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Luis Herrera

@lightclimb

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Boutique lighting for short-form work.
📍 Los Angeles, CA
⚡️ Owner-Op: @luis_peaks
Commercial / Editorial / Branded
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After shooting @meetingmarsha a little over a year ago, it’s finally making its rollout! Huge thank you to @rarebreedswest and @blkbrdcine for supplying us with the tools to make it happen. About 80% of the film was shot using the @blkbrdcine Mantis on an Easyrig. Our talented director @mckgoodwin wanted to achieve a number of complicated oners, while also using the camera movement to lean into the chaotic nature of certain scenes and help build tension as the story progresses. The Mantis made my life so much easier, giving us a great handheld look while absorbing a lot of the unwanted motion. It helped give me more confidence to my movements, especially during some of the longer and more complicated shots. I loved working with it and can’t recommend it enough! I can’t wait for everyone to finally see all the hard work this team put into the film. I had the best time working with this crew and made some incredible memories along the way. Grab tickets at the link in my bio! 🎥🎞️🎟️ 📸: @rileysimsphotography
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Unreleased Project Produced by @superevilgeniuscorp / @krisallenr Production: @superevilgeniuscorp Director: @krisallenr DP / Cam Op : me Art Director: @_____zac________ Gaffer: @lightclimb Key Grip: @ewan.film MUA: @rubyvo_ Hair: @lu_nita Talent: @daniela_casas22 Plexiglass Stage: @qewlyproductions Shot on @kodak @kodak_shootfilm #kodakvision500t
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So excited to finally share the trailer for the feature I shot last August! Had such a great time shooting this with the best cast and crew. Grab your tickets at the link in my bio! 🎥🎟️
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@summersmash & @lyricalemonade - THE BEST WEEKEND OF YOUR LIFE I love 20,000K; when I first got my Sekonic C800 color meter, I stepped outside during blue hour, and took a reading: 30,000 kelvin. It’s such a calm, comforting color for me. Not every light is capable of such a high kelvin, but thankfully the Nanlux 150Cs are. Not every occasion calls for such a high kelvin, but space certainly does. It gave the color cast for space that we wanted, without having to dip into an HSI color mode. Set-Up: (2) 150Cs @ 20,000K into an 8x8 Ultra Bounce through the spaceship’s viewport for the key light. A 2x3 and 18x24 solid were used on the viewport to flag the 8x8 UB to taste, often upstaging talent for a more dramatic fall off, or to slow the background down. We taped (4) metal plates to the ceiling for the (4) MC Pros to magnetize onto. We used the (4) MC Pros as the spaceship’s work lights. We had a 5th MC Pro for an eye light for certain coverage, and a pizza box for fill for certain coverage. We used @blackoutlighting for Min to program the lighting gags to taste. One of the 150s gave a static space ambiance, while the other was pulsing for the beginning chase sequence to give the feeling talent was flying through space. The MC Pros were also on a cue to go from “regular overheads,” to “emergency overheads.” Director: @noahkeckler Writers: @noahkeckler & @evanshoww Executive Producer: @colebennett @bertosolo Production Company: @lyricalemonade Producer: @kristaworby Production Coordinator: @anthonyalvarado Director of Photography: @l3ibow 1st AC: @allieleichter Gaffer: @luis_peaks LCP: @tirekim Sound Mixer: anthony wong Talent: @itsjackcain @dallysdorsey_ VFX: @monyyplus Sound Design: @noahkeckler + @evanshoww Sound Mastering: @cnsincaglia Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
