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Mall is thrilled to present work by @christopher.daharsh in Wave after Wave, opening Friday Oct.30 We were lucky to visit Chris’s studio, and were struck by the way his sculptural work grows through repeated experience- not just in the object’s origin, but the processes applied. It creates an exciting unfamiliarity, mirroring memory, a sense of applied and implied time we knew needed to be part of this exhibition.
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Eamon King. Shooting Practice No. 5, 2026, Cloth backing and fasteners. Eamon King. Shooting Practice No. 4, 2026, Cloth backing and fasteners. Eamon King. Shooting Practice No. 3, 2026, Leather. from Bridge Two presented by Nine 112 Madison St, New York, NY 10002 Sep 25-Oct 7, 2026 with works by Yen Yen Chou, Sam Christian, Eamon King, Juyon Lee, Gabriella Lopez, Magicfeifei, Nate Millstein, Colleen Rae Smiley, and Tamsen Williams
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Juyon Lee Bodiless Light I| Decals of hand-woven photographs in mirrorized slumped glass, neon (argon), hardware, electrical wiring, transformer Dimensions variable (neon length 58 in, slumped glass: 16.5 x 11.5 x 2.5 in) 2026 In Bodiless Light and related series, a pair of images from two distant places are first hand-woven by the artist, rephotographed, and fused into slumped glass. Lee begins by hand-weaving spliced photographs from her personal archive, often referencing her grandfather’s funeral, which she was unable to attend, alongside moments when she experienced the transient nature of time, such as gazing into a reflection of light entering her residency studio in Connecticut. The work brings the two images together in an attempt to fold ungraspable moments and experiences into a single surface and dimension. Through this layered process, Lee questions what it means to exist with or without a body, particularly in an age so reliant on digitally mediated interaction. Probing the shifting relationship between being, memory, and spatiotemporal perception, neon punctures the mirrorized slumped glass, which reflects its surroundings. Lee uses neon, subtle in Bodiless Light II, as a way to draw in space with light, considering the connections between screens and electricity, the material reality of the body and screen, and the visibility and invisibility of the physical and virtual realms. Bridge Two On view through October 7th Fridays - Sundays, 1-5pm Nine 112 Madison St, New York, NY 10002 @juyon_ @ni____________ne
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Join us this Friday, October 9, from 6–8 PM at 112 Madison St. for the opening of Tales from the Crypt! @ni____________ne Featuring: • Andrew Hammell Race @andrewhammellrace • Petros Lales @lalespetros • Seung-Jun Lee @lifeisajuke • Richard Medina @richardmedinastudio • Aaron Nemec @todaysaaron • Douglas Paisley @douglas_paisley • Tamsen Williams @tamsenheath In the project space: Some Bats by Christopher Graham @christophersinstagrahamaccount , guest-curated by Levi Taylor Gentry @levitaylorgentry On view through Oct 27.
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Join us this Friday, October 9, from 6–8 PM at 112 Madison St. for the opening of Tales from the Crypt! Featuring: • Andrew Hammell Race @andrewhammellrace • Petros Lales @lalespetros • Seung-Jun Lee @lifeisajuke • Richard Medina @richardmedinastudio • Aaron Nemec @todaysaaron • Douglas Paisley @douglas_paisley • Tamsen Williams @tamsenheath In the project space: Some Bats by Christopher Graham @christophersinstagrahamaccount , guest-curated by Levi Taylor Gentry @levitaylorgentry On view through Oct 27. Costumes encouraged! 👺👺👺 Poster art by Aaron Nemec @ni____________ne @cur.mudge.on
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Yen Yen Chou Misty Mood Acrylic on stone clay and wooden panel 24 3/4 × 18 3/4 × 2 3/4 inches 2022 Yen Yen Chou Conversations in Light Watercolor and gouache on paper 7 ¼ × 5 ¼ inches 2025 Misty Mood: This work holds a special place for me as the first painting I made with a relief surface, built from stone clay on a wooden panel. I started it in Taiwan during COVID, then carried the unpainted panel back to New York in my suitcase in 2022, where I completed the painting. While making this piece, I was thinking about raindrops as teardrops, perhaps reflecting part of the collective emotions of that time. I painted an eye with very long lashes; some see it as a jellyfish or a butterfly, and both readings feel right to me. I was also thinking about how weather affects our moods, and how we use weather to describe emotions. As I was building up the surface with clay, my thoughts and feelings also slowly became part of the piece. Conversations in Light: What does it look like when a sunflower and a moonflower sit next to each other? What kind of conversation would they have? Here, I imagine two flowers meeting and exchanging information, stories, and energy through color and light. It's just the beginning. Bridge Two On view through October 7th Fridays - Sundays, 1-5pm Nine 112 Madison St, New York, NY 10002 @yenyenflamingooo @ni____________ne Curated by @watercoloursociety 📸 @farfar_studio_
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Nate Millstein The Long Way, 2026 Wood, welded steel, polished sheet metal, epoxy clay, pollen @natemillstein Bridge 2 On view through Oct 7 Friday-Sundays, 1-5 pm & by appointment Nine, 112 Madison St, New York, NY 10002 Photos courtesy of @farfar_studio_
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Bridge 2 On view through Oct 7 Friday-Sundays, 1-5 pm & by appointment Nine, 112 Madison St, New York, NY 10002 The Long Way, 2026 Wood, welded steel, polished sheet metal, epoxy clay, pollen Nate Millstein (b. 1996 in Brooklyn, NY) received his bachelor of arts degree from Bard College in 2018 and his MFA at Mason Gross School of the Arts at Rutgers University. Select exhibitions include Duplexes at Weatherproof, Chicago IL, Spin-out at Westbeth Gallery, NYC, The Grounds at Mason Gross Gallery, New Brunswick NJ, Uncertainty surrounds the holding of things at After/Time collective Gallery, Portland OR, Irrigation at The Reinstitute Gallery, Millerton NY, Thank God we don’t know what we look like at HERE Arts Center, NYC, and Burning at Nightclub Gallery, Minneapolis MN. @natemillstein *Nine is currently not ADA accessible. We can provide video tours when requested.
