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Jonathan Orlando Álvarez

@jonathanac_

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Con Carolina e Jonathan❤️❤️❤️
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We have finished filming in South America a documentary „Beyond”, directed by @andiamoworks - @materdmann & @wieckovski and produced by @lumisentafilmfoundation •••••• It was one of the most incredible adventures of my life. We have captured so many unique moments and talks with absolutely beautiful people. It was possible only because of the support of @pgeenergiakultury & @polska.fundacja.narodowa I was dreaming about this project for years, so I am beyond happy that the first stage (filming) is done. Can’t wait for editing and postproduction. Stay tuned 🤩 ••••••• #OhHappyDay #countertenor #jakubjozeforlinski #southamerica #beyonddocumentary
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Sharing some highlights from our performance of The Dragon of Wantley at the prestigious @haendelhaus_halle , already one month ago. 🐉 Captured through the fantastic lens of Anna Kolata 📸 @anna.kolata.fotografie Thank you all for coming along on this adventure, and for helping us save the city. 😉 Hope to see you all again soon! @yannisfrancois - The Dragon 🐉 - Gaffer Gubbins 👨🏾 @aurora__pena - Margery 💃🏻 @oliverjohnston5580 - Moore of Moore Hall 🤺 @1dunnu - Mauxalinda 🙅🏽‍♀️ @ena.padron @manuel_hernandezp @kevinmerchan.violinist #CorneliusMöhring @angelmunozvella @walkenriedconsort @bernadetteverhagen #jeanfrancoixmadeuf @jeandanielsouchon @jonathanac_ @michaelformusic @mariantonia.riezu @zanettalex @miriamjorde @1dunnu
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⭐️⭐️⭐️⭐️⭐️Overwhelming Debut of the Humboldt Orchestra at the Halle Handel Festival with “The Dragon of Wantley”. The Humboldt Orchestra delivered an impactful debut in Halle with The Dragon of Wantley, under the direction of Michal Form, in a performance that combined theatrical drive, stylistic precision, and contagious energy. The production featured the quartet of soloists Yannis François, Oliver Johnston, Aurora Peña, and Idunnu Münch, whose exceptional artistry and dramatic flair earned an overwhelming success that confirmed the ensemble’s outstanding artistic momentum. The burlesque opera sounded with the stylistic solidity that Michal Form brings, a director closely linked to the Baroque repertoire and with extensive international opera experience. The cast was led by Yannis François, whose versatile and commanding presence brought both The Dragon and Gaffer Gubbins to life with remarkable vocal power and theatrical wit; Oliver Johnston, who sang Moore of Moore Hall with a rich, resonant tone and a Naturally authoritative Style; Aurora Peña, whose Margery shone with delicate beauty, expressive nuance, and a captivating lyrical elegance; and Idunnu Münch, who portrayed Mauxalinda with vibrant coloratura, dramatic intelligence, and a glamour that electrified the stage. The balance between these four outstanding voices and the theatrical character of the score reinforced the festive and satirical tone of the work. The Humboldt Orchestra offered a lively, flexible reading with notable cohesion. Its profile, oriented toward a broad repertoire with emphasis on historically informed practice, fits particularly well with this type of 18th-century musical theater. In Halle, the ensemble left the impression of a group with tight ensemble playing, clear articulation, and the ability to respond naturally to the dramatic demands of the score, with a special protagonism within the overall performance. The Humboldt Orchestra’s debut at the Halle Handel Festival had the shine of major productions: a burlesque opera resolved with ease, scenic nerve, and an enthusiastic response from the audience. #haendelfestspiele #HumboldtOrquesta
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February on Tour – Stops 8 & 9: Madrid, a hint of spring in the air, stolen backstage moments @ilpdo @teatro_real
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Bach+Handel in Leipzig ❤️
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El miércoles 27 de marzo la Orquesta Humboldt estará en Oviedo. #NoTeLoPierdas‼ Sociedad Filarmónica de Oviedo. Teatro Filarmónica | miércoles, 27 de marzo de 2024, 19:45 h Entradas: https://filarmonicaoviedo.koobin.es/index.php?action=PU_evento&Ev_id=44 P R O G R A M A Franz Joseph Haydn: Sinfonía no 44 en Mi menor «Fúnebre». Franz Schubert: Sinfonía no 5 en Si bemol mayor. Wolfgang Amadeus Mozart: Sinfonía no 40 en Sol menor (Viena 1788). Violines I Vadym Makarenko (cn) - Lidia Fernández Mercedes Rodríguez - Elias Riviere Violines II Claudia Ortíz - Kevin Merchán Lauren Molina Violas Osvaldo Enriquez - Danny Santos Violonchelos Luis David Rivas - Javier Morillas Contrabajo Jonathan Álvarez Cermeño Flauta Valeria Arcidiacono Oboes Giorgi Magradze - Irene Cortés Fagotes Edgar Monrroy - Alberto Sáez Trompas Mariantonia Riezu - Vicent Serra Director: Michael Form
