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Mbuchi

@mbuchi_house

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Mbuchi nennen David Habets und Eva Posas ihr Familienkollektiv, gemeinsam mit Bigu, ihrem Kind. In Mexiko und den Niederlanden verwurzelt, ist ihre Praxis von einer transkontinentalen Drift geprägt. In Irland war der Wind ein beständiger Begleiter. Ihre Arbeit „Roaring Winds“ entfaltet sich in zwei Strängen: einem Radiosender, über Land und Meer getragen, und einer fotografischen Installation. „The Glenkeen Variations: Aftergrowth“ zeigt Arbeiten von 20 Künstler:innen der Glenkeen Garden Residencies 2024 und 2025. Eröffnung Do, 15.10.26, 19 Uhr Crespo Open Space Weißfrauenstraße 1–3 Frankfurt Eintritt frei Foto: Jason Lee / Mbuchi is what David Habets and Eva Posas call their family collective, together with Bigu, their child. Rooted in Mexico and the Netherlands, their practice is marked by a transcontinental drift. In Ireland the wind was a constant presence. Their work ‘Roaring Winds’ unfolds along two strands: a radio station carried across land and sea and a photographic installation. ‘The Glenkeen Variations: Aftergrowth’ presents works by 20 artists from the Glenkeen Garden Residencies 2024 and 2025. Exhibition opening Thu, 15.10.26, 7 pm Crespo Open Space Weißfrauenstraße 1–3 Frankfurt Free entry Photo: Jason Lee Sonya Schönberger arbeitet mit Installation, Video, Fotografie und Text und erkundet darin materielle wie immaterielle Archive, Erinnerungen und Biografien. Ihr Triptychon „Skull and Heart“ setzt ein Selbstporträt zwischen zwei Detailaufnahmen von Steinen, die in der Hand der Künstlerin ruhen. „The Glenkeen Variations: Aftergrowth“ zeigt Arbeiten von 20 Künstler:innen der Glenkeen Garden Residencies 2024 und 2025. Eröffnung Do, 15.10.26, 19 Uhr Crespo Open Space Weißfrauenstraße 1–3 Frankfurt Eintritt frei Foto: Jason Lee / Sonya Schönberger works with installation, video, photography and text, exploring material and immaterial archives, personal memories and biographical accounts. Her triptych ‘Skull and Heart’ places a self-portrait between two close-up photographs of stones, each resting in the artist’s hand. ‘The Glenkeen Variations: Aftergrowth’ presents works by 20 artists from the Glenkeen Garden Residencies 2024 a
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Thank you to everyone who joined us for “nesting” 🪺 “nesting” is a performative reading about the housing situation in the Netherlands, the nest-building practices of local birds, and the characters that inhabit the residual spaces of Fantascope discs, an early precursor to animation. 🦋 nesting was born from the collaboration and shared complicity between @evaposas, @davidhabets , and Bigu, as part of the second session of @mbuchi_house.🏡 Here are some images from the gathering and the animation made live on that occasion. We felt deeply moved and held by MBUCHI House and by everyone who joined us while enjoying a delicious birria 😋
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MBUCHI#1 : a tear, drowning a river, drowning an ocean Saturday, 26th July, 16:30 - 20:00 Since we moved here, it has been a dream of ours to share our home for performative gatherings and to share a meal in intimacy. And now, finally, we decided to start, just the way life flows. 𝘔𝘣𝘶𝘤𝘩𝘪 is the way we call our family as a collective: David, Eva and Bigu, our turtle love, who also invented the word. It was the first one that Bigu used frequently to name the world, to claim it his own. It didn't have a specific meaning. It could be anything and yet, we understood it well. That’s why this word is so dear to us, it implies a mutual understanding beyond any official language. Here, 𝘔𝘣𝘶𝘤𝘩𝘪, signifies the complicity of an intimate encounter by sharing a hallway, a garden and a table. Just like we do with our (chosen) families, in the fortunate moments we can. We have the honor to start 𝗠𝗯𝘂𝗰𝗵𝗶 #𝟭 with 𝗮 𝘁𝗲𝗮𝗿, 𝗱𝗿𝗼𝘄𝗻𝗶𝗻𝗴 𝗮 𝗿𝗶𝘃𝗲𝗿, 𝗱𝗿𝗼𝘄𝗻𝗶𝗻𝗴 𝗮𝗻 𝗼𝗰𝗲𝗮𝗻 by 𝗙𝗮𝘇𝗮𝗹 𝗥𝗶𝘇𝘃𝗶. He will be thinking and working through tears, the notions of tearing up and tearing down. Fazal will be turning to shia rituals of mourning and remembering, in an attempt to turn and return to the body – and to the earth body. Mourning here would be seen as a form of flooding and witnessing, and would simultaneously also serve as a means of cleansing, repair and renewal. Fazal’s lecture performance will be centered and structured around the traditions of marsiya and soz khwani, which are poetic and performative traditions that have developed within South Asia, archiving stories of resistance from the battle of Karbala. He will activate and think through the element of water as it journeys across time and place, from its molecular form to more oceanic and emotional state/s. You could have a day on the beach and later around 16:30, ring the bell to join us, to listen, to shed and collect tears. The lecture performance will start at 17:00 followed by a meal prepared by Fazal and David. 💧 𝙋𝙡𝙯 𝘿𝙈 𝙩𝙤 𝙘𝙤𝙣𝙛𝙞𝙧𝙢 𝙞𝙛 𝙮𝙤𝙪'𝙧𝙚 𝙟𝙤𝙞𝙣𝙞𝙣𝙜 𝙩𝙝𝙖𝙩 𝙚𝙫𝙚𝙣𝙞𝙣𝙜 . The drawing for this flyer was also made in collab with Biguzaa ❤️🐢
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