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Independent publisher of photobooks + collaborator with photographers/artists/storytellers from around the world. Making books you'll want to collect!

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El sábado, por fin, estuvimos en @santelmomuseoa.

Cuando acabábamos de publicar The Saxons of Transylvania, teníamos todo organizado para presentar el libro allí. El evento estaba anunciado y los billetes de avión comprados, pero tuvimos que cancelarlo porque llegó una pandemia...

Más de seis años después, la visita surgió de manera improvisada y sin avisar. Tuvimos la suerte de encontrarnos con @twothousandlanestothesea en el Laboratorio fotolibro, quien nos abrió generosamente las puertas de la colección que lleva su nombre y que alberga el museo.

Lo que iba a ser una visita acabó convirtiéndose en una pequeña charla con los asistentes, en la que hablamos de dos de nuestros libros que forman parte de la colección: The Tree of Life Is Eternally Green y The Saxons of Transylvania.

Fue un placer encontrarnos con Gabriela y, sencillamente, "hablar de nuestros libros", pero prometemos volver pronto, esta vez con más tiempo para disfrutar con calma de esa extraordinaria colección.

Gracias, Gabriela, y @santelmomuseoa por la acogida y la generosidad.

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Based in London, United Kingdom, @overlapse primarily publish books focused on storytelling, with subjects and stories addressing social, cultural, and environmental issues, and themes connected to human experience.

Join us at Photobook Mania 2026 in Bologna to browse their latest titles

#phmuseum #bologna #photobookmania #overlapse

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MEET THE PUBLISHER 🦚 Founded in 2015, @overlapse is an independent visual art and photobook imprint aimed at creating unique, desirable and beautifully designed photobooks in collaboration with photographers and artists.

Meet publisher Tiffany Jones in Bologna, Italy, next weekend :)

#phmuseum #bologna #overlapse #photobookmania

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Bryan Anselm’s Sound the Sirens is a climate change photobook that emphatically returns to the central message that the effects of global warming are terrifyingly dangerous.

After a decade or two of artistic projects that have interpreted climate effects in different conceptual ways, often steering clear of imagery that was overtly polarizing, threatening, or negative, Anselm dispenses with that indirect approach, opting instead to take us to ground zero of the aftermath of climate-induced disasters around the United States in the past several years.

There are no lovely melting icebergs on view here to spur concerned but ultimately apathetic conversation. Instead, he takes us into the teeth of the destruction, forcing us to witness what is actually happening to homes, communities, and real people when hurricanes, floods, and wildfires wreak their increasingly intense havoc.
And with the recent repeal of the EPA’s endangerment finding, effectively eliminating the legal basis for regulating the greenhouse gases that come from extracting and burning fossil fuels in the United States, it’s clear that we’re intentionally taking a step backward from necessary solutions and that new strategies (and visual languages) will now once again be needed to redirect climate engagement in urgently productive ways.

So Anselm’s book arrives at just the right moment – unfortunately we are in need of a bracingly realistic slap in the face, and this photobook delivers it.

Text excerpt from: collector daily
https://collectordaily.com/bryan-anselm-sound-the-sirens/

@collector_daily
@overlapse
@bryananselm

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It's the last post in @overlapse takeover @bop_bristol and we're excited to show books to you at the fair 17-18 October. Bristol is a lovely city :)

And this year we'll be missing our legend @martinparrstudio through the weekend, anticipating his arrival at the books table, round for a catch-up 🩷🤗

Leaving you with a follow-up from our previous post with images from Haiek Danak Sorginak – ALL OF THEM WITCHES by Spanish artist @bego_anton

📖 Combining playfully conceived imagery and archival drawings with new and historical texts, ALL OF THEM WITCHES gives visual and virtual presence to women whose voices were erased during tortures as documented in the Spanish Inquisition trial records.

Antón reimagines the fantastical accusations—hysterical women flying and lurking in the Basque landscape, mysterious ointments made from toads, sabbath gatherings, cavorting with the Devil—not as evidence of guilt, but as symbols of the imagination imposed by those in power💪🧙

Through a process of unraveling the past, All of Them Witches becomes both a meditation on memory and a reclamation of the accused women's identities.

👋 It's been grand, thanks for checking out these compelling photographers /artists' projects that we've shared and turned into beautiful books! Let's meet at BOP where you can fondle the editions published by @overlapse

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Happy Monday from @overlapse 😊 courtesy of @bop_bristol ahead of the festival returning for a new edition 17-18 October 💞

Here's an introduction to Haiek Danak Sorginak – ALL OF THEM WITCHES by Spanish artist Bego Antón @bego_anton - it's our second book with her after releasing The Earth is Only a Little Dust Under Our feet in 2018 (an out of print classic)

We'll have this new book with us for the first time in Bristol, which revisits the witch trials of the Basque Country through a contemporary feminist lens. Developed over more than a decade in her home region, the project reconstructs the stories of women accused of witchcraft using historical records of confessions extracted under torture by the Inquisition. Rather than accepting the recorded accounts as fact, Antón transforms them into evocative photographs that challenge the myths, fears, and patriarchal narratives that shaped the persecution of the ostracised women.

🗨️ Featuring texts by Bego Antón, historian Amaia Nausia, and researcher Alice Markham-Cantor, the book connects the witch hunts to contemporary questions surrounding gender, authority, and the construction of historical narratives. The result is a visually rich, disruptive, and thought-provoking work that seeks to demystify the figure of the witch while honouring the lives of women silenced by persecution.