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¡Acabamos de vivir un concierto inolvidable con Il Fervore en la Semana de Música Religiosa de Cuenca‼️ La Pasión según San Marcos de Reinhard Keiser, dirigida por Jesús Merino, brilló con una interpretación barroca de primer nivel. Gwilym Bowen deslumbró como Evangelista con su tenor cristalino y ágil, perfecto para narrar con dramatismo y precisión. Ferrán Albrich, en el rol de Jesús, aportó un barítono profundo y emotivo, mientras Kathrin Hottiger (soprano) y Lea Elisabeth Müller (alto) ofrecieron matices líricos e introspectivos ideales para el pathos barroco. Rodrigo Carreto con profundidad expresiva y claridad estilística y Francesc Martí Ortega que aportó gravitas robusta, completaron el elenco. El ensemble Il Fervore cautivó con su sonido historicista puro: cuerdas vibrantes, continuo preciso y un equilibrio que evoca la esencia pre-bachiana. Keiser, copiado e interpretado por el propio Bach, influyó directamente en sus pasiones, como se nota en las arias expresivas y coros turbulentos. ¡El auditorio estalló en una ovación cerrada! Un éxito rotundo que confirma el poder de la música sacra barroca. We have just experienced an unforgettable concert with Il Fervore at the Semana de Música Religiosa de Cuenca‼️ Reinhard Keiser’s St. Mark Passion, conducted by Jesús Merino, shone through a first-rate Baroque interpretation. Gwilym Bowen dazzled as the Evangelist with his crystalline, agile tenor, perfect for narrating with drama and precision. Ferrán Albrich, as Jesus, brought a deep and moving baritone, while Kathrin Hottiger (soprano) and Lea Elisabeth Müller (alto) offered lyrical, introspective shades ideal for Baroque pathos. Rodrigo Carreto, with expressive depth and stylistic clarity, and Francesc Martí Ortega, with a robust gravitas, completed the cast. The ensemble Il Fervore captivated us with its pure historicist sound: vibrant strings, precise continuo, and a balance that evokes the pre-Bachian essence. Keiser, copied and performed by Bach himself, directly influenced his Passions, as can be heard in the expressive arias and turbulent choruses. #SMR63 #IlFervore #Keiser #FalParsiMusic #PasiónSanMarcos
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What an adventure!! My first ever Giulio Cesare with absolutely wonderful team and right away played 12 times!! Quite crazy🫣😁 I am just landing after this whole experience! Extremely happy, satisfied, proud and grateful to my cast mates, orchestra, maestro and our touring team. It was a crazy ride, but we all did good! 😊 There was a live recording made during our show in Warsaw so stay tuned. Hopefully it will be released soon! Thank you all for supporting our Cesare tour and coming to hear this great piece of music! Just love sharing with you all 🥰 ••••••••••• Photos 1-8 by @grzesiek.mart Photo 9 by @elbphilharmonie ••••••••••• #OhHappyDay #countertenor #jakubjozeforlinski #GiulioCesare #tourlife
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Some excerpt from our ”Concertos for Baroque Lute” next to the amazing Il Pomo D’Oro!! 🤩🤩
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Hoy en Cuenca, dentro de la @smrcuenca interpretaremos la Pasión según San Marcos de R. Keiser, con un elenco de solistas impresionante. ¡No te lo pierdas! 🕚 20:00 📍 Teatro Auditorio de Cuenca @auditorio_cuenca @smrcuenca 🎶 Markuspassion, R. Keiser con @gwilymbowen, Evangelista @ferranalbrich, Jesús @kathrin_hottiger, @leaelisabethmueller, @rodrigocarreto, @francescortegamarti, solistas Os dejamos unas fotos de los ensayos, tomadas por nuestra violinista @ena.padron
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💿✨ RELEASE DAY! Our new album NAPOLI INEDITA (@aparte) is finally out today! 🎉 Shout out to our amazing soloists @xaviersabata and @alicia__amo, the entire #TientoNuovo family and the @apartemusic team for making this project come true. We’re beyond excited to share this journey into the unknown gems of Neapolitan Baroque music — featuring works by Alessandro Scarlatti, Domenico Sarri, Leonardo Vinci, and Giuseppe Vignola. Napoli Inedita has been possible thanks to the 2023 Leonardo Grant from the @bbva Foundation, whose support we deeply appreciate. Now streaming and available on all platforms — link in bio! 🎧 TIENTO NUOVO @ignacio_prego · harpsichord & musical direction @victormartinez.violin · concertino @martamayoralgonzalez , Pablo Prieto, Belén Sancho · vlns I @indianotriton , @suarezsergio, @beamezua · vlns II @dani_lorenzo_dv, Isabel Juarez · violas @mmartinezcello, Ruth Verona · celli @jonathanac_ · violone @tenorodrigoboe · oboe @zapicopablo · theorbo & archlute Alberto Martínez · organ With @apartemusic Sound recording, editing, mixing and mastering · @federicoprietomunoz Artistic assistant · @zamudiojc Critical edition · @niepasle Photography and cover: @michalnovakphoto Vidéos: @noahshaye Instruments technician: @diego_clave English Trnaslation · Sabela Castro French Translation · Loïc Windels ESP: ¡Nuestro nuevo álbum NAPOLI INEDITA (@aparte), disponible desde hoy! 🎉 Profundo agradecimiento a nuestros maravillosos solistas @xaviersabata y @alicia__amo, a toda la familia de #TientoNuovo y al equipo de @apartemusic por hacer realidad este proyecto. Napoli Inedita ha sido posible gracias a la Beca Leonardo de 2023 concedida por la Fundación BBVA, cuyo apoyo agradecemos profundamente. Ya disponible en todas las plataformas — enlace en la bio 🎧 #NapoliInedita #TientoNuovo #NewRelease #BaroqueMusic #EarlyMusic #AparteMusic #XavierSabata #AliciaAmo #Scarlatti #Vinci #Vignola #BBVAFoundation #TientoNuovo
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