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Orkhan Mammadov

@orkhan.art

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Saving Aesthetics 2.0, by @orkhan.art. 🖤
Centuries of Islamic carpet heritage, reimagined through custom neural networks into a sensory, high-fidelity space.
Located at the entrance of Art Club, the first installation you'll encounter.
More at artclubhtx.com.

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Some front end user interfaces for some of the pieces at @artclubhtx. including a script to scrape the Art Club website for Dj night events, and asign a color based on the promotor of the show.

each made with @touchdesigner

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Орхан Маммадов. Инсталляция «Идея сохранения эстетики» на 16-й Кванджуской биеннале

До 15 ноября в павильоне Сети креативных городов ЮНЕСКО на 16-й Биеннале современного искусства в южнокорейском городе Кванджу выставлены работы художников из десяти стран, среди них – инсталляция Орхана Маммадова из Азербайджана.

Проект «Идея сохранения эстетики» был впервые показан на 8-й Московской биеннале в 2019 году. Это была медиаинсталляция, в которой на пол павильона проецировалось изображение восточного ковра. Его узоры трансформировались и перетекали друг в друга, так что виртуальный ковер ни единой секунды не оставался прежним.

Перед тем как создать инсталляцию, художник собрал огромную коллекцию паттернов, характерных для азербайджанских ковров, а затем написал программу, которая анализирует эту визуальную информацию и на ее основе создает новые образы. Узоры, которые видел зритель, ранее не существовали.

На выставке в Кванджу представлена последняя версия «Идеи сохранения эстетики», объединяющая оригинальную работу с двумя более поздними, тоже посвященными исследованиям ковра сериями «Возрождение эстетики» и «Реликт».

#baku_magazine #журналбаку #азербайджан #azerbaijan #азербайджан_культурныйкод #азербайджан_искусство

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Every pattern has a hidden equation.

Part of Carpetdiem Experiments, Orkhan Mammadov’s @orkhan.art Chladni transforms mathematics into a visual language inspired by one of science’s most mesmerising phenomena. Chladni figures are the intricate patterns that appear when sand settles on a vibrating metal plate—making sound visible through geometry. What begins as vibration becomes order.

Across this series, Mammadov explores how mathematical algorithms can generate forms that echo the rhythm, complexity, and ornament of traditional carpet weaving. By bringing code into dialogue with one of humanity’s oldest crafts, Carpetdiem Experiments reveals a surprising harmony between technology, mathematics, and cultural heritage.

Discover Chladni and the full series on TAEX’s Artsy—follow the link in bio.

#taex #digitalart #contemporaryart #generativeart

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Presenting this Friday: CONTOURS, an evening of AV performances tracing the hidden shapes between sound and image. Featuring @kevinpeterhe, @dasychira, @n.mohl._r, @lukemombrea, @orkhan.art
and @jakeoleson at @heft_gallery for TRANSMISSIONS.

W support from @meshmeshmesh_ Records

Working critically between Sound, Sculpture, and New Media this cohort has been actively exploring what it means to craft with emerging technologies.

TRANSMISSIONS features hi-fidelity listening experiences on the VOLUMES speakers designed by @joedoucet_.

Join us for an Open Bar and Performances into the night. Friday June 26th 6pm - 11pm
Produced and hosted by @projekt.______ @heft_gallery @cultofnot

Ticket Link in Bio

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AS ABOVE, SO BELOW was never only an exhibition, but a living ecosystem of ideas, encounters, research, and shared imagination. Thank you to everyone who contributed their time, knowledge, creativity, and trust to this journey. May the connections forged here continue to ripple outward ✨🌊

One Ocean Foundation and ZEITGEIST19 are deeply grateful for each of you who was part of it - our incredible artists, collaborators, scientists, researchers, host @serendpt_venezia, exhibition design & production @we_exhibit, volunteers, documentation team @hereisj.a @cleliacadamuro nourishment @tociavenezia hydration @wami awesome catalogue @greenmedialab @favinipapers digital experience @particle____ clothing @pangaia, animation @sc_artroom @fegga_ the locals of the Giudecca island, and everyone who assisted us in making this possible 🩵🙏🏽

Big thank you to @rauchfoundation @fondazione_cariplo @goetheinstitut_mailand @storiesof_art @phibeachofficial and Trust for Mutual Understanding

Honored to be part of @veniceclimateweek

Special thanks to @davidefriello_handpan for closing AS ABOVE, SO BELOW In Minor Keys, a meditation in sound that carried us gently between sea and sky, reflection and resonance.

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LOADING… Season 2

Art Club will re-launch with all-new exhibits on Wednesday, June 10.

Featuring works from:

@orkhan.art
@media.tribe @sashakojjio
@radugadesign
@taylorknapps @lina.dib
@skylr.smth
@joelmzika @inanimatenature @hongshuo.f
@cerspense
@vollut
@m_murgueytio
@xavibou
@aizek.live

Tickets available in our bio.

