narva, new approaches to artistic mentorship in Ghana, reflections at Ukraine’s national Minute of Silence, and others.

Pre-order via the link in bio!

Contributors: @lesyacestcam @_y_u_r_i_________ @ccolettee @blushes_speak_the_rest @vsevolod.kazarin @oh_marusyn @cinnamvn_ @ivankaroco @borysmedvedik @surveillanceartist @technogennoe @eastjesussomewhere @iubizzle @m.svitlo @salt.salome

Editors: @nebaiduzhyi @wells_sebastian @vsevolod.kazarin @ivankaroco

Text Editor: @od333sa

Art Direction: @peterbuennagel, Anne-Lene Proff for @kollektiv.scrollan

Paper: @fedrigoni.deutschland

With support from: @ukrainian_institute_de, @kultura.agency, @muenzenbergforum

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