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LIGHTS ON.
Lights off

Company: the Krumple
By and with Oda Kirkebø Nyfløtt
Director: Vincent Vernerie
Lights: Yasin Gyltepe
Producer: Victor de Turckheim

📸 : @dtkvictor

#rehearsals #theater #lighdesign

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Thank you to Evy and Pernille for hosting us at @preform_fjaler these last two weeks! And thank you to all the audiences coming to our work in progres showing of LJOS PÅ // LIGHTS ON today. It was so interesting and inspiring to hear your thoughts and immediate reflections afterwards. We are feeling childishly impatient to continue the process. ✨🔥🔦

Project supported by @frittord, @dramatikkenshus, @preform, @kulturradet forprosjekt and @osloteatersenter scenekunst+

By and with Oda Kirkebø Nyfløtt
Director Vincent Vernerie
Lights Yasin Gyltepe
Producer and photos : Victor de Turckheim

📸 : @dtkvictor

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Ny episode ute nå! Siste fringepodkast! Tusen takk til våre fine gjester Oda Kirkebø Nyfløtt og Neki Pesi ✨

#oslofringe #osloteatersenter #frifolk

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OSLO, NORWAY
Rehearsals

#performingarts #rehearsals #thekrumple

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Frifolk spilles inn live på Oslo Fringe i foajeen på Oslo Nye! Vi har invitert en rekke scenekunstnere til å snakke om en forestilling fra årets program som på ulike måter har engasjert dem.

Med Remi Johansen Hovda, Oda Kirkebø Nyfløtt, Madelen Larsen og mange fler TBA.

Vi sees på Fringe! ✨

Torsdag kl 12:00
Fredag kl 20:00
Lørdag kl 20:00
Søndag kl 18:00

📸 bilde nr 2: Agnete Brun

#frifolkpodkast #frifolk #osloteatersenter #oslofringe #oslonye

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The second week of our artist residency has come to an end. The projects have moved forward in different ways—some began here at the residency, while others arrived further along in the process. We are grateful for the opportunity to get a sneak peek into your work and to support its continued development.

Good luck onwards with lots of love from SEANSE ❤️

#artistinresidence #artforkids #artforyoungadults #kunstforbarnogunge #kunstproduksjon

@kulturradet @mrfylkeskommune @hivolda

Photos by @tusjen

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Oda Kirkebø Nyflott @thekrumple @odakn
🎭 Scenekunstner og skuespiller
📍 ArtEx 2025-2026
🤝 @talentnorge @sparebankstiftelsendnb
📸 @agnete_brun

Oda Kirkebø Nyfløtt er en skuespiller og scenekunstner fra Førde, bosatt i Oslo, og utdannet ved Ècole Jacques Lecoq i Paris. Hun er medgrunnlegger av det internasjonale scenekunstkollektivet the Krumple, og har siden 2013 vært medkunstnerisk leder av kompaniet. Med the Krumple har hun skapt en rekke kritikerroste forestillinger som har turnert omfattende i Norge og i utlandet, blant annet den prisbelønte forestillingen YOKAI - remedy for despair (2016) og DÉJÀ - a gentle sadness of things (2019). Ved siden av prosjektene med the Krumple har hun jobbet som skuespiller ved Teater Vestland og Brageteatret, og jobbet frilans med flere norske regissører. Hun har mottatt en rekke stipender, som blant annet Statens kunstnerstipend for yngre, nyetablerte skuespillere i 2016-2017 og 2019, og arbeidsstipend for 2023-2024. I sitt skapende virke ønsker Oda å gi rom for undring, fortryllelse og – forhåpentligvis – lindring, til alt som kan føles overveldende, kaotisk eller håpløst.

Nysgjerrig på Oda? Les portrettintervjuet med henne på våre nettsider! Lenke i bio ⬆️

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Echoes #5 — Traces of performances

SOLA
Calm the monkey mind

“The Human is a cretaure of the present, who ondulates with calm in the Unknown like… fish” With these words, a strange clown-spirit introduces us to a world that is “beyond what our senses can perceive”. With a range of silly movements and curious demonstrations he will tell us the story of Sébatian, a young man who is soon to become a father but who is feeling far from ready. Together they embark on a journey into the human’s mind to find out where the worries are coming from. Can a poetic way of seeing the events of a life change their narrative ?

SOLA is a playful, offbeat and diverse solo performance, which finds its inspiration at the crossroads between philosophical inquiries, ancient spiritual traditions and slapstick comedy. The performance is a co-production with Teater Vestland, Fossekleiva Kultursenter and PreForm, supported by Kulturrådet and @dramatikkenshus Hus, and had its premiere at @teaterfestivalenifjaler on September 9th 2021.

Written, performed and co-directed by: Vincent Vernerie
Co-directed by: @joebjorke
Dramaturg and producer: @odakn
Development and scenography: @frodegjerlow
Lighting design: @agatzeup
Sound design: Cédric Colin
Light-technician: Yasin Gyltepe
Sound technician: @paulucci_bakke
Costume-assistance: Madeleine F. Røseth and Madeleine Barosen Herholdt
Photos: @davidzadig
Video: Johannes Laukeland Fester Sunde

International :
Production : @dtkvictor

France :
Administration / Production : @noemie_schreiber

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First week of residency at @osloteatersenter.
The very first steps of a new project.

