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On the final day of Like a Rumor, we’re delighted to announce that Joël Brodovsky-Adams’s (catty) jug has been acquired by the Museum of Arts and Design. The jug’s vivid glaze takes inspiration from the perspective-defying pattern of a Barragán Speedo, translating its optical play and curve-conscious geometry into ceramic. Thank you to the Museum of Arts and Design (@madmuseum) and Elissa Auther (@eauther) for bringing this work into the collection, and to Joël for creating it. Joël Brodovsky-Adams (catty) jug, 2026 Glazed wheel-thrown ceramic, underglaze 33 H × 14 W × 18 D in. (83.8 × 35.6 × 45.7 cm) Unique 📸 @matthewgordonstudio
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Penultimate day to see these views from Joël Brodovsky-Adams’s Like a Rumor. The exhibition closes tomorrow, October 17. Joël Brodovsky-Adams: Like a Rumor Through October 17, 2026 Superhouse, 120 Walker Street, 6R, New York Contact the gallery for availability and additional details. 📸 @matthewgordonstudio
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Joël Brodovsky-Adams’s Bucket (The Dance) brings bodies into a continuous, interlocking rhythm. The work draws on Henri Matisse’s La Danse, while also recalling the Three Graces, whose entwined figures have appeared across the history of art since antiquity. In glazed ceramic, these references become something newly tactile: a sculptural gathering that seems to turn and move around itself. Joël Brodovsky-Adams Bucket (The Dance), 2026 Glazed wheel-thrown ceramic, underglaze 21.5 H × 24 × 24 in. (54.6 × 61 × 61 cm) Unique On view in Like a Rumor through October 17. Contact the gallery for availability and details. 📸 @matthewgordonstudio
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Final week to see Like a Rumor, Joël Brodovsky-Adams’s debut solo exhibition at Superhouse, on view through Saturday, October 17. Bringing together sculpture, lighting, and objects, Like a Rumor explores the gestures, codes, and material language of queer identity, transforming familiar domestic forms into works that are at once playful, intimate, and subversive. Read Michael Bullock’s full essay on the exhibition and Joël’s practice, and explore works on view at the link in bio. Joël Brodovsky-Adams: Like a Rumor Through October 17, 2026 Superhouse, 120 Walker Street, 6R, New York Contact the gallery for availability and additional details. 📸 @matthewgordonstudio
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Three of my favorite things about Joël Brodovsky-Adams’s new show, Like A Rumor? It’s inspired by clubbing; there’s a glaze pattern based on an archival @eckhaus_latta sweater; the wall of schlongs—er, wall hooks. (“It’s a handbag!”) So proud of this one and so grateful to @jbaceramics and @super___house for being so open and trusting. I broke nothing! But did get very dusty. Show closes 10/17 so make haste!!
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A flower pot on a table; a chandelier overhead. In Joël Brodovsky-Adams’s domestic installation, familiar fixtures take on a charged presence—part of the choreography of a home, with a quiet theatricality. Joël Brodovsky-Adams (occupied) flower pot on table + (charmed) chandelier, 2026 Glazed wheel-thrown ceramic, underglaze, hardware, lighting components 98 H × 24 × 24 in (248.9 × 61 × 61 cm), as installed On view in Like a Rumor through October 17. Contact the gallery for availability and details. 📸 @matthewgordonstudio
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October marks a season in flux, making transformation an apt thread through this month’s standout collectible design exhibitions. Designers around the world are revisiting places and materials that have long informed their practice, then pushing them in unexpected directions. From Fernando Mastrangelo (@IAmFM)’s mesmeric cast furnishings mapping contested territories to a group show at @SarahShermanSamuel’s new gallery celebrating the Midwest’s maker culture, click the link in our bio to see the full lineup of this month’s must-see shows. Story by @RyanWaddoups Photos by and courtesy of @PenguinsEggStudio, @Gallery_Fumi; @Erik.Benjamins; MattGordonPhoto; @JoeInstaKramm
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A detail of Joël Brodovsky-Adams’s limp hooks, on view in Like a Rumor at Superhouse through October 17. 120 Walker Street, 6R, New York Contact the gallery for availability. 📸 @matthewgordonstudio
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Orange you glad we have #WNBA Semifinals tonight? 🏀🧡💥
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Architectural Digest named ceramic artist Joël Brodovsky-Adams as “one to watch” for his enticing sculptures. In his first solo show titled “Like a Rumor” at Superhouse gallery you see a variety of his work, both as aesthetical and functional. #joelbrodovskyadams #superhouse #ceramics #artist
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Lyle Gallery has a publication! Creative New York is for creatives, and for anyone who loves this city’s art and culture. With this publication, we are covering beyond art and design to dance, film, theater, galleries, public art, and the creative economy and policies that affect creatives. It’s going to be interesting, sometimes unexpected, and a little lesbian (but I promise not all of it). Each issue lands on the 1st, with new visual essays arriving throughout the month. Issue No. 1 just dropped, starting with an afternoon with @maryroyallstudio , a Brooklyn painter who forages for light in the city’s streets. Swipe through for a preview of what to expect. Subscribe free at the link in bio or creativenewyork.co. The first 1,000 subscribers get grandfathered in for free forever :) Here we go 💫
Lin An afternoon with Mary Royall Wilgis, the Brooklyn painter who forages for light. On the scene at Tribeca’s biggest opening night of the season. What to see this month. Have you heard of Jill Johnston? I hadn’t until recently, but I think we’d be friends. New visual essays land every week this month. Brooklyn artists tell the city what it would take for them to stay. October 3 Treasures from the NY Art Book Fair October 8 Inside Longchamp’s first art festival in Paris October 15 A night at the Leslie-Lohman Museum with the photographers who captured New York’s queer nightlife scene decades ago. October 22
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“Swish is a movement before it becomes an identity. A loose wrist, a hip given too much latitude, a hand traveling farther than necessary, a particular way of standing or walking: boys learn remarkably young that such gestures have consequences.” — Michael Bullock (@michaeljbullock) Joël Brodovsky-Adams (flower boy) vase, 2026 Glazed wheel-thrown ceramic, underglaze 36 H × 23 × 17 in. (91.4 × 58.4 × 43.2 cm) Read Michael’s full essay on the exhibition and Joël’s practice on our website. On view in Like a Rumor through October 17. Contact the gallery for availability and additional details.
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