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@naderad_studio

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Time flies when you are having fun! Already one year of studying together at HfMT Köln. Concerts, rehearsals, coffee breaks and lots of Lieder! 🎶✨️
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Days and evenings in the studios of @sally_maastricht For CLASHLAB a PROJECT from @viazuid Together with @teunsseuren, @missmia_more, @studio.m.o.r.e and @naderadabnejad, we’ve been researching and experimenting. A new work is slowly taking shape. A world. Three bodies and a clash. On 18 September, we show the first result @ainsi Maastricht. @musicasacramaastricht AFTER that, the work continues to travel: 20.09 at Cultureel Lint, Weert - Museum W @cultureellint 06.10 at Nederlandse Dansdagen @nederlandsedansdagen 14.11 at FASHIONCLASH Festival @fashionclash_foundation @fashionclash_festival 10/12 Gallerij DÜRVE @gallerijdurve And The date is to be announced @schrittmacher_festival Thank you to all the partners who make this process possible. <3 And thank you to @jonathanwiddershoven for capturing fragments of CLASHLAB 2026. Looking forward to the rest of the proces!!!! CLASHLAB 2026 ©️ Jonathan Widdershoven
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3 + 4 September: Intro x Cultura Nova Double Bill 🎟️ Experience two compelling audiovisual performances exploring sound, control, and experimentation tonight at De Nieuwe Gallerij, Heerlen! 🏛️ Public Attention Roman Tkachenko in collaboration with Goya van der Heyden and Anllel Maria An audiovisual performance in the form of a hearing, built from cases where sound in public space became subject to restriction, dispute, and control. From a 2021 climate protest in Heerlen to Hildegard von Bingen’s letters, protest songs, and activist testimonies, this piece is an appeal for the place of sound within collective political expression. 🌀 Rotunda Didianne Leusink Structured around a metre-long tape loop featuring recordings of hand-blown glass plates. Through live manipulation and experimentation, a dynamic dialogue unfolds between control and chance, listening and action. 📍 Practical Info When: Tonight (3 & 4 September 2026) Time: Doors/Start at 20:00 Location: De Nieuwe Gallerij, Heerlen 🔗 Find out more information and grab your last-minute tickets via the link in our bio (or the Cultura Nova website)!
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unthreading attention 📷 image in the dark~ @naderad_studio Could you notice how every sound has its own texture, movement, and location? How it builds a space for you in this way? Two weekends ago, Dag van de Componist happened, curated by @intro_in_situ at @bankastudios , Maastricht. They stitched together a programme that allowed us to share something vulnerable; unstable experiments, listening practices, and rhythms still in the making; works that may never settle into a final composition. The research I did with @massiftrophies ; relating to sound as an active force that plays with our attention, our fleeting sensations, our mood and our sense of time. The dawn chorus, every bird occupying its own place. A roaming motorcycle carrying through the night. The frogs’ love songs before summer rain. At the same time, I was unthreading something that often sits within dance itself; it so often asks the body to feel in particular ways, to become available to certain sensations, while the mind’s eye facilitates this by surveilling the body. The lingering Cartesian habit of separating mind from body still shapes how we, in western society, think, perceive, and relate. This gathering was a welcome opportunity to mess with this. Constructing a non-extractive experience of sound: that sound builds an architecture around the listener, rather than the listener simply perceiving sound. Special thanks to @rutgermuller.nl , @itaichala !
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🎥 New Intro Live Archives with A. Dumont⁠ ⁠ The worker smokes his cigarette at the end of the shift, their breath fogs into the cold winter air. It’s easy to imagine the places A. Dumont sonically describes. A bell rings. Something seems approaching? Inspired by his birthplace, the post-industrial city of Genk, A. Dumont seeks to translate his surroundings into sonic passages. During Intro Tuning In, he performed an industrial ambient set with a very cinematic quality. ⁠ ⁠ Did you miss his performance during Intro Tuning In? Or would you love to listen back to it? His performance is live on our youtube channel right now ! ⁠ ⁠ Find more videos on our Intro Live Archives channel through the 🔗 in our bio. ⁠ ⁠ Video’s captured by @naderad_studio
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🎥 Premiering next week: Intro Live Archives with A. Dumont⁠ ⁠ A bell rings. Something seems approaching? Inspired by his birthplace, the post-industrial city of Genk, A. Dumont seeks to translate his surroundings into sonic passages. During Intro Tuning In, he performed an industrial ambient set with a very cinematic quality. The worker smokes his cigarette at the end of the shift, their breath fogs into the cold winter air. It’s easy to imagine the places A. Dumont sonically describes. ⁠ ⁠ Did you miss his performance during Intro Tuning In? Or would you love to listen back to it? Tune in to the video premiere of A. Dumont’s concert next Wednesday! ⁠ ⁠ Find more videos on our Intro Live Archives channel through the 🔗 in our bio. ⁠ ⁠ Video’s captured by @naderad_studio⁠