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@remitly - Family Secrets For this shoot, we had to film three different scenes, in four different languages, with different talent. We also had to bounce between setups because of scheduling. For that reason, it was important to keep the lighting as consistent as possible, and to minimize the amount of setup/teardown. To do that, we built and left as many units as we could in place for the full day. For the living room and kitchen scene, the only unit we had to set up and tear down was our F400Bi thru a 6x6 Magic Cloth (our main key for the kitchen scene). Whenever new talent stepped in, we could quickly tailor the lighting to their unique features and positioning. Every department coordinated closely with one another; we all knew what was next on the agenda, and could flag any inconsistencies. The result was a great, efficient day. 😎 Main Set-Up: 1200B and 600C through windows, Nova 600 thru 8x8 Magic Cloth for main living room key. 400X into CRLS 50cm No. 2 for back wall texture. Pavoslim 2x1 for fill. Beadboard and CRLS 50cm No. 3 for passive fill. Godox F400Bi thru 6x6 Magic Cloth for main kitchen key. Lots of solids for negative fill, and a 20’ solid to control the sun’s spill on the front side of the house. MC Pros heroed in the kitchen for the stove light and island practical (rigged via an MC Socket). Agency/Production Company: @huffmancreative EP: @ryanhuffmann @katie.sarrels  Director: @marcjc88  Producer: @ryan.online Production Manager: @refatkdm  1st AD: Nancy Fuller Cinematographer: @garrett_gaston 1st AC: @nicodanovizfilm  DIT: @njageek  Gaffer: @luis_peaks Key Grip: @ivanperez_323 Sound Mixer: @mr.sound.guy  Production Designer: @morganspurr  HMU: @kimmyjmakeup  Costume Designer: @emilyzehrdesign  Talent: dishanichakraborty sonya_paul @actordipanshusharrma  @aminabahy  @jaskirann_  @wendyalcala  yovanirodarte @theleilaniarias  @thespianpuneet  @littleindiann_  Kirra Sudwa Alberto Manquero Estela Anaya Diana Cabuto Lopez PA:  @priyanka913  @veeyonce  @quentinpham_ Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
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@yg feat. @paygotti.1500 - Gang Bizness First big thank you to Art Department for the stellar set build, and how easy they made it for G&E. @jes21caning asked in pre-production if we wanted the fluorescent housings to be 4’ long, or a custom dimension. Since Titan Tubes are 3’4” wide, she had her team make the fluorescent housings exactly to spec so it would read the best it could on camera. Her team also had beams installed above the fluorescent housings that made it a breeze for G&E to zip tie all twelve Titan Tubes to. Second shoutout to G&E for their due diligence; Mike, Grey, and I were the selected members for the pre-light day. The rest of G&E joined us for the shoot day, where they also had to set up the movers; they successfully tore down all three of our setups before location went into OT. Main Set-Up: (12) Titan Tubes rigged overhead for the fluorescents (strobed via the Astera App). Nanlux 600c w/ 4’ Octagonal Softbox & Grid to lift principal talent from the crowd. The OctaDome’s shallow depth allowed the crane and cast/crew more freedom to move around. (2) Nova 600s into the white cyc behind the crane for a big, soft ambient frontal fill. Black Void Set-Up: 8x8 Overhead Softbox with quarter silent grid (skirted); Godox F400R and Godox F400Bi open face inside for key. A Nanlux 1200B w/ Light Dome 150 camera left, and a Nanlux 600c w/ 4’ Octagonal Softbox camera right, for frontal fills/keys. (6) Movers were rigged overhead on the truss. Director: @fakedell Executive Producer: @durtyharry Executive Producer: patrickcdonovan Head of Production: @dylanthemagnificant Producer: @michael_the_sauce_god_ Production Company: @shotclock Director of Photography: @nickfrmnowhre B-Cam Operator: @conradholzman C-Cam Operator: @athul.obla 1st AC: @70mm_ 2nd AC: Kyle Castillo Crane Arm Op: @steadimatias Remote Head Op: @chrisxmcelroy Gaffer: @luis_peaks LCP: @samuel._lynch BBE: @sweet_.jp SLT: @rexisdreaming Key Grip: @backlotbandit BBG: @grey.baltes Grip: @cameronjschulz2 Grip: @xanderfernandez_ Grip & Electric rentals provided by @lightclimb. Sub-rentals by @dfirentals. Movers by @litbydrip. CREDITS CONTINUED IN COMMENTS.
