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@mentzeottenstein

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Architecture, Interiors, Exhibitions, Objects
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Visit our showroom today, 11 am–3 pm Holbergsgade 16, Copenhagen The presentation places the frame itself at the centre, bringing together works by Tacita Dean, Emma Kohlmann, Ann Lislegaard, Tal R, Matt Saunders, SUPERFLEX, and others. All works are presented in frames by @cassetta.dk @aarticlesarchive has curated the interior, bringing together contemporary objects and found pieces from its collections, presented alongside BORCH Editions’ prints. We look forward to welcoming you.
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Room of Departure — An intimate space shaped by light, form and the presence of art. Georg Jacobsen’s restored frescoes at the Søndermark Crematorium, Denmark. Frescoes by Georg Jacobsen, 1938. Furniture by @mentzeottenstein Photography by @david_stjernholm
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A revisit of the thoughtful exhibition design for ‘Ehrengard: The Art of Seduction’ at Rungstedlund created by @mentzeottenstein. The custom-made furniture and frames in ash wood by @rammelisten are finished with Satin Wood Oil 22 / Svinkløv. Stairs and floors were painted with Linseed Oil Paint 36 / Svinkløvgrå, while the walls were finished with Aqualinum 67 / Treschowrød. Photo credit: @david_stjernholm #linolieogpigment #linseedoilpaint #satinwoodoil #woodoil #aqualinum
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Georg Jacobsens monumentale fresker i Søndermark Krematorium er blevet restaureret. Værket blev indviet for snart 90 år siden i 1938 efter otte års arbejde og fortæller om menneskelivet gennem årets fire årstider.⁠ ⁠ Fra januar til august 2025 har konservatorer fra Nationalmuseet arbejdet med at sikre freskerne for eftertiden. Samtidig er rummet blevet istandsat, og belysningen er blevet fornyet af lysdesigner Sonja Lea.⁠ ⁠ Til det særlige rum har arkitektduoen Mentze Ottenstein skabt en serie siddemøbler i bronze med udgangspunkt i ældre danske skamler og stole. De oprindelige møbler er brændt væk i støbeprocessen og eksisterer nu kun som bronzeskulpturer med en historie om forgængelighed, erindring og det rituelle.⁠ ⁠ Både freskerne og bronzemøblerne knytter sig til rummets funktion som ramme om afskeden og berører på hver deres måde spørgsmål om menneskeliv, forgængelighed og erindring.⁠ ⁠ Læs mere via linket i bio! ⁠ 〰️ Georg Jacobsen (1887-1976)⁠ Freskomalerier, 1938⁠ ⁠ Mentze Ottenstein⁠ Skulpturelle siddemøbler i bronze⁠ ⁠ Modtagelsesrummet, Søndermark Krematorium, Frederiksberg⁠ ⁠ Foto: David Stjernholm⁠
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Frederik Bille Brahe’s @frederikbillebrahe beautiful new restaurant, Daphne, in Copenhagen. Designed in collaboration with architectural studio Mentze Ottenstein @mentzeottenstein with a striking photograph by Juergen Teller bringing art into the dining room #seenbyplacement
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Bolon Backseat, Episode 3 Join Bolon’s Creative Director, Annica Eklund for a ride through Copenhagen with architectural duo Alexander Vedel Ottenstein and Mathias Mentze, from Mentze Ottenstein In this episode, they discuss the concept of “timeless” architecture, why they prefer bold design statements rooted in the present, and the growing need for tactile, real-life experiences in a screen-driven world. Timeless design or bold statements - which do you prefer?
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Jagtvej | Hunting road • North Bridge — Labradorite
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From "Beata ruris otia fungis Danicis – Blissful Hours in Nature Among the Danish Fungi" At @sophienholm Curated by: @mentzeottenstein @mathiasmentze @alxvo The exhibition feature works by: Theodor Holmskjold and Johann Adolph Neander (DK)
Magali Reus (UK) Sanya Kantarovsky (US) Paul Thek (US)
Günter Grass (DE)
Shigeo Otake (JP)
Ebbe Stub Wittrup (DK)
Nikolai Howalt (DK)
Oliver Bak (DK)
Peter Ilsted (DK)
Vibeke Glarbo (DK)
Thorvald Bindesbøll (DK)
Natsuko Uchino (JP/FR) #mentzeottenstein #BlissfulHoursinNatureAmongtheDanishFungi #sophienholm #sophienholmkunsthal #artdocumentation #davidstjernholm
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The restaurant was conceived in close dialogue with Copenhagen-based architectural studio Mentze Ottenstein. We have worked together for many years, on places including Sofi Bakery in Berlin and Atelier September Århusgade in Copenhagen. The project was about transforming an existing office space into a restaurant without erasing what was already there. We wanted to work with the raw and straightforward character of the building, adding a new façade, the dining room, a large open kitchen and carefully made elements that bring warmth and character. The contrasts became important to us. The raw and industrial against something more refined and domestic. Hard surfaces next to softer things, something precise next to something a little more accidental. It creates a balance, but also a room where the eye can keep discovering things. I like spaces that don’t feel too finished. Places that become themselves through the people using them — through food, flowers, music, conversation and all the small things that happen over time. Daphne was made for life and fun. And hopefully it will keep changing with us. Photography @philip_messmann
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Daphne in The New York Times We’ve only just begun. Thank you Gisela Williams for the words, Philip Messmann for the photographs, and everyone at Daphne for making the restaurant what it is. Designed by @mentzeottenstein
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SOFI occupies a former brick factory in Berlin, with bakers shaping dough and tending the ovens in an open kitchen. A collaboration between Danish chef Frederik Bille Brahe and hospitality group Slowness, the bakery uses grains from small organic farms across Northern Europe. Fresh loaves fill tall timber shelves above the pastry counter. The yellow walls and red flooring echo the courtyard’s brickwork, while custom elm furniture with walnut detailing and a handwoven wicker pendant furnish the communal dining area. Venue: @sofithebakery Design: @mentzeottenstein in collaboration with @dreimeta Photography: @volker_conradus
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The Axis Display Unit, in Ataíja Azul limestone and polished stainless steel. Designed by Louise Roe Andersen in dialogue with Mentze Ottenstein, the system is available as Single, Double and Triple. Each unit works alone or in combination, creating a simple architectural framework for objects, books and what earns its place. Stone, steel, proportion. The rest is up to the room. #LouiseRoe #MentzeOttenstein
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