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🎥 New Intro Live Archives with Zoef⁠ ⁠ For her performance during Intro Tuning In, Zoef creates atmospheric imprints that evokes the approach of a possible doom or destiny? By setting conditions, she allows sound to shift and reorganise itself, responding in real time to what emerges. The murmuring of a pulsing cave, or the soft breathing of an engine?⁠ ⁠ Influenced by world-building and simulation logic, Zoef works with sound and is currently exploring a shift from fixed works to simple systems.⁠ ⁠ Did you miss her show? Or would you love to listen back to it? Watch the video of her performance right now on our Intro Live Archives YouTube channel.⁠ ⁠ Find more videos through the 🔗 in our bio. ⁠ ⁠ Video’s captured by @naderad_studio
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🎥 Premiering next week: Intro Live Archives with Zoef⁠ ⁠ The murmuring of a pulsing cave, or the soft breathing of an engine? For her performance during Intro Tuning In, Zoef creates atmospheric imprints that evokes the approach of a possible doom or destiny? ⁠ ⁠ Did you miss her show? Or would you love to listen back to it? Tune in to the video premiere of her concert next Wednesday! ⁠ ⁠ Find more videos on our Intro Live Archives channel through the 🔗 in our bio. ⁠ ⁠ Video’s captured by @naderad_studio
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This Thurday: 🐉Wukir Suryadi (Senyawa) & déjàVU?🇮🇩 Senyawa affiliate Wukir Suryadi teams up with déjaVU? for a quadraphonic freakshow: peaceful meditations merge into noisy, rhythmical frenzies. Supported by Caribbean beatboxer David and DJ & VJ Madame Macario, this will be a special night with respective and merged performances, a workshop instrument building and beatboxing, J’ing and more. Furthermore: they will bring their international label & distrobution infoshop (with hundreds of vinyls, tshirts, CD, DVD, K7, zines, books, etc.) Cash only! Check the full program on our website via the ® in our bio. Tickets are available via the 🔗 in our bio Thursday 28.05.2026 Doors 19:00 9 Bankastudios, Maastricht 🎥 @naderad_studio
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Tomorrow is the day! We are so excited to perform 𝐎𝐖𝐑𝐒𝐈, written by our beloved friend @naderadabnejad The piece is only complete with the wonderful animation created by @baran.sedighian that will be streamed tomorrow during our performance ✨✨ (The illustrations on the poster are hers, just giving you a little sneak peek!👀) 𝐍𝐚𝐝𝐞𝐫 𝐀𝐝𝐚𝐛𝐧𝐞𝐣𝐚𝐝 is an Iranian composer, violinist, audio engineer, and videographer. His compositions draw from contemporary classical, intercultural and experimental musical traditions, often exploring themes of identity and human unity. He has collaborated with ensembles and musicians internationally, creating works for both acoustic and electro-acoustic settings. Along his compositional journey, Nader is active in performance and interdisciplinary artistic collaborations, combining sound and technology to create works that encourage artistic dialogue. 𝐁𝐚𝐫𝐚𝐧 𝐒𝐞𝐝𝐢𝐠𝐡𝐢𝐚𝐧 is originally from Iran and holds a masters degree in Illustration. She began her professional career as an illustrator and animator, following her passion for many years. In 2022, she made the decision to leave her homeland and immigrate to the Netherlands, where she pursued a second master’s degree in animation. Alongside her art, Baran is now pursuing a path as a producer, with the aim of helping artists like herself achieve their dreams. It has been a very exciting journey working on the piece, finding all the color nuances and different textures, and we really love it, it brings us to a very special place, and we can’t wait for our first attempt to bring this work to life (hopefully of many!) 🩵 #animation #musicandanimation #liveconcert #chambermusic #stringquartet
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🎶 New Intro Live Archives with Ethan Blackburn & Phuc Nguyen⁠ ⁠ For their performance during Intro Tuning In, composers Ethan Blackburn and Phuc Nguyen prepared a set of noisy, dreamy, ambient improvisations. Ethan plucks a piano while Phuc distorts and bends the signals; acoustic instruments intertwine with electronic manipulations.⁠ ⁠ Intro Tuning In is a project by Intro with the aim to investigate how cultural institutions can effectively reach Generation Z.⁠ ⁠ Catch the full video and more on our Intro Live Archives channel through the 🔗 in our bio. ⁠ ⁠ Video’s captured by @naderad_studio⁠
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With this special Shostakovich snippet from the 3rd movement of his 3rd String Quartet (and one of the coolest viola moments 🎸🤘🏼), we are very happy to welcome Masha to our team! We’re excited for this new chapter together and can’t wait to share more music and projects with all of you soon! At the same time, we want to send our warmest thanks to our former violist, Júlia, for all the music, dedication, energy, and beautiful moments we shared. We are deeply grateful for everything she brought to the quartet, and we wish her all the very best in her next adventures, for sure our paths will cross again in the future! ♥️ Live recording with our beloved @naderad_studio 🎥🎙️ #classicalmusic #stringquartet #liverecording #chambermusic #shostakovich
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