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NEW YORK CITY, NEW YORK 🦇 "Some Bats", a solo show of paintings by Christopher Graham, guest-curated by Levi Gentry in Nine’s project space opens October 9th at Curmudgeon. From Christopher Graham and Levi Gentry: Bats can hardly see or be seen. Bats’ nocturnal nature makes them mysterious to people. The whole nighttime thing additionally makes them gothic and spooky. Some of them eat fruit, bugs and blood. They have funny faces, like French Bulldogs with wings.  Culturally they are ubiquitous and tend to lay low. Vampires even turn into bats to evade capture. The Count from Sesame Street hangs amongst a whole crew of bats. Stellaluna proved that bats love hanging upside down with any and everyone. Meatloaf sang about leaving “like a bat out of hell”. And then, of course, there’s Batman, who disguises himself as a bat to protect Gotham from colorful supervillains. Thomas Nagel’s What Is It Like to Be a Bat provided continued inspiration, as he posited that no one would ever truly know what it was like to be a bat. Most bats use echolocation to survive. As one imagines what it would be like to echolocate, they may picture a radial field of curved lines emanating from the bat’s head like a bullseye or the rings inside a log or the cross section of a gobstopper. Of course, bats do not imagine it this way. We may have some idea of bat life in our minds, but ultimately our entire understanding of being a bat can only be related to the human experience. Viewing painting is often informed by our experience as human beings; paintings of bats are no different. October 2026 🦇 From Christopher (me): On view at Curmudgeon/Nine's project space in New York City from October 9th- to October 27th, reception October 9th. It's my first time showing work in the city in maybe over 8 years. Come say hi!  Big thank you to Levi Gentry for organizing the show and for visiting my studio in Boyle Heights over the summer. So many good discussions, complete with a burrito run to Al and Bea's. Thanks to Curmudgeon for having me.  Poster by Levi Gentry Image: "Bat Out of Hell" 2026 Oil, fabric dye, polyester resin on polyester 9 x 12 inch
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Magicfeifei Ita Bag for Maurizio Cattelan found objects, badges, Ita Bag 18 x 24 inches 2026 Drawing from the visual language of Ita bag culture, the direct translation is “painful bag.” It is a common type of fan bag popular in Asian fan culture. People usually put images of their favorite characters on buttons, or “badges,” in an Ita bag and decorate the bag with them. I use the acts of devotion to transform a celebrated male artist into an object of fan worship, using worship itself as a form of possession and revenge. I made one for Maurizio Cattelan, met him in person, and let him keep the bag. Eventually, he kept the bag for two days and gave it back to me. Bridge Two On view through October 7th Fridays - Sundays, 1-5pm Nine 112 Madison St, New York, NY 10002 @magicfeifei @ni____________ne Curated by @secretary37_ 📸 @farfar_studio_
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Site 006. A Piano and Two Ballerina Mirrors this Saturday, October 3. @samm.christian & @eamon1070770701 On court 11am–7pm Sternberg Park Handball Courts, Brooklyn, NY Eamon King. Shooting Pracitce No. 5, 2026 Eamon King. Shooting Practice No. 4, 2026. Currently on view at Nine Bridge Two through Oct 7 @ni____________ne Photos by Farfar studio. Eamon King. Shooting Practice No. 3, 2026 Currently on view at Nine Bridge Two through Oct 7 @ni____________ne Photos by Farfar studio.
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Site 006. A Piano and Two Ballerina Mirrors this Saturday, Oct 3. @samm.christian & @eamon1070770701 On court 11am–7pm Sternberg Park Handball Courts, Brooklyn, NY Sam Christian. rush hour, 2025 Sam Christian. rush hour, 2025 Single channel video, color, sound 6 hr, 31 min 40 sec. [ [ to walk around financial district area without stop, beginning of the nyse market bell open (9:30 am) until the market close (4:00 pm) ] ] october 17 2025 filmed by juana vargas moreno, zoe wang, tori cho, chambit, jayden liu Currently on view at Nine Bridge Two through Oct 7 @ni____________ne Photos by Farfar studio.
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