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@thinkwithmark - For Ideas Worth Keeping Really loved the look we came up with for this commercial. Commercials with a narrative-focused undertone, with scenes that feel ripped from a feature, are some of my favorite to work on. Main-Set Up: Pavoslim 60CLs w/ Grids were our main key lights for the shoot. I like to think of them as a poor-man’s Helios Lightsock, but that I can run off an APEX 360Wh V-Mount Battery all day (which is exactly what we did; we had them on 5-15% brightness for most of the shoot, and it lasted two full days without a charge). The Pavoslim 120C and Nanlux 150C provided a cooler ambiance for our shadows. Titans w/ grids were used as kickers or fill. The MC Sockets w/ MC Pros have also been my go-to for practicals whenever I can swing it. I love being able to control the intensity of the front and back of lamp shades independently. The grips used visqueen, floppies, 8x8 and 12x12 solids, and scrap duvetyne to black out every inch of the house for full control. Writer & Director: @arloshibe Producers: @ceceish katieyoun_ Associate Producer: @sea_gira Line Producer: @kate.shiau Assistant Director: @photowater12 DP: @e30rp 1st AC: @jeremiahchoww 2nd AC: @rich.song_ Steadicam: @steadi_donny Gaffer: @luis_peaks Key Grip: @backlotbandit Swing: @ewan.film Production Designer: @skydooooo Art Director: @sydneyvena Set Decorator: @joshuachoii Costume Designer: @sophiegow Hair Makeup: @caycijean Boom Operator: @chloelimjy Editor: @tammypremchan Composer: @_myles_anderson Sound Designer: @karthik_davuluri Colorist: @christopherrmedina VFX: @throughthelensoflogan Lead Firefighter - @skylargaertner Elderly Woman - @clairemontgomery123 Firefighter 1 - Cody Williams Firefighter 2 - @gbautistaofficial Firefighter 3 - @rosstownacademy Firefighter 4 - @zain_17 PA and BTS by @longtruong.jpg Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
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@boy__smells - Vanillamace Campaign (feat. @vanillamace ) Playful, analogue-inspired campaign shot on DVCAM. ⭐️📹 Main-Setup: 12x12 Quarter Silent Grid Book-Light. Nanlux 2400B and Nanlux 1200B w/ 30° dishes for the punch to deliver us the stop we needed (F8). Nanlux 150C thru 4x4 Half-Soft Frost for edge. Pavoslim 240CL on standby for frontal fill as needed, and another to even out the exposure on the left side of the cyc wall. A Nova 600 was used for certain off-angle shots at a low percentage to even out the far right side of the cyc. MC Pro inside the floor practical. V-Flat camera left for some fill (sometimes switched to the black side for neg). For beauty ads, often you’d want a bounce card under the face as well, but JD opted for negative fill to sculpt and contour talent’s facial features (they were getting a bit lost in the close-ups with how large and soft our light source was). Great call. For the product shots, we used an F400R overhead, Titans and bounce cards for accents, and negative fill as needed to hide unwanted reflections. Occasionally a Nanlite 60CR w/ 19° Spotlight was used for a hard edge on the products. Director / Photographer: @alewm DP: @wheresjd Gaffer: @luis_peaks Key Grip: @scottydop Prop Stylist: @ninakeim Prop Assistant: @verozine Glam: @nikkiprovidence Wardrobe Stylist: @ashleyfurnival Boy Smells, Creative Director: @katarinacohen Boy Smells, Producer: anavictoriajimz Social Videographer: @zoglaze Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #knowled
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@thechainsmokers & @winonaoak - Love is Kind EP Visualizers Stoked to have gaffed all these visualizers over the course of three days. First time working with a robot arm. 🦾 Was a great collaboration between camera, VFX, production design, everyone involved. Main Set-Up: 12x12 Overhead Softbox with magic cloth (skirted); Nanlux 2400B and 1200B open face inside for key. Godox F400R on 16’ Menace Arm to wheel around for rim light or wrap as needed. Bleached Muslin floppy to double break the overhead softbox (or F400R) for close-ups. Titans and bounce cards on the ground for fill as needed. For certain visualizers, we used MC Pros and Nanlite 60CRs with spotlights. Featured Visualizers: - “Wild” - “Love is Kind” - “Already Know” - “Echo” EP: @majipres + @nickfrmnowhre Producer: @claire.belhumeur Directors: @clare_gillen + @nickfrmnowhre 1st AD: @kiva.corshen DP: @nickfrmnowhre Gaffer: @luis_peaks KG: @backlotbandit BBG: @demarz 1st AC: @themaddoxhenry 2nd AC: @redtowmato Camera PA: Ellen Elkins Robot Arm: @justcassiusking Production Designer: @kaktakovoy Art Director: @bohdanborysov Editor: @iheartxsantana Colorist: @avery_niles VFX: @sideeye.mov Title Design: @paytonluhree Glam: @carisadoesitall Styling: @blakefromohio + @sofiashowandtell PAs: @_benlevy_ @stopswurvin Daisy Okazaki Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #knowled
