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Storyteller/Filmmaker, surfer
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That one time I married the love of my life 🥰
Want to say a huge thank you to @kyle_buthman & @ryan.moss for the amazing gift of this video. 
You caught every laugh, every happy tear, and every questionable dance move from our wedding weekend. We will treasure this video for the rest of our lives. 💞
To view the full length video, tap the link in my bio!
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“As I was testing the prototype of that first Billabong inflatable suit, there was a Jaws swell on the way,” @shanedorian told me a few weeks ago.

“I remember thinking, ‘Okay, I need to go out and eat shit,’ which is a really weird thought to have,” he chuckled.

Over the past eight months, @natecox__ and I have bounced through three countries, interviewed 12 of big-wave surfing’s most qualified lunatics, and scrolled through eons of grainy archival footage, all in an effort to weave together the threads of how chasing giant waves became somewhat less likely to kill you.

The answer, unsurprisingly, is complicated.

“The development of inflatable vests is just like the evolution of anything,” @nathanfletcher told me. “Did it make it better? Yeah, it made it better. Did it take the magic out of it? Definitely by a percentage.”

“Big-wave surfing has most certainly gotten more crowded and more popular in the last decade,” said @gerglong. “And you can absolutely attribute a lot of that to the fact that we’ve developed incredible safety equipment.”

Shane Dorian sees the other side of it.

“Yeah, it’s more crowded, but look at guys like Billy Kemper, the stuff that he’s achieved in the last 10 years. It’s insane. You’re seeing performances that would never have happened without an inflatable vest, for sure. Guys would not be behind the peak on 35-foot-back waves at Jaws without inflation.”

“I don’t care how hard you charge. If you feel like you’re for sure coming back to the surface, you’re going to put yourself in a much more committed position,” finished Shane.

That tension sits at the center of ‘Inflation Point’ a film made with @patagonia_surf and @stab  that details the accidents, inventions, arguments and painful experiences that turned the inflatable vest from a mad experiment into one of the defining pieces of big-wave equipment.

The film will be live on Stab Premium in late October — but you can come watch it with us in person, tomorrow at @patagoniavta. 7pm.

Everyone welcome. Would love to see you there. We’re scrambling to put the finishing touches on it now.
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Fiji! 

Thank you to @vaimiti and @simon.nessman for having us aboard Salal for the last few weeks, how did we get so lucky in this life? 

This recent trip has had me feeling so so grateful for the travels I have been able to do over the years. To be able to see such beautiful places and meet such beautiful people, feeling so fortune in this life. 🌏
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Like most young surfers growing up in Santa Cruz, California, @kyle_buthman had his eyes set on becoming a professional surfer. Not only did he have perfect waves in his backyard and tons of talented peers to push his performance, he had access to a variety of action packed surf films to study before and after his sessions. The 1990’s were a peak era in terms of surf media production, and while guys like Kelly Slater and Rob Machado were showing the world what was possible in films produced by Taylor Steele, we had a fair share of videographers bringing the goods locally, as well.

Tony Roberts, Chris Klopf, Josh Pomer, and Graham Nash all put out a number of iconic surf films during Buthman’s rise as an amateur surfer, and he studied them endlessly. What was so impactful for the young surfer was the fact that not only could he watch someone like Peter Mel rip waves at Steamer Lane, he could go out there and join him afterwards

As fate would have it, after an injury to his Achilles Tendon at age 14, Buthman found himself behind the lens. To kill the boredom during his recovery, and to keep himself close to the action he was missing out on, the talented regular footer grabbed the family handycam and posted up at the waters edge, capturing the explosive surfing taking place in and around Pleasure Point. He put all the footage together in a short edit, entitled, “Trix are 4 Kids,” and never looked back.

While he never made it big as a pro surfer, Buthman was able to enjoy sponsorships enabled him to travel the world, and he always brought his camera along with him. He leveraged his relationship with Quiksilver to get access to their fabled accommodations on Oahu’s North Shore, where he produced edits featuring their team riders. Before long, his talent behind the lens established him as an elite storyteller, eventuating in his “Get Rad” trilogy, and other notable productions, such as “Tattle Tales”, and his “Brain Works” series.

Here, we delve into how Buthman’s art has evolved and how he balances his love for cinematography with his obsession for hunting tubes of his own, from Mainland Mexico# to Sewer Peak.

Time to eat your soup!

Link in Bio
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You know where you can find me 🌞 following the sun. Still can’t get over how much fun this trip was, will be hard to top but here we go again… 🎥 @kyle_buthman
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Brought my log all the way to Mexico just to ride my fish the entire time but @kyle_buthman did capture my two log sessions that I pretty much forced myself to log just to make sure I used it atleast once 😂 #mexico #surf
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