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Joël Brodovsky-Adams

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“like a rumor” open at @super___house until October 17th

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On the final day of Like a Rumor, we’re delighted to announce that Joël Brodovsky-Adams’s (catty) jug has been acquired by the Museum of Arts and Design.

The jug’s vivid glaze takes inspiration from the perspective-defying pattern of a Barragán Speedo, translating its optical play and curve-conscious geometry into ceramic.

Thank you to the Museum of Arts and Design (@madmuseum) and Elissa Auther (@eauther) for bringing this work into the collection, and to Joël for creating it.

Joël Brodovsky-Adams
(catty) jug, 2026
Glazed wheel-thrown ceramic, underglaze
33 H × 14 W × 18 D in. (83.8 × 35.6 × 45.7 cm)
Unique

📸 @matthewgordonstudio by @jbaceramics

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5 hours ago

Penultimate day to see these views from Joël Brodovsky-Adams’s Like a Rumor. The exhibition closes tomorrow, October 17.

Joël Brodovsky-Adams: Like a Rumor
Through October 17, 2026
Superhouse, 120 Walker Street, 6R, New York

Contact the gallery for availability and additional details.

📸 @matthewgordonstudio by @jbaceramics

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a day ago

Final week to see Like a Rumor, Joël Brodovsky-Adams’s debut solo exhibition at Superhouse, on view through Saturday, October 17.

Bringing together sculpture, lighting, and objects, Like a Rumor explores the gestures, codes, and material language of queer identity, transforming familiar domestic forms into works that are at once playful, intimate, and subversive.

Read Michael Bullock’s full essay on the exhibition and Joël’s practice, and explore works on view at the link in bio.

Joël Brodovsky-Adams: Like a Rumor
Through October 17, 2026
Superhouse, 120 Walker Street, 6R, New York

Contact the gallery for availability and additional details.

📸 @matthewgordonstudio by @jbaceramics

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4 days ago

Three of my favorite things about Joël Brodovsky-Adams’s new show, Like A Rumor? It’s inspired by clubbing; there’s a glaze pattern based on an archival @eckhaus_latta sweater; the wall of schlongs—er, wall hooks. (“It’s a handbag!”)

So proud of this one and so grateful to @jbaceramics and @super___house for being so open and trusting. I broke nothing! But did get very dusty. Show closes 10/17 so make haste!! taken in New York, New York by @jbaceramics

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5 days ago

A detail of Joël Brodovsky-Adams’s limp hooks, on view in Like a Rumor at Superhouse through October 17.

120 Walker Street, 6R, New York
Contact the gallery for availability.

📸 @matthewgordonstudio by @jbaceramics

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9 days ago

A view of Like a Rumor, on view through October 17 at Superhouse.

120 Walker Street, 6R, New York

📸 @matthewgordonstudio by @jbaceramics

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16 days ago

Joël Brodovsky-Adams discusses his process and the ideas behind the works in Like a Rumor.

Like a Rumor is now on view at Superhouse through October 17.

Film by Corey Chenier
Creative Director, Director, DP & Editor

#contemporaryart #contemporaryceramics #ceramics by @jbaceramics

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21 days ago

Joël Brodovsky-Adams’s Like a Rumor continues at Superhouse through October 17.

Bringing together sculpture, installation, and lighting, the exhibition transforms the gallery into an unruly domestic landscape.

120 Walker Street, 6R
Open by appointment

Read the exhibition catalogue, featuring an essay by Michael Bullock (@michaeljbullock), at the link in bio.

📸 @matthewgordonstudio by @jbaceramics

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25 days ago

Thrilled to see Joël Brodovsky-Adams named One to Watch in the October issue of Architectural Digest (@archdigest).

In “Because the Night,” Maya Ibbitson visits Joël’s Brooklyn studio and explores the music, queer club culture, and wheel-thrown process behind his current solo exhibition at Superhouse, Like a Rumor.

“I wanted a feast of textures and colors.”
—Joël Brodovsky-Adams

Thank you, @mmayamooo, for the wonderful story, and @samuelcochran for including Joël in the issue.

Like a Rumor is on view at Superhouse through October 17.

📸 @matthewgordonstudio by @jbaceramics

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a month ago

The limp wrist has long been treated as a tell—a gesture read as too feminine, too expressive, too much. Boys learn to stiffen it, disciplining the body before it gives them away.

In Joël Brodovsky-Adams’s installation of wheel-thrown ceramic Limp Hooks, that gesture is enlarged and multiplied across the wall. The hooks droop, curl and reach; what was once policed becomes ornamental, functional and defiantly visible. Softness, repeated, takes up space.

Available as an installation or individually. Contact us at hello@superhouse.us for availability and pricing.

On view in Like a Rumor through October 17 at Superhouse, 120 Walker Street, 6R, New York.

📸 @matthewgordonstudio by @jbaceramics

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a month ago

From his Sunset Park studio, Joël Brodovsky-Adams discusses the impetus behind the new body of work in Like a Rumor—and the origins of the exhibition’s title.

Through wheel-thrown ceramic objects, lighting, and installation, Brodovsky-Adams explores queer gesture, bodily expression, and the social codes embedded in movement and form.

Like a Rumor is now on view at Superhouse through October 17.

Film by Corey Chenier
Creative Director, Director, DP & Editor by @jbaceramics

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a month ago

Now on view: Joël Brodovsky-Adams, Like a Rumor, through October 17.

Through wheel-thrown ceramic vessels, lighting, and installation, Brodovsky-Adams considers how queer identity is carried through gesture—how a body can bend, bulge, pose, and refuse restraint.

120 Walker Street, 6R
Tuesday - Saturday 12-6 PM

📸 @matthewgordonstudio by @jbaceramics

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a month ago