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Jasmin Stephens

@jasminstephens_

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#sydneymarathron ’26 — My first full marathon, filled with so much love. 💕

Didn’t get to start the race with Sarah, but at least we got a photo together📸

She even made a giant cutout of my face with Chinese words on it! 🥹

Finally holding my finisher’s medal. 🏅
It feels heavier than the 42.195 km itself!

My personal cheerleading power couple👩🏻‍❤️‍💋‍👨🏻

42.195K, countless cheers, and so much love. Couldn’t have done it without these people.💘

Picked up my race bib with a cold, not even sure if I’d make it to the finish line…

Race day morning — the metro station was packed with runners! 🏃🏽‍♂️‍➡️

First time running across the Harbour Bridge, and @sydney_marathon really got my best angles!!!

I think I’ll spend the rest of my 24th year, maybe even my whole life, looking back on this moment🥹

One of my favourite tutor. ♡

In my first term, she told us she’d never run the Sydney Marathon, even though the runners pass by her home every year. So when I saw her in class after finishing my first marathon, I brought my medal to show her. And of course, we had to take a lovely photo together! 🫶🏻

There’s still so much more I want to say, but I’ve decided to save it for my third personal documentary.

Until then, run on, Jovie. 🏃🏻‍♀️🏃🏻‍♀️🏃🏻‍♀️

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April 2026
1 - 2. MA field trip to The Art Centre, Silpakorn University and Queen Sirikit Museum of Textiles
3. MA workshop at @pineappleprintpress
4. After a very special lecture by @sylvia.xuebai
5. Songkran at Banglumpoo
6. Granny Juey’s Birthday
7. Also Vivid’s Birth
8. 🏄🏻‍♂️
9. วันไหลศรีราชา
10 - 11. GoKarting
12. Chillax with comics
13. 💛 BVB
14. A quick night at the hospital
15. Feel like home at his usual restaurant
16. HaiSnoop update
17. 2 more workshops at PPP
18. Another MA field trip at dib
19. 🚴🏻

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White Rabbit Gallery
19/12/2025 — 17/05/2026

THE HOOLIGANS
RABBLE-ROUSERS, RIFFRAFF, SCOUNDRELS, AND CRIMINALS.
Troublemakers, wanderers, deviants, misfits. They’ve gone by many names—but to the Chinese state, they were once known simply as The Hooligans.

The Mao-era crime of “hooliganism” (流氓罪) was notorious for its broad scope and arbitrary enforcement. It became a blunt tool used to silence dissent, police morality, and punish anyone seen as a threat to political or social order, including sexual minorities and political dissidents. The last known person imprisoned under the charge was a protester in the 1989 Tiananmen Square democracy movement.

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A slideshow and talks | Saturday, March 7, 3pm - 5pm

Please join us for an intimate closing of the exhibition 'complex notophyll vine forest: ground proof' by Clare Milledge.

The event will begin with a slideshow presentation on the influential Terania Creek potters by Suvira McDonald. This will be followed by a slideshow from David Milledge, exploring the rich flora and fauna of Snow’s Gully on Widjabul Wia-bal Country, where the artist grew up. Guests are invited to pause for a cuppa before coming together for an artist talk and guided exhibition walk-through with Clare Milledge, visiting independent curator Jasmin Stephens, and Lismore Regional Gallery curator Ineke Dane.

Free, all welcome.

The gallery is wheelchair accessible. If you would like Auslan interpretation, please email linsey.gosper@lismore.nsw.gov.au. Auslan bookings must be made 3 business days prior to the event.

Image: installation view of 'complex notophyll vine forest: ground proof' by Clare Milledge. Courtesy the artist and STATION. Photo by Andy Macpherson.

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Now Open! Alana Hunt’s ‘A Deceptively Simple Need’ extends Hunt’s ongoing investigations into the complexities surrounding non-indigenous life on stolen land. Drawing on her experiences in Kununurra, Hunt’s work examines how everyday activities - such as tourism, leisure and land development - are intricately linked to injustices and colonisation.