📚 Co-published in English by @overlapse and in Spanish by @edicionescomisura

💚

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Warm greetings today from Tiffany @overlapse – taking over @Bop_Bristol in anticipation of the community-focused book fair and events opening next month.

We’ll have copies of STRAWBERRY BLUE by @marinos_tsagkarakis with us for the first time at BOP this year!

Netherlands-based Marinos Tsagkarakis shares an intimate, autobiographical project that reflects on migration, displacement, and the search for belonging. Created after the photographer left his homeland of Greece for northern Europe, the work traces a period of personal and emotional transition marked by separation from familiar environments, physical injury, relationship development and identity reformation.

Set within a local park near his new home, the landscape becomes both a physical and symbolic space for observation, interaction, realignment, and recovery. Through repeated wanderings and chance encounters with strangers, animals, and details of his surroundings, Tsagkarakis constructs a quiet, reflective visual diary of adaptation and self-redefinition. His analogue images are at once unsettling and strangely alluring, while engaging viewers to participate in an exploration through unknown territory. STRAWBERRY BLUE is a meditation on how belonging is not a fixed state, but is gradually formed through attention, memory, and the fragile continuity of lived experience.

Marinos Tsagkarakis is a fine-art photographer born (1984) and raised on the island of Crete. His work has exhibited in international festivals including Mois De La Photo (Paris), Jeju Biennale (South Korea), Unseen (Amsterdam), Fotofilmic (L.A & Vancouver), Athens Photo Festival, and art spaces across Europe and the USA. His work has featured in media by Der Spiegel, L’Oeil de la Photographie, Collector Daily, Vogue, Der Greif, and Urbanautica Institute.

Wishing you an invigorating weekend, in the outdoors if possible 🌳💞

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Greetings All 💕 This is Tiffany Jones – publisher and designer from @overlapse books - at the start of a new takeover with @bop_bristol 📚 I look forward to seeing some of you at the book fair and events in mid-October

Last year we were happy to have photographer Bryan Anselm with us at BOP, meeting with visitors and sharing advance copies of his first book SOUND THE SIRENS.

These portraits show people in their communities coping with the aftermath of hurricanes, floods, fires, and other storms in the US. They feature in SOUND THE SIRENS alongside colour images taken in the moments and hours after storm impacts.

Climate disasters in recent years have caused exponentially more damage through loss of life, property, and compounding economic destruction. This work focuses on the long-term effects that multiple disasters have had on communities across the United States, with tens of thousands of people left homeless and displaced while trying to rebuild their lives in the face of diminishing federal assistance programs and insurance coverage.

Bryan Anselm is a photojournalist based in New York, covering these disasters affecting communities for the past decade. He is a regular contributor to The New York Times and has work featured by The Guardian, The New Yorker, TIME, The Atlantic, The Wall Street Journal, The Washington Post, ProPublica, and others. Originally from Michigan, he studied photography at Western Kentucky University. @bryananselm

Thank you for taking the time to check out Bryan’s powerful work! You can find his book at BOP in October and see more on our website overlapse.com

All images copyright Bryan Anselm

#BOPBristol #OverlapseBooks #SoundtheSirens #BryanAnselm #Photobooks

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The countdown to Photobook Mania 2026 has started 📣 Stay tuned to discover the publishers and booksellers you’ll find at Serra Madre – @leserredeigiardini – in Bologna, Italy, on 3-4 October.

#photobookmania #phmuseum #photobook #artbookfair #bologna

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PHOTOBOOK MANIA IS BACK 🧡 SECOND EDITION

See you in Bologna, Italy on 3-4 October with more than 20 publishers and booksellers, talks with international authors, book signings, and two exhibitions dedicated to photobook dummies and Risograph.

Follow @photobookmania_ for all the updates :)

The event is organized by @phmuseum ✶ officially joining the @phmuseumdays program for the first time ✶

#photobookmania #phmuseum #photobook #artbook #bologna

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full episode with @bryananselm on YouTube

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¡Por fin presentamos el libro en Euskal Herria!

El día 12 de septiembre presentaré Haiek Danak Sorginak durante una recorrido por los robles milenarios en Munain, Araba.

En cada proyecto que hago pregunto a las personas que fotografío si se ven representadas, si sienten que su historia está siendo contada de forma honesta. No podía preguntarles a las brujas y no me sentía conectada. Entonces pensé cómo podía acercarme a ellas. ¿Que existia entonces que aún existe ahora? Y pensé en los árboles centenarios. Árboles que fueron testigos de lo que les sucedió a estas mujeres. Durante todos estos años he fotografiado muchísimos árboles centenarios por todo Euskal Herria, y esta ruta que haremos el día 12 mientras hablamos de brujas, fue para mi el recorrido más especial. Así que esta presentación para mi significa mucho muchísimo. Caminaremos entre los robles centenarios mientras os cuento todo el proceso de creación del proyecto.

@insituartfestival ha hecho realidad este sueño loco mio de presentar el libro de esta manera.

📅 Sábado 12 de septiembre
⏰ 11:30 a 13:30 aprox
💸 Recorrido comentado: 10€ | Pack Recorrido + Libro: 40€
🗣️ Euskaraz eta gazteraz egingo dugu ibilbidea!
🎒 Recomendación: Traed agua, ropa y calzado cómodo, y muchas ganas de charlar.
📩 Inscripciones: infoinsituartfest@gmail.com
🌐 +info: www.insituartfestival.com

Para las que seáis más de asfalto y de tardes, el 11 de septiembre presentaremos el libro en la preciosa @maramara_liburuak a las 19:00. ¡Pero lo mejor de todo sería repetir, ya que está todo tan cerca!

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