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Editorial Yarden Dachut FW27

Photography, CD, Image Design: @ocramregnilliz
Photography Assistant: @janamariasturm
Designs: @yarden.dachut
Styling: @josieuncut
Styling Assistant: @ngocnhinguyen.archive
MUA: @zoralouislee_
Hair Stylist: @matildakreuter

Models: @ben.buecken @fr.aue @ailarassecretdiary

Thanks everyone for the great shoot 🤍

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Collab with @ocramregnilliz x @fr.aue clothing: @velvolya

By the mid-1920s, Anita Berber had become one of the most provocative figures of Berlin’s nightlife. As an actress, dancer and writer, she challenged the conventions of her time, both through her work and her personal life. Her performances, particularly Dances of Vice, Horror, and Ecstasy (1922), combined eroticism, grotesque imagery and elements of horror, confronting the moral expectations of bourgeois society. Her life was equally excessive, marked by alcohol, drugs and relationships with both men and women.

In 1925, Otto Dix encountered Berber in Düsseldorf and was captivated by her presence. Shortly afterwards, he painted her portrait, depicting her nude in striking red.

In this series, Zoe embodies Berber’s spirit, translating her striking presence into a contemporary photographic language. Unlike Dix’s portrayal, however, Zoe is far from passive. She takes an active role in the images, confronting the viewer with an intense, almost unsettling gaze. Rather than simply being observed, she seems to look straight through the viewer, challenging them to meet her presence and, seemingly, gaze into their own soul.

Creative Collab
Photography & Image Design: @ocramregnilliz
Hair & Make-up: @fr.aue
Model: @zoerixdorf

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Make up for Luca for „Ajar“

Design & Creative Direction: @h.gjyrezi
Photography & Co-Creative Direction: @Ocramregnilliz
Producer: @ninacaffa
Models: @x.zazoo.x, @training_of_daily_living, @rosamvogel
Photography Assistance: @_seditionaries
Make-Up: @fr.aue
Hair: @fabiennedoesmakeup
Styling Assistance: @leoniiekristin
Assistance on set: @Itskennedy

AJAR
Inspired by Grace Jones’s Warm Leatherette, a song that defied convention through its dark provocative atmosphere, this editorial explores themes of desire, voyeurism, and curiosity. The act of peering through a keyhole, or glancing behind a curtain, becomes the project’s central motif - What draws us to look, what emotions surface in the act of observing, and what remains beyond our sight? Seen through a FLINTA* perspective, it becomes an invitation to question what lies beyond the visible - and to ask who is granted the freedom to look, to desire, and to be seen

In collaboration with @milk_shaken
-Latex pencil skirt
- Acrylic pancake hat
- Latex laced spats
Designs by @h.gjyrezi
- Curtain gown
- Checkered vest
- Oversized power-shoulder piece
- Keyhole metallic top
- Fringe headpiece
- Sheer black bolero
- Oversized fan

thank you @zitadellespandau for the shooting location!

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behind the scenes „bestien“

design: Pauline Barke @velvolya

slide 1–3:

polaroids: @acedi4

slide 4–8:

polaroids: @ocramregnilliz

styling assistance: @solcappagli

talents: @emmale0ntine @finnjastangel julie__kut @f4nnibabe @hieristnhi & Lilli

hair & makeup: @jefra.mua @idontneeedafilter @velvolya

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backstage polaroids by @ocramregnilliz

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First Polaroid shot by @ocramregnilliz
Second Polaroid shot by @sven.goerlich
🖤
Second look of my third semester collection „after youth“ @seefashionberlinofficial .
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Model @moritzallerseits

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my life in cinema, vol. sicily

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Natures Mortes - Look 4; 5 & 6

Photography by Marco @ocramregnilliz
Styling by me
H&MU by Alice @alicedanielakister
Talent Emma @p.oechi

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Primitive States, collaborative project with @ocramregnilliz
Set design : @ocramregnilliz
Mask : @hugooperie

hand painted silver prints, 26,5x18,5cm.

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Incoming…

Behind the scenes content for our upcoming issue. Stay tuned for more ✨
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#depaysants #studentrunmagazine #covershoot

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