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"It’s some of the hardest techno imaginable." 

Hardcore, crusty, dub, four to the floor, let's have it… we are, of course, finally diving into the unrelenting, tribe-declaring world of ’90s techno.

In the suburbs of late '80s Detroit, a trio of high-school friends – Kevin Sanderson, Derrick May and Juan Atkins – combined their love of European electronic such as Kraftwerk, Belgian synth-pop and Depeche Mode with homegrown Chicago house and funk. They created a sound that would go on to define the future of electronic music, pop music and club culture across the world, blessing the decade with the soulful Strings Of Life, the minimalistic bleep of Warp Records, festival bangers care of Underworld and Orbital, and almost impenetrable German punishers that would pack out the floor at Tresor every weekend. And how could we not mention Dooms Night and Flat Beat... more of that in the episode.

But can Daft Punk really be considered techno? Here to make a case for "absolutely yes", along with dissecting the impact of this much-worshipped, derided and debated genre, is music journalist and tech-head Joe Muggs.

Comment 90s to hear the full story.

#DaftPunk #Techno #90sMusic #ElectronicMusic #Talk90sToMe
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A selection of books that have helped me understand the foundations of the music I try to platform through @crossover_ams 

Together these books hold the countless stories of sonic innovation and creative expression by Black and working class people in Jamaica and the UK. To anyone interested in the history behind (UK) club music, I highly recommend reading each of these.

Bass, Mids, Tops: an Oral History of Soundsystem Culture - Joe Muggs

Starting with my favorite, a collection of interviews with key figures in UK soundsystem culture. Rob Smith (Smith & Mighty), Sarah Lockhart (Tempa) and Mala (DMZ) are just a few of the names in this crazy book

Aftershock: the Seismic Impact of Dubstep - Lauren Martin

Another oral history, focusing on the South London scene that pushed each other to make ever weirder electronic music. 

Beyond the Bassline: 500 years of Black British Music - edited by Paul Bradshaw (collection of essays)

Companion to the exhibition curated by Dr. Aleema Gray, the essays touch upon the societal and political surroundings in which much of the music was developed. Challenging the notion that Black British Music only started with the Windrush generation, the exhibition looks back much further.

Dub Revolution: Jamaica’s Sonic Innovators and the Birth of Remix Culture - David Katz

This one focuses on a small group of Jamaican producers, like King Tubby and Lee “Scratch” Perry that reinvented the recording studio as an instrument through innovative use of multi-track mixers and effects like delays and echos. This way of producing music is deeply foundational to the way much of modern electronic club music is produced. 

Join the Future: Bleep Techno and the Birth of British Bass Music - Matt Anniss

Focuses on a small scene of artists in Yorkshire, the book argues that Britain’s love for bass started with the bleep techno movement of the late 80s. Interesting alternative history. 

Come hear what has been built on these foundation on the 16th of October at Crossover in @garagenoord !
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