Opening the space. Listening. Trying things.
Searching for gestures, images, and silences.

Every creation begins like this, in exploration, curiosity, and the fertile uncertainty of not knowing yet.

Happy to begin this journey with the team. @odakn @nokretonar @marteroyeng and Vincent Vernerie. Production @dtkvictor

A week to explore, to test, to get a little lost, and definitely discover something unexpected.

Here we go!

Preproject supported by @kulturradet and Scenekunst+ 🙏

#creation #artistresidency #performingarts #firsttime

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Echoes #4 — Traces of performances

PIGEON SUPERSTITION

Magic, choreography, space and sound installation are the main ingredients in this peculiar performance, which examines fanatically pecking pigeon’s similarities with humans in a digital age.

The audience is guided through a series of experiments inspired by famous professor in behaviour psychology, B.F. Skinner, and his work with pigeons post WWII.

As the audience is presented with the results of Skinner’s experiments, similarities start to appear between the pigeons’ fanatically pecking and the contemporary human’s addiction to new technologies. The pigeon pecks a button and gets food. The human taps his smartphone and receives a notification. But to which extent are we manipulated by the designers of these digital tools, that trigger this behaviour in us? Thanks to Skinner and his pigeons the performance examines the psychological mechanisms behind digital-addiction and asks - how free is the free will?

The rich and very original sound design of the performance is created installatively with 10 different audio outputs, accompanied by 78 autonome output devices. Thus, the whole space constitutes one big instrument for the sound composition of the performance, moving from the stage, above and around the audience, to end up right in the pocket of each individual audience member.

Concept & performer: @david_tholander
Staging & set designer: @lisbethburian
Sound artist & composer: C.S. Sørensen
Stage direction & dramaturgy : @lena_ronde
Light design: @raphaelsolholm & @agatzeup
Sound engineer: @munklasse / @lazicrastko
Costumes: camillalind180
Set design assistent: Frederikke Krogh
Dramaturgical consultant: Trine Wisbech
Choreographic consultant: @kristoffer_l_a_p
Tech-wizard: @gadgetgroupdk
Magic consultant: @solbergjoachim
Construction & technician: tarabini
Construction: @mufufu1, @bastienmeraud & Sjakker Jensby Jacobsen
Production : @dtkvictor
Vidéo : @reneodgaard
Photos : Raphaël Solholm

Co-production: @dynamo_workspace Supported by @statenskunstfond, @bikubenfonden, William Demant Foundation, @odensekommune, DRAC Pays de la Loire, @le_cnac, Magic Wip / Cie Le Phalène, @spedidam

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Echoes #3 — Traces of performances

MEGAMEGA

Have you experienced it? The moment when everything you held on to turned to powder and dust, or confetti and fireworks. During a night or a bottle of wine, or just a split second - when your whole life suddenly turns upside down. We all visit that moment again and again.

MEGAMEGA is about people who are in the middle of a crossroad, where the world suddenly opens up, closes or collapses in front of them.

There is always a before and an after. In MEGAMEGA, the Krumple collectively explores these specific moments of total change and confusion with the only tools that we believe can help - imagination and enchantment. In a board game of human scale, full of surprises and magic.

Concept and co-direction: Vincent Vernerie

Co-creators and performers: David Tholander, Léna Rondé, Oda Kirkebø Nyfløtt, Maja Bekken, Vincent Vernerie

Costume design and scenography: the Krumple

Outside Eye: Jo Even Bjørke

Composer: Marte Røyeng

Lighting design: Markus Tarasenko Fadum

Magic Consultant: Kevin Lunde

Choreographic Assistance: Catherine Béziex

Sound technician: Michael Dahlen

Stage manager: Sigrun Breck Oustad

Stagehand: Eugenio B Morales

Set painter: Barbro Bekken

Producers (NO): Kari Dæhlin / the Krumple
Producers (FR):Cross Media Culture / Collectif Krumple

Set, props and costumes produced by: Teater Innlandet.

Co-produced by: Teater Innlandet.

Supported by: Arts Council Norway, Fund for Sound and Image, SPEDIDAM.

Photos: Magnus Skrede #thekrumple #newmagic #physicaltheatre #theater

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With and by the Krumple: @david_tholander, @lena_ronde, @odakn, Vincent Vernerie and @vanessamecke
Musician: @alice_picaud
Outside eye: @joebjorke and Yngvild Aspeli.
Lighting design: @claire.gondrexon
Sound design: CS Sørensen
Set design: @kjerstialmeriksen
Costumes: the Krumple.
Dramaturgical assistance: Yngvild Aspeli.
Set construction: @tim.lucassen and Jan Erik Skarby.

Sound, stage, and lighting: Cédric Colin, François Pelaprat, @agatzeup

International :
Production / Booking : @dtkvictor

France :
Administration / Production : @noemie_schreiber
Diffusion : LABEL SAISON.

Photos: Doris Milewicz

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