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AS ABOVE, SO BELOW
Collateral Event of @labiennale
On view until June 8 🌊

Conversations with Nature’s Memory, 2026
by @orkhan.art

Site-specific dual-screen generative installation with AI and sound.

Created for AS ABOVE, SO BELOW by One Ocean Foundation and ZEITGEIST19.

Conversations with Nature’s Memory stages a quiet encounter with systems that sustain life without spectacle. Two simulated ecosystems unfold simultaneously—one above soil and one below—each rendered through a distinct visual language, yet both driven by a shared mycelium-inspired logic of growth, branching, fusion, decay, and redistribution. The seam between the screens functions as the soil line: a boundary that is also a site of exchange. Within this system, nutrient flow becomes the work’s central language. Transfers of energy and material reshape pathways, strengthen corridors, and redirect growth, making visible a continuous relation between what lies above and what remains hidden below. Mammadov frames this circulation as a form of conversation—not as literal dialogue, but as mutual adjustment, responsiveness, and support across interdependent environments. An AI observes these exchanges and translates them into shifting textual fragments, forming an evolving
register of care, seasons, and memory.

Organised by @oneoceanfound
Ideated and conceived by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Monday - Friday | 10:00 - 18:00
Factory H3. Campo Cosmo, Giudecca, Venice
@serendpt_venezia
Free entry

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

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AS ABOVE, SO BELOW 🌎🌊
Collateral Event of @labiennale

Curated by
Elizabeth Zhivkova & Farah Piriye Coene

On view until June 8.

Behind the curatorial concept, our aim and our shared mission: to reconnect culture, consciousness, and environmental responsibility through art as a vessel for transformation.

Featured artists @marshmallowlaserfeast @ant1bert1 @elnara.nasirli @andcrespi @almagul.menlibayeva @suadgara @yokoshimizuart @orkhan.art @reinholdheil

Fabbrica H3
Ex church Santi Cosma e Damiano
Giudecca, Venice @serendpt_venezia

Organized by @oneoceanfound
Ideated & conceived by @ZEITGEIST19

With the graceful support of @rauchfoundation

Special thanks to @pangaia @fondazione_cariplo @storiesof_art @goetheinstitut_mailand @phibeachofficial the European Union and Trust for Mutual Understanding

@UNoceandecade Action
@UNESCO’s Blue Thread
Nominated for the @EarthshotPrize

Under the patronage of the @europeanparliament @consolato_giapponese @regioneveneto

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AS ABOVE, SO BELOW 🌎🌊
Evento Collaterale de La Biennale di Venezia

fino all’8 giugno.

Dietro il concetto curatoriale, il nostro intento e la nostra missione condivisa: riconnettere cultura, coscienza e responsabilità ambientale attraverso l’arte come strumento di trasformazione.

Organizzato da @oneoceanfound
Ideato e concepito da @ZEITGEIST19

A cura di
Elizabeth Zhivkova & Farah Piriye Coene

🎥 @johannes_menghi

Sound: from the works of @elnara.nasirli @ant1bert1 @marshmallowlaserfeast @reinholdheil

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Sound of @labiennale

#asabovesobelow #zeitgeist19 #inminorkeys #labiennale #venice

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AS ABOVE, SO BELOW is now discoverable on @particle____

Created by @oneoceanfound in collaboration with @ZEITGEIST19 — part of the Particle Creators ecosystem — the project extends beyond the exhibition space through an audio thematic route that guides visitors across the artworks and the layered connections between artistic practices, memory, and planetary transformation.

Starting from the idea of the ocean as an archive, an atmosphere, and a living system, the route invites visitors to dive deeper into individual artworks and navigate the project at their own pace — before, during, and after the physical visit.

Experience AS ABOVE, SO BELOW on Particle.

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AS ABOVE, SO BELOW è ora disponibile su Particle!

Creato da One Ocean Foundation in collaborazione con ZEITGEIST19 — parte dell’ecosistema Particle Creators — il progetto si estende oltre lo spazio espositivo attraverso un percorso tematico audio che accompagna i visitatori tra le opere e le connessioni stratificate che attraversano pratiche artistiche, memoria e trasformazione planetaria.

A partire dall’idea dell’oceano come archivio, atmosfera e sistema vivente, il percorso invita i visitatori a immergersi nelle singole opere e a esplorare il progetto al proprio ritmo — prima, durante e dopo la visita fisica.

Scopri AS ABOVE, SO BELOW su Particle.

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

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We are delighted to invite you to the kickoff of AS ABOVE, SO BELOW, a Collateral Event of La Biennale di Venezia Arte 2026. An immersive programme of art, dialogue, sound and oceanic intelligence set within the historic ex-church of Santi Cosma e Damiano on Giudecca.

Organized by @oneoceanfound
Conceived and ideated by @ZEITGEIST19

Curated by
@ElizabethZhivkova & @FarahPiriyeCoene

Host @serendpt_venezia

See you soon ✨🌊

#BiennaleArte2026 #InMinorKeys
#AsAboveSoBelow

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