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Every story has its own expression.

In 2018, SYMBIOSES- The Delhi Chapter marked ONKAF Gallery’s inaugural exhibition, featuring the thought-provoking work of artist Anke Mellin.

An exploration of the connections between nature, technology, and the lives we share.

A moment in our history. A story worth revisiting.

#Symbioses #AnkeMellin #ArtExhibition #ContemporaryArt #artandculture

@ch.sumita @sharad.chauhan.75641 @nehapandey60643 @anke.mellin

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WHEN DOTS DREAM
Where a dot becomes a thought,
a line becomes a rhythm,
and fabric becomes a memory.

Inspired by the visual language of Yayoi Kusama, this workshop explored repetition, rhythm, texture and form through an experimental process of making. Fabric, thread, found materials and everyday objects became tools for creating new visual narratives—moving from the surface of the canvas into sculptural and tactile forms.
Each work reflects a personal interpretation of dots: sometimes playful, sometimes rhythmic, sometimes fragmented, but always open to imagination.

Featuring the works of:
Viksit Manral · Adarsh Dubey · Aastha Sharma · Ankita Khepar · Shaurya Prasad · Preeti · Akanksha

A celebration of experimentation, collaboration and the freedom to see beyond the ordinary.
@galleryonkaf

#WhenDotsDream #textileart #mixedmediaart #artworkshop #emergingartists

@ch.sumita @sharad.chauhan.75641 @nehapandey60643

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N FLUX by Anna Krzeminska-Baoni explores the space between formation and dissolution — where the body meets landscape, structure becomes sign and forms continuously emerge, shift and disappear.

Through sketch-like gestures, unfinished forms and evolving marks, Anna Krzeminska-Baoni reflects on transformation as an ongoing process — where nothing truly ends, but simply takes another shape.

IN FLUX — a continuous state of becoming.

#ArtExhibition #ContemporaryArtIndia #ArtAndIdeas #ArtPractice #visualart

@sharad.chauhan.75641 @ch.sumita @nehapandey60643 @anna_krzeminska_baoni

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In this conversation, Mr. Sharad Chauhan, Director at Onkaf Art Foundation, shares his journey of discovering artists from different parts of the world and the inspiration they bring into the space.

From artists across cultures to works that speak beyond borders, every piece carries a story — and every story adds another layer to the world of art.

🎥 Filmed by — Ishita Sood

#ArtAcrossCultures #ArtAndCulture #ArtCollectors #ArtistsOfTheWorld #globalart

@sharad.chauhan.75641 @ch.sumita @nehapandey60643 @ishiita.sood

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Meet the man redefining art spaces.

Behind every meaningful art space is a vision — a way of seeing, thinking and bringing people closer to art.

Meet Mr. Sharad Chauhan, the man behind Gallery Onkaf and discover the story, ideas and philosophy that shape the space.

Filmed by — Ishita Sood

#artspacegallery #contemporaryart #artandculture #artcommunity #artcollector

@sharad.chauhan.75641 @ishiita.sood @ch.sumita @nehapandey60643

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An evening of art, conversations, and shared perspectives as we opened the doors to IN FLUX — an exhibition exploring movement, transformation and the spaces between.

Thank you to H.E. Piotr Antoni Switalski, Charge d’Affaires a.i., Republic of Poland in India, for inaugurating the evening, which is held under the Honorary Patronage of the Polish Institute New Delhi, and to everyone who came to stand between what was and what becomes.

Anna Krzeminska-Baoni’s paintings and textile works are now open for viewing at Gallery ONKAF - transformation, memory and landscape, up close.

📍 Safdarjung Development Area, New Delhi
🎨 On view now

Come see what’s still in flux.

