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Perel

@perelpix

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Sometimes you just want dive in, be immersed and even devoured … This is one of the many designs we considered for the limited edition T we are doing for our shows in Berlin next month (!!!). It wasn’t the final choice, that said it was one of my favorites 🫶🏻. The messiness, the human body being swallowed by another being. Come dive into THE PRESSING Show dates:
Do 06.08.2026 — 20:30
Fr 07.08.2026 — 20:30
Sa 08.08.2026 — 20:30
(im Anschluss Publikumsgespräch)
So 09.08.2026 — 19:30 Ticket link in Bio 😘

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2023 part 2

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2023 pt 1

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join us for the last two days of the multisensory exhibition Evocation of Absent Landscapes by claudia bosse!

july 10, 1-6 pm
multisensory installation

july 11, 12-8pm
finissage and eight-hour performative landscape:
with food and landscapes, thoughts, sound, movements and performative acts.

DAS WEISSE HAUS
hegelgasse 14, 1010 vienna

for the finissage, claudia bosse and invited artists and researchers try to find aesthetic means of rendering the human-made rift between us and our environment tangible. a hosted performative situation unfolds within the installation, exploring landscape thinking in art. over the course of eight hours, a constellation of contributions sketches out transhuman narratives between neolithic landscapes and war zones, growing matter, landscapes held in stone, dances with latex, traces of earth, and tactile resonances.

with contributions by: claudia bosse, perel, martina ruhsam, barbara imhof, dimitrij mlekuž vrhovnik, neža kokalj, kai feldhammer, carla rihl, martina de dominicis, adam czirak and yosi wanunu.

images 2 & 3: © Indra Crittin

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It’s a wrap 🫰 Thank you for a week full of heimaten and joining us through conversations, workshops, performances, and more!

For now, we’re entering the summer break and are already looking forward to the next Sound Base Berlin event on 3rd September 📅

HKW assumes that the idea of a singular, unchanging heimat is an illusion, explores the lived reality of many diverse forms of ‘home’, and understands heimaten as a verb: as a practice and an exercise. Throughout 2026, our new series Sound Base Berlin, Common Exceptions, Plural Citizenships, and Relational Work, Relational Power will show how productive the process of making a home for oneself in the fields of music, film, literature, and discourse can be.

We would like to give special thanks to: @raulkrauthausen, @xhemajlmo, @melinaborcak, @christiana_bukalo, @kurdischekween, @dushime, @deinbrudersteve, @giannijovanovic78, Jasmina Kuhnke, @xhemajlmo, @bundaskanzlerin, @maraamharaam, @ms_blackrock, @djennita, @anissa.loucif

@ronisgoliath, @its_pambam, Mark Nowakowski, @dionabathily, @helinaisayas

@dincergucyeter, @larasielmann, @perelpix, @souhaibaayoub, Yael Inokai, @saskia.vogel, @saa.diyah and Olivia Wenzel.

🔗 More information: www.hkw.de
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Credits:
1, 2, 5, 6, 7, 9, 10, 11, 13, 14, 17, 18: Iris Wang/HKW
3, 15, 16, 19: Marvin Systermans/HKW
4, 8, 12: Silke Briel/HKW

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Amazing Berlin rosebush.

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So grateful for all the things I got to see and feel in Munich last month ☁️

1. Selfie of me with a little bouquet. My orange sweatshirt matches the vase.
2. Field of dandelion puffs
3. An antique statue of a saint holding a tongue (I don’t know anything about the religious iconography but found this quite striking and sort of sexy)
4. My beside table with water, snacks, meds, floss, and a holographic red rose postcard
5. Delicate, interlocking leaf-like patterns on a building facade
6. The custom table cloth at Villa Stuck. This section had lace portraits of two dogs: Pips and Flox, and a lace square