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MNMA

@mnmastudio

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transdisciplinary architecture studio
from ephemeral to permanent.
São Paulo — Brazil

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On September 29, we announced the finalists of the third edition of the Architecture Hunter Awards. We were thrilled to see such a strong response, with projects submitted from different parts of the world and across all categories, showcasing the diversity and creativity of the work received.

Here are the finalists in the Interior Design group, featuring the Commercial, Offices & Hotels category. Congratulations to all the finalists!

Want to see the full list of finalists? Visit our website. Voting for Firm of the Year is also now open.
awards.architecturehunter.com

_cover image, 2: Andre Klotz
_image 3, 6: Avesh Gaur
_image 4: Keishin Horikoshi
_image 5: Eugenia Baranova
_image 7: courtesy of Sanjay Puri Architects
_image 8: Manuel Sá/ Leonardo Finotti
_image 9: Sergey Krasyuk
_image 10: Ana Pachecco
_image 11: Manan Surti

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‏Bahá’í House of Worship | طرح پیشنهادی خانه‌ی نیایش بهائیان
معماری از دل خاک؛ پیوند ساخت، مشارکت و حافظه‌ی جمعی

در این طرح پیشنهادی برای خانه‌ی نیایش بهائیان در برازیلیا، معماری نه با تعریف یک فرم نهایی، بلکه با فرایند شکل‌گیری بنا آغاز می‌شود. آجرهای ساخته‌شده از خاک محلی و مشارکت جامعه در آماده‌سازی خاک و تولید اجزای ساختمان، ساخت‌وساز را به تجربه‌ای جمعی تبدیل می‌کنند؛ فرایندی که در آن، نیروی کار و خاطره‌ی مشترک به بخشی از هویت معماری بدل می‌شوند.
منطق ساخت با خاک، تمام تصمیم‌های طراحی را هدایت می‌کند. جرم و ضخامت دیوارها، پیوستگی سازه‌ای و ظرفیت حرارتی مصالح، در کنار هم به ایجاد آسایش محیطی کمک می‌کنند. در این رویکرد، عملکرد اقلیمی ویژگی‌ای افزوده‌شده به بنا نیست، بلکه از ماهیت خود مصالح و شیوه‌ی ساخت حاصل می‌شود. زمان خشک‌شدن، عمل‌آوری و تثبیت خاک نیز بخشی از ریتم شکل‌گیری معماری است.
‎هندسه‌ی بنا بر پایه‌ی ستاره‌ی نه‌پر، نماد مرکزی سنت بهائی، سازمان‌دهی شده است. این هندسه، میدانی باز و متقارن می‌سازد که در آن هیچ نقطه‌ای بر دیگری برتری ندارد. به این ترتیب، ایده‌ی برابری در نمادپردازی هندسی و شیوه‌ی مشارکت جمعی در ساخت، در یک زبان معماری به هم می‌رسند؛ معماری‌ای که نه صرفاً ساخته می‌شود، بلکه در پیوند با زمین و جامعه شکل می‌گیرد.
📍 : برازیلیا، برزیل  نوع پروژه: طرح پیشنهادی خانه‌ی نیایش بهائیان  متریال اصلی: آجر خاک محلی  معماری: MNMA Studio — @mnmastudio   طراحان: Caio Vaz، Mariana Schmidt، Tiago Cândido  تصویرسازی معماری: Bruno Miura  وضعیت: طرح پیشنهادی

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A proposal for the Bahá’í House of Worship in Brasília, designed by Caio Vaz, Mariana Schmidt, and Tiago Cândido, begins not with form but with process. The temple does not stand upon the land as a finished object — it emerges from it. Earthen bricks produced locally, with community involvement in the preparation of the soil and the making of each element, transform collective labor into architectural form and shared memory.

The logic of earthen construction guides every decision: mass, thickness, structural continuity, and thermal inertia work together so that environmental comfort arises from the material itself, not as an afterthought. Nothing is superfluous. The building is not merely erected — it is cultivated, its rhythm determined by the natural processes of drying, curing, and settling. The nine-pointed star, central symbol of the Bahá’í tradition, organizes the geometry as an open, equidistant field where no point takes precedence over another. Architecture and community, here, are inseparable.

_project: Baha’í House of Worship
_architecture: MNMA Studio @mnmastudio
_visuals: Bruno Miura
_location: Brasília, DF, Brazil

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CARA DE GALERIA.
ALMA DE CASA.

No Apartamento Tietê, obras de arte e retratos de família dividem o mesmo espaço. O piso Monofloor, contínuo e sem juntas, conecta com bom gosto a coleção à vida cotidiana.

Porque uma casa pode ter grandes obras e continuar sendo o lugar dos pequenos momentos.

Aqui, o material escolhido foi o nosso STELION™ Mirage, um tom de areia quente. E o calor não é miragem: o piso é aquecido de ponta a ponta.

Projeto @mnmastudio
Fotografia @andreklotz
Piso Monofloor 🙋🏻‍♂️

#semjuntas

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At the Tietê Apartment, art is part of everyday life.

A sculptural work by Brazilian artist Celeida Tostes sits among books, furniture and collected objects. Each piece brings its own history and presence, creating an intimate dialogue between art, personal collections and the rituals of living.