#newdelhiart #artlovers #artandculture #contemporaryindianart #artcommunity

@anna_krzeminska_baoni @sharad.chauhan.75641 @ch.sumita @nehapandey60643 @polishembassyindia

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“Fashion Waste: A Growing Crisis Beneath the Surface”, two consecutive workshops were organised by ONKAF involving first-year BFA students of K.R. Mangalam University, Haryana from 1st to 3rd July 2026 and 12th to 15th July 2026,

Highlighting the environmental impact of fast fashion trend and waste, the students transformed discarded materials, accessories and surplus products into creative artistic expressions.

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From discarded to meaningful.
ONKAF held an art workshop, “Fashion Waste: A growing crisis beneath the surface,” under the artists’ support program to engage the younger generation with the arts in the month of July 2026 conducted by Ms. Neha Pandey. The participants were first-year BFA students from K. R. Mangalam University, Haryana, who engaged in two consecutive workshops, creating 2D artwork from discarded fabric cut-outs and sculpture from junk jewellery, accessories, etc., reflecting on fashion waste in the culture of excessive consumption of trends of fast fashion.

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Sujith Sudharkaran is another participating artist in the exhibition “The Presence in the Absence” presented by Gallery ONKAF at One New Street Gallery, Herne Bay. Through meticulous graphite drawings, Sudharkaran explores the fragile relationship between humans and the non-human world. Animals, human-made objects and altered landscapes come together in symbolic encounters that question our contradictory relationship with nature, like our desire to protect biodiversity while simultaneously reshaping the environments in which other species exist.
Consistent with the idea of the presence and the absence, these monochromatic works invite a quiet contemplation of what is disappearing, what is transformed and what continues to endure. The animals become more than subjects; they embody the presence of a living world increasingly shaped by human intervention, urging us to reconsider our place within nature and the ethical responsibilities of coexistence.

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Gallery ONKAF’s recent exhibition “The Presence in the Absence” presented at One New Street Gallery, Herne Bay includes the works of Suchita Manale - one of the six participating artists. Suchita’s artistic practice centres on the body, drawing from her engagement with performance art. In her work, solitude becomes a space of profound presence rather than absence. Through an intimate engagement with nature, she transforms silence, memory and personal experience into a process of introspection and creation. Soil, grass, thread and her body become conduits through which the boundaries between self and environment begin to dissolve. Within the concept of “The Presence in the Absence”, her practice reveals how withdrawal from the external world can open an inward space where nature, memory and the self converge, giving form to what remains unseen yet deeply present.

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Milan Sharma is one of the participating artists in Gallery ONKAF’s exhibition “The presence in the absence” presented at One New Street Gallery, Herne Bay. Rooted in the landscapes of Panchari and Udhampur, Milan’s artistic practice emerges from the deep reservoir of childhood memories, local rituals, beliefs, folklore, and the visual culture of her surroundings. The impressions of these early experiences remain embedded within her imagination, resurfacing as fragments of memory, symbolic forms, and imagined narratives.
Milan’s work resonates with the idea that what appears absent may continue to exist through memory. Childhood experiences, cultural traditions, and places left behind remain present within the artist’s inner world, even when they are no longer physically accessible. Her paintings become spaces where these traces of the past return - not as literal recollections, but as sensations, fragments, and visual echoes. Through this interplay of memory and imagination, Milan invites us to look beyond the visible and encounter the enduring presence of what is no longer physically there.

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As one of the participating artists in the exhibition “The presence in the absence” presented by Gallery ONKAF at One New Street Gallery, Mahendra Singh Baoni’s paintings reflect on the symbolic and conceptual dimensions of forts, palaces and heritage sites, revealing how these spaces mediate the intersections of memory, heritage, power, and contemporary experience. His practice draws deeply from the rich cultural landscape of India, particularly the architectural and historical heritage of Central India. These places become more than subjects of observation, Mahendra transforms them into a personal visual language. His works explore the traces that remain within us - of places once visited, histories encountered and memories that persist long after the physical presence has faded. Through the interplay of architectural and human forms, nature, colour, line and texture, he creates layered compositions in which past experiences quietly resurface in the present.

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