Guest curated by Jasmin Stephens, ‘A Deceptively Simple Need’ is open now and running til Sunday 21 December.

@alanavhunt @jasminstephens_

Supported by PICA’s Art Commissioners. Alana Hunt’s ‘A Deceptively Simple Need’ is presented in partnership with the Copyright Agency as part of the 2025 Copyright Agency Partnerships (CAP) Commission. @copyrightagency_

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Thank you to all these amazing people I met at Sydney Contemporary. Your support made it a wonderful experience.

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Tomorrow … The Future is an exhibition by artists “coming from all points of the southern sky”, as eloquently phrased in the poetry of the Uluru Statement from the Heart(2017)
@thecrossartprojects
September 2 - October 14

It’s an honour to be part of an exhibition and forum for people to learn about and reflect on an Indigenous voice to parliament.

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Massive thanks to the Australian Indonesian Art Forum who came to visit our show last week and shared positive energy to us.

It was lovely to exchange stories, expanding our vision & mission and to get connected with others through arts.

🌻🙏💓

#futuwonder #conversationwiththefuture

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Debra Phillips: A talker’s echo, continues at The Cross Art Projects until June 17.
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Debra Phillips, Webster’s ashes, 2023, dye sublimation print on aluminium, 29.7 x 42 cm

After he died in Tasmania in 2008, relatives of the orator John Webster wanted his ashes scattered at Speakers’ Corner in the Domain. In 2009 Webster’s friend the Reverend Bill Crews wrote to The Royal Botanic Gardens and Domain Trust with this request, however, he was informed that it was not allowed. The Trust offered to bury the ashes for a donation of $10,000. Instead, on a rainy night accompanied by an ABC News film crew and a reporter, Bill Crews took the ashes of John Webster down to Viva Voce at Speakers’ Corner and scattered them around the red ladder. The resulting television news item was uploaded to the internet on 7th February 2010.
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Images: Debra Phillips, A talker's echo, The Cross Art Projects 2023, installation views.
Artwork feature: Debra Phillips, Webster’s ashes, 2023, dye sublimation print on aluminium, 29.7 x 42 cm. Photography: Silversalt.
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@debra__phillips @jasminstephens_

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Debra Phillips: A talker’s echo, is now open at The Cross Art Projects until June 17.
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Debra Phillips
Nuclear Disarmament Rally at the Domain, Sydney
1984/2023, dye sublimation print on aluminium, 60 x 82 cm

On 15th April 1984 a crowd estimated at over 120,000 people led by anti-uranium campaigner and Federal Minister for Territories, Tom Uren marched through the streets of Sydney to the Domain to listen to keynote speaker, physician and author Dr Helen Caldicott speak against nuclear arms proliferation.
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Images: Debra Phillips, A talker's echo, The Cross Art Projects 2023, installation views.
Artwork feature: Debra Phillips, Nuclear Disarmament Rally at the Domain, Sydney, 1984/2023, dye sublimation print on aluminium, 60 x 82 cm. Photography: Silversalt.
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@jasminstephens_ @debra__phillips

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Snapshots from the opening of Debra Phillips: A talker’s echo, with opening remarks by Jasmin Stephens and James Gatt.

With thanks to all who attended!

The exhibition continues 6 May — 17 June 2023

@thecrossartprojects @debra__phillips @jasminstephens_ @squiggle_dot

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Spots are still available for our free conversation tomorrow evening: ‘Through thick and thin: considering the opportunities and pitfalls associated with transnational transcultural exhibition making’ with artist Alana Hunt, art historian Ian McLean and curator of Every Inch, Jasmin Stephens. Book at www.crossart.com.au/current-show

Tuesday 1 November, 6 — 8 pm
At The Cross Art Projects

Artwork: Alana Hunt, They cut without hesitation, 2021, 35mm film archival digital print, 120 x 79.58 cm

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