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obvious_art

@obvious_art

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Art creation with AI algorithms
Academic research laboratory at @sorbonne_univ
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DEMHIST Conference Shifting Lines in Versailles. Day 2 (part 2)
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DEMHIST Conference Shifting Lines, in Versailles‼️ Day 2 (part 1)
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**MISSED THE SCREENING & TALK? | OBVIOUS: Art, AI, and Creativity** If you missed yesterday’s screening and conversation, there’s still time to experience the films! Come visit ASIA NOW and discover the film by OBVIOUS, the French artist collective exploring the creative possibilities of artificial intelligence, alongside a selection of AI short films by CapCut Community Creators. The films will be playing on loop throughout the fair, showcasing different creative approaches to AI-powered image-making and filmmaking. 📷 Courtesy of OBVIOUS and CapCut 📆 ASIA NOW, 12th edition 20–24 October 2026 📍Monnaie de Paris, 11 Quai de Conti, 75006 Paris #AsiaNOW #CapCut #OBVIOUS #AIArt #ContemporaryArt
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Comment construire une carrière après une vente qui fait le tour du monde ? Avec @pierrefautrel, nous avons parlé de ce qui suit le coup de projecteur : les critiques, les choix de prix, les nouvelles séries, les artisans et les années de travail. @obvious_art a aussi construit un fonctionnement singulier : toute la création est validée à trois, tandis que les autres responsabilités sont réparties. J’ai rassemblé quelques phrases de notre conversation dans ce carrousel. Elles parlent de curiosité, de recherche et de ce cap qu’il faut continuer à tenir quand tout s’accélère. 🎧 L’épisode complet est disponible en audio. Lien en bio.
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Trois amis. Une colocation à Gare du Nord. Des portraits générés par des algorithmes. Puis une vente chez Christie’s, à New York, et leur histoire qui fait le tour du monde. Mais que se passe-t-il après ? J’ai rencontré Pierre Fautrel, membre du trio artistique @obvious_art , dans leur studio à Puteaux. Il raconte les galeries qui leur ferment la porte, les critiques après la vente, les erreurs de communication et cette volonté de construire une carrière artistique. Aujourd’hui, leur studio réunit création et recherche en intelligence artificielle. Ils travaillent avec des artisans, explorent les images mentales dans un IRM et participent à une création théâtrale jouée à Versailles. « On est des experts en intelligence artificielle qui sont devenus artistes. » Une conversation sur l’audace, la curiosité et ce qu’il faut construire pour durer après le buzz. 🎧 Nouvel épisode de TheBoldWay, en audio. Lien en bio.
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SCREENING & TALK | OBVIOUS: Art, AI, and Creativity Asia NOW presents a screening of a short film by OBVIOUS, the French artist collective exploring the creative possibilities of artificial intelligence, and by filmmaker Melody Bossan, followed by a conversation on the intersection of art, technology and contemporary visual culture, presented by CapCut. Throughout the week, the OBVIOUS film will be screened alongside a selection of AI short films by CapCut community creators, showcasing diverse creative approaches to AI-powered image-making and filmmaking. The discussion brings together Gauthier Vernier, co-founder of OBVIOUS, and Melody Bossan (LeMoon), filmmaker and CapCut Community Creator and Representative, to explore AI as an artistic medium and its evolving role in image-making, filmmaking and cultural expression. The conversation will be moderated by Alaric Xinhao Cao, Director of MC2 & Meta Eye, whose work explores the intersections of art, technology and society. 📷 Courtesy of OBVIOUS, Melody Bossan, Alaric Xinhao Cao and CapCut 📆 ASIA NOW, 12th edition Tuesday 20-24 October 2026 VIP Preview (by invitation): Monday 19 October 📍Monnaie de Paris, 11 Quai de Conti, 75006 Paris #AsiaNOW #art #contemporaryart #artparis #artfair
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What happens when technology stops being just a tool and becomes part of the creative process? ⚡️ That question set the rhythm for the first CREATIVE PULSE: Creation Challenged by AI, bringing together three different perspectives on the changing relationship between humans, creativity and artificial intelligence. Justine Emard explored technology as a way of reflecting on our humanity, Pierre Fautrel of Obvious opened the conversation around AI-generated art and new forms of creation, while Miroslav Kostić shared his perspective on generative AI across design, film and creative processes. From new possibilities to ethical, cultural and social questions, one thing became clear: the conversation around AI and creativity is only getting started. Thank you to everyone who joined us at mts Dvorana. 💚 @mtstvojsvet @privredna_komora_srbije @eusrbija @aiserbia_official @mtsdvorana