Tietê Apartment, São Paulo, Brazil, 2026.

Photography: André Klotz.

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Bahá’í Temple, Brasília, Brazil. Commissioned Project, 2026.

The Constructed Unit. Matter has no value in and of itself. Its value lies in the work that passes through it: shaping, laying, erecting. The human gesture does not disappear into matter; it remains inscribed within it.

The temple does not stand upon the land as a finished object. It emerges from the land itself. Before becoming architecture, it manifests as matter.

The building is not merely erected. It is cultivated.

Team
Mahshid DelAvar
Mariana Schmidt
Tiago Cândido

Lead Architect
Caio Vaz

Graphic Artist & Visuals
Bruno Miura

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A Unidade Construída. A matéria não possui valor isoladamente. Seu valor reside no trabalho que a atravessa. Moldar, assentar, erguer. O gesto humano não desaparece na matéria; permanece inscrito nela.

O templo não se estabelece sobre o território como um objeto acabado. Ele emerge do próprio território. Antes de se tornar arquitetura, manifesta-se como matéria.

O edifício não é apenas erguido. Ele é cultivado.

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| MNMA STUDIO |

A arquiteta Mariana Schmidt, à frente do MNMA Studio, conduz uma prática pautada na simplicidade e na relação entre matéria, espaço e percepção. Neste projeto residencial, atualmente em execução, o escritório acompanha de perto as decisões de materialidade, incluindo a escolha dos revestimentos, garantindo a coerência entre conceito e obra. A LAR Construtora atua em conjunto com os arquitetos, assegurando que o projeto seja seguido com precisão ao longo da execução.

| Local – Pinheiros, São Paulo – SP
| Arquitetura – MNMA Studio

#LARConstrutora #LARResidencial #Vestigare

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living is approached through continuity, where spatial flow defines the experience of the home. soft transitions replace clear boundaries, and each environment unfolds naturally into the next.

the architecture leaves room for change. routines and individual gestures gradually shape the dwelling, making it an evolving reflection of those who occupy it.

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| design: MNMA Studio | project: Melo Alves Studio | location: São Paulo, Brazil | photos: Fran Parente

@mnmastudio
@franparente

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🕵🏼 @vestigare_ is an architectural investigation archive. we seek projects that instigate and provoke.

✉️ send us your project: contact@vestigare.com.br

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Sergio Rodrigues always seemed more interested in creating furniture that reflected the relaxed and welcoming spirit of Brazilian life. His work celebrated comfort and the easy rituals of everyday living, embracing local traditions like the simple pleasure of resting in a hammock.

Designed in 2002, the Diz Lounge Armchair feels like the natural evolution of a language he spent decades developing, defined by warmth and comfort.

Awarded first place at the 20th Prêmio Design do Museu da Casa Brasileira, the Diz remains a quiet reminder that some of the most enduring designs are about making people feel at home.

Diz Lounge Armchair by Sergio Rodrigues. White-walled interior with ochre platform, built-in white sofa and a Diz Lounge Armchair by Sergio Rodrigues.

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What caught our attention last week.

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MIRADAS - SUPERFICIES METALIZADAS: ¿reflejo o expresión?
El protagonismo actual de metales como el acero inoxidable o el aluminio, responde a un cambio en la manera de entender los materiales; ya no se busca ocultar su naturaleza, sino celebrarla.
En la contemporaneidad, como en un brutalismo que vuelve, el metal se muestra en su máxima expresión: resistente, duradero, reciclable y muy honesto.
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Desde@otra mirada, las superficies metálicas capturan la luz natural, multiplican los matices del entorno y reflejan a las personas que habitan el espacio. De esta forma, el usuario deja de ser un simple observador para convertirse, aunque sea de manera sutil, en parte de la composición.
Cada movimiento modifica la percepción del ambiente y la arquitectura ya no es completamente estática; adquiere una dimensión cambiante, donde la luz, los objetos y las personas interactúan continuamente.
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En un momento en el que buscamos espacios más sensoriales y experiencias más inmersivas, el reflejo aporta profundidad, dinamismo y una conexión constante entre el diseño y quien lo vive.
Quizás por eso el acero inoxidable y el aluminio representan mucho más que una tendencia estética. Expresan una forma de diseñar donde la tecnología, la sostenibilidad, la autenticidad de los materiales y la experiencia humana convergen en un mismo lenguaje.
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Podes leer más en el substack

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Concept Stores curated by Thisispaper

A shop can be an argument made in plaster and steel. Here the rail matters as much as what hangs from it, the wall left rough on purpose, the floor poured smooth as a held breath. Goods sit sparse, almost reluctant, so the room itself does the selling. These are interiors that treat commerce as spatial idea, where restraint reads as confidence and the act of looking is the whole point.

Voo Store in Berlin @voostore
Aesop Store Barcelona by BAROZZI VEIGA @barozziveiga
OUR LEGACY Berlin Store by Arrhov/Frick @arrhovfrick
Maison Margiela Bruton Flagship Store by Anne Holtrop @studioanneholtrop
Darial Concept Store by Djaba Diassamidze @__djaba__
Selo Store by MNMA studio @mnmastudio

Explore the full guide at thisispaper.com/guides/concept-stores

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