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Lorna Bauer

@lornabauer

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Today is the last day for By Ear, A Group Exhibition @rainraingallery. I had the pleasure of dwelling in the hums of these works when writing the text and title for this special group show with @miradayal @peter_s_brock @grem.jpg @lornabauer. The title came as a belated revelation to the obvious obstacle to configuring in air, in remoteness and disconnection. in silences of grief. The key is listening,
the keys to listening.

Special appreciation for @rainluart
Full text on the gallery website.

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A closer look at Lorna Bauer’s L’Oeil, 2025.

By Ear closes on Saturday, October 10.

Video by Kathy Chen @kchenxy

#RAINRAIN #LornaBauer

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Sharing a few more installation views of By Ear.

It’s the final week to see the show, featuring works by Lorna Bauer, Peter Brock, Mira Dayal, and Emma Safir. Come by before it closes on October 10.

#RAINRAIN

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“Lorna Bauer configures a unique gleam of silver and chrome opacity with glass and light-sensitive silver nitrate, both crucial instruments for early black and white photography. Photographic vignettes of plant life are embedded in the false mirror, with ripples held fast like toxic bubbles in a pond reflective of the Montreal wasteland contaminating local ecology. Stained with silver, the lampwork glassware resembles the yellow fruit growing on the trees surrounding Villa E-1027, the Irish architect Eileen Gray’s modernist masterpiece. Instead of photographing the sight, Bauer recited it with a different layered contraption of fragility with a change of key.” Text by @hindley5vv

Works by Lorna Bauer @lornabauer from 𝘉𝘺 𝘌𝘢𝘳, on view through October 10.
.
Innsbruck
2025
Hand Mirrored, kiln-formed glass,
and archival inkjet prints
22 x 36 in

Lemon Tree #3
2026
Borosilicate glass, silver stain,
and wire
Dimensions Variable
.
#RAINRAIN
#LornaBauer

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TONIGHT, 6–8PM ✨🍾

Join us for the opening celebration of 𝘉𝘺 𝘌𝘢𝘳, with Lorna Bauer, Peter Brock, Mira Dayal, and Emma Safir.

On view through October 10.

Exhibition text by Hindley Wang @hindley5vv

#RAINRAIN

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#LornaBauer

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Thank you @impulse_magazine_ and @avadanieu for the thoughtful conversation about my practice. It was a pleasure to talk with you. 🍋✨🙏

Read the full interview here: https://www.impulsemagazine.com/articles/face-to-face-august-2026 and link in Bio.

📸 @b.brookbank
📸 @atlasdocumentation

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Glass lemons, metal chessboards, and iridescent ceramics are just some of the enchanting forms of August’s Face to Face artists. This month was an international one, including studio visits in Paris, Pècs, Montreal, and more.

Read the full interviews via the link in our bio! 🌎✈️🌍✈️🌏

Thank you to our dedicated writers:
@lilyonthecross
@avadanieu
@artstigator
@paige.n.miller
@rachelkubrick
.
.
.
#impulse #art #magazine #studiovisit #artistinterview

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🩵 OPENING DATE UPDATED

Join us on Friday, September 18 for the opening of 𝘉𝘺 𝘌𝘢𝘳. The show brings together a selection of works by Lorna Bauer, Peter Brock, Mira Dayal, and Emma Safir.

The show will be on view beginning September 9.

More details soon.

@lornabauer
@peter_s_brock
@miradayal
@grem.jpg

#RAINRAIN
#lornabauer
#miradayal
#peterbrock
#emmasafir

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Last week to visit Maison en Bord de Mer at Trotter&Sholer in New York, a solo exhibition by Lorna Bauer

“Works like A House is Not a Machine are made reflective by application of silver nitrate, which is a light sensitive substance also used in black and white photography. The ensuing gleam is reminiscent of Eileen Gray’s chrome furniture, especially the chromed-framed mirror featured in E-1027. The relief forms were generated by placing window glass on a plaster mold and firing it in a kiln, fixing the shapes of the mold onto the glass. This is essentially the principle of the photogram applied to glass. Some of the photographs are embedded in thes mirrored reliefs, blurring the distinction between the pictures and the actual surrounding reflected.” — Excerpt from the exhibition text by Yuki Higashino.

Maison en Bord de Mer is on view through August 8, 2026.

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Dernière semaine pour visiter l'exposition solo Maison en Bord de Mer de Lorna Bauer chez Trotter&Sholer à New York.

“Des œuvres comme A House is Not a Machine sont rendues réfléchissantes par l'application de nitrate d'argent, une substance photosensible également utilisée en photographie argentique noir et blanc. L'éclat qui en résulte évoque le mobilier chromé d'Eileen Gray, en particulier le miroir à cadre chromé présenté dans la maison E-1027. Les formes en relief sont obtenues en déposant une plaque de verre sur un moule en plâtre, puis en la faisant cuire au four afin que le verre épouse durablement les formes du moule. Ce procédé transpose au verre le principe même du photogramme. Certaines photographies sont intégrées à ces reliefs miroitants, brouillant la frontière entre les images et leur environnement reflété.” — Extrait du texte d'exposition par Yuki Higashino.

Maison en Bord de Mer est présentée jusqu’au 8 août 2026

@trotterandsholer @lornabauer @higashinoy

Documentation: @atlasdocumentation

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Lorna Bauer
A House is Not a Machine #1, 2026
Verre façonné au four, miroité à la main | Hand Mirrored, kiln-formed glass and analog C-print
34 x 22 x 1 "

A House is Not a Machine #2, 2026
Verre façonné au four, miroité à la main | Hand Mirrored, kiln-formed glass
34 x 22 x 1 "

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Lorna Bauer’s ‘Maison en Bord de Mer’ is on view at 168 Suffolk Street through Aug. 8. Stop in to check it out!

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🔴 Vendu–Sold 2026 | Lot 4
Lorna Bauer, Night Sky – Chemical Burn, 2024
@lornabauer
@galerienicolasrobert

« Réalisée à l’aide d’un film à décoller, l’image est façonnée par un processus alliant précision et imprévisibilité. Son esthétique particulière se révèle à travers des irrégularités chimiques, notamment du brouillard, des voilages et des marques organiques qui se forment pendant le développement. »
*
“Created using peel-apart film, the image is shaped by a process that yields both precision and unpredictability. Its distinctive aesthetic emerges through chemical irregularities, including haze, veiling, and organic marks that form during development.”

#EncanEsse #BYDealers #EncanVirtuel #Art #Auction

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