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— L’IA générative ou l’art du théâtre sur commande 🗞️ À lire dans le numéro 17 de @labrechejournal Les 5 et 6 mai 2026, Obvious (@obvious_art ) et le Théâtre Molière Sorbonne (@theatremolieresorbonne ) présentaient la pièce de théâtre L’Astrologue ou les faux présages à l’Opéra royal de Versailles (@operaroyal.chateaudeversailles ). Cette oeuvre écrite grâce à l’intelligence artificielle générative soulève des questions éthiques et artistiques majeures. 📝 Emile Aprile 🖍️ @maxlewko _____ 📢 On a besoin de vous pour continuer ! 💪 S’abonner c’est défendre une presse papier, libre et indépendante (🔗 lien en bio) 📩 S’inscrire à notre newsletter (🔗 lien en bio) #moliere #ia #theatre #presseindependante #soutenezlejournalisme
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In 2018, an AI-generated portrait made history. 🤖🎨 Portrait of Edmond de Belamy, created by the French art collective Obvious, was sold at Christie’s New York for $432,500 — around 40 times its initial estimate — becoming the first AI-generated artwork sold at auction by a major international auction house. But behind that headline lies a much bigger question: Can an algorithm be creative — and where does the role of the human artist begin and end? At CREATIVE PULSE: Creation Challenged by AI, Pierre Fautrel, member of Obvious, will share the story behind the work and join Justine Emard and Miroslav Kostić for a conversation about AI, art and the changing creative process. ⚡️ 📅 30 September, 6 PM 📍 mts Dvorana, Belgrade 🎙️ Conference in English 🎟️ Free admission Come with questions. Let’s talk about them at CREATIVE PULSE. @ifsrbija @mtstvojsvet @eusrbija @privredna_komora_srbije
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Kada se danas vratimo na rad iz 2018. „Portrait of Edmond de Belamy” koji je prodat za 432 500 dolara, čini se da je tadašnje pitanje – može li veštačka inteligencija da pravi umetnost – sada nedovoljno. Da li je umetničko delo ono što vidimo ili proces kojim je nastalo? Koliko ljudskih odluka mora da postoji između ideje i finalne slike da bismo nekoga nazvali autorom? Da li je dovoljno napisati prompt? O ovim temama govoriće se 30. septembra u mts Dvorani na panelu „Creation Challenged by AI“, kojim Francuski institut u Srbiji (@ifsrbija) otvara svoj novi program FRENCH PULSE (@french.pulse). 🔗 Ceo tekst čitajte na buro247.rs - link je u opisu profila. Autor: Isidora Mitri (@isidoramitri) 📸 Christie’s / FRENCH PULSE Promo
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Meet the speakers of CREATIVE PULSE ⚡️ 🤖🎨 How is AI changing the way we create and experience art? Can it become a new creative material — and what happens when technology becomes an active participant in the artistic process? On September 30, “Creation Challenged by AI” brings together artists and experts from France and Serbia to explore the new possibilities AI opens up for artistic creation, as well as the ethical, cultural and social questions that come with it. 🎙️ 🗣️ Meet Pierre Fautrel, member of the French art collective Obvious, pioneers in exploring the relationship between artificial intelligence and art. Obvious (@obvious_art) gained international attention in 2018, when an artwork created using AI was sold at Christie’s in New York. Today, the collective develops projects at the intersection of art, technology and research. Their current project, “Molière Ex Machina,” created in collaboration with Sorbonne University, brings together theatre and generative AI. Join Pierre Fautrel, Justine Emard and Miroslav Kostić for the first CREATIVE PULSE event. 📅 30 September 2026, 6 PM
📍 mts Dvorana, Belgrade
🎙️ Conference in English
🎟️ Free admission @ifsrbija @mtstvojsvet @eusrbija @privredna_komora_srbije
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From the exhibition @dolcegabbana_exhibit Curated by @florencemuller99 Produced by @img on tour around the world since 2024, so far exhibited at @palazzorealemilano , @le_grand_palais , @palazzoesposizioni , and @icamiami . "Extraordinary digital installations inspired by the world of Dolce&Gabbana accompany visitors to the exhibition, leading right up to the entrance of the show. These immersive experiences transport viewers to surreal worlds where creativity blends with technology and the past with the future, creating unforgettable emotions. Alberto Maria Colombo harnesses artificial intelligence to explore the concept of metamorphosis, challenging the conventions of language and communication. With "Origine," the artist recounts the genesis of the Dolce&Gabbana duo through a video featuring a performance by a pair of dancers rendered via artificial intelligence. It is a figurative artwork that transforms everything into a surreal vision, revealing a series of elements that form part of the brand's DNA."
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