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@mlb x @mitchellandness - Deion Sanders ‘97 Fun, nostalgic commercial on film! Always happy to bust out the light meter for projects on film. Main Set-Up: Nanlux 600C thru 8x8 Half-Silent Grid (very dim), 150CR w/ 36° Spotlight & Leaf Gobo for back wall texture. 60CR w/ 19° Spotlight for ping on middle ground, camera left elements. Titan tube for ping on middle ground, camera right elements. Godox F400R set 10,000k for a subtle blue lift in the shadows & ambiance. MC Pros with @small_footlighting ’s MC Sockets on the practical for full control over the shade’s exposure (the one facing the back-wall was quite dim). For the exterior night baseball field, we used a Nanlux 1200B bare face running off an Ecoflow, with a Titan Tube and beadboard for fill. The output and 120° native beam spread really hero’d for that scene. Prod Co @tripoli.la Creative Dir @louiebowling_ Dir @keatongreene_ EP @richiedandan Prod @jd_calvo / @vh3studios DP @zeddekiah 1st AC @70mm_ 2nd AC @tesssprice Gaffer @luis_peaks Key Grip @ewan.films Dolly Grip @badfaithed Editor @ciaraboniface Color @cameronmarygold / @fairchild.color VFX @dbamarco / @hrdwrestudio VO Mad Mac Production Designer @tonybangprops PD Assist @stoopidpainter PD Assist @zavalaspies PA @arxmando__ PA @spliffbreaks Tailor @brentthetailor_ Groundskeeper Paul Janeway Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
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@yonasarahh - porcelain Main Set-Up: (2) F400s with skirts on 16’ menace arms for overhead key & ambiance. Titan into 2x3 Beadboard for fill on close-ups, and another on the chandelier to give it some information. When the Titan/Beadboard eye-light didn’t catch, we’d pivot to an MC Pro with a Bubble. 150C w/ Spotlight for hard back edge for speciality shots, and a Pavoslim 240C for a more aggressive fill for speciality shots. Floated a floppy around to kill background reflections. The house chandelier made it a slight challenge to get the F400s in the perfect spot, but Ewan and Ivan were able to thread the needle. 🪡 Director: Ryder Lee (@ryderlee) Director of Photography: Colin Wong (@colinnwong) 1st AC: Kai Kouretchian: (@bykaiii) Gaffer: Luis Herrera (@lightclimb)
G&E Swing: Ivan Perez (@ivanperez_323) Key Grip: Ewan McNeil (@ewan.film) Art Department: Sydney Vena (@sydneyvena) Production Assistant: Allison Harbour (@alisonharbourr) Editor: Cami Starkman (@countcamster) Color: Artem Velichkovskyi (@artveli.color) Design + Typography: Jeremiah H. (@helpurm1nd) Cover Art Photography: Carter Christman (@carter_christman) Behind the Scenes Photography: Samuel David (@excessam) Grip & Electric rentals provided by @lightclimb. #lightingbreakdown #setlighting #gaffer #nanlux #knowled
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@clair_health - “Have It All” Set-Up: 1200X and 1200B through the windows for a sunset vibe (it was night outside). Pavoslim 240C thru 4x4 Unbleached Floppy for main key. Titan Dooplo for wrap, DMG Dash with Dot for eyelight, 150C for ambient lift, and pizza box for talent fill. These were our main units for the rest of the ad as well (along with MC Pros, Nova 600, and an F400R). Lots of shots, tight schedule and company moves, but we came up with a playbook and it carried us through the day with speed and grace. 🦌 Director: @oribenshahar Producers: Travis Knox, Stephanie Christie Production Coordinator: @sarinammoore DP: @grahambyers_dp Gaffer: @luis_peaks KG: @hyeyoung_ra 1st AC: @jordanlandryfilms Production Designer: @harper.wilken Set Decorator: @makenna.rhoades_ Art PA: Kailey Schultz Sound Mixer: @_raandersen_ Editor: @evannowack Sound Designer: @evannowack Colorist: @josephpyao Talent: Clair Girl: @moriahnboone Extra 1: Sam Knox Extra 2: Samantha Robichaud Extra 3: Sayer Kanakriyeh Grip & Electric rentals provided by @lightclimb . Sub-rentals by @otm_cameralighting . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
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