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Illustrator and Visual storyteller
NID Ahmedabad
Shortfilm details: @shurpanakhabeevis_laxmanrekha
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Speechless. I realize a seed I planted years ago has finally, quietly, broken the surface of the soil. A former student brought me a special personalised gift—a gorgeous canvas  heavy with the weight of shared memory. A painting commissioned with such thoughtfulness and love on his part, a luminous marriage of the bold, sinuous lines of Kerala murals and the intricate, rhythmic storytelling of Odisha’s Pattachitra.

The theme he chose moved me to my core: Chandrabati’s Ramayana — the Bengali peasant women’s Ramayana through Sita’s own searching eyes. It was a gesture he said that reached back to his first semester, 5 years ago, to the Indian Storytelling Traditions module I offer to the M.Des FVC. Have tended to that module for years with a meticulous, almost aching kind of care—gathering research, layering details, trying new approaches and polishing narratives like ancient stones. Yet, one often teaches into a void, never quite sure if the stories are taking root or simply drifting away with the campus breeze. 

But today, looking at that canvas, the impact of those hours in the classroom felt suddenly, vividly visible. I found myself thinking of the long arc of influence—the two animation film design students who recently carried those lessons into their graduation films, one unearthing the Assamese Sitayana or ‘Kasang Alun’ and the other the rhythmic beauty of the Mappilla Ramayanam. Last week, Prajwal, an MDes Film student, told me that when he was stuck with his screenplay recently, he found his way forward by remembering what I had said in class about the  architecture of frame stories and the nested, “story-within-a-story” structure of some traditional Indian narratives. I was tongue-tied hearing that. 

In these moments, I feel touched and reassured. Less like a ‘teacher’ and more like a custodian of a flame that has successfully leaped to a new wick. There is a profound, quiet relief in it—a sense that the labour of love was not solitary. This painting, with its vibrant colours is a gentle, wordless reassurance that perhaps, amidst the turbulence of change, I am doing something right after all. Grateful to the universe. Thank you: @the.sandwich.guy.
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Some say Ahmedabad is beautiful, and here are some reasons not to agree on that ! #nid #Ahmedabad
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Trying film photography for the first time 

Shot on Yashica electro 35 gifted by @squid.whale , expired Fujifilm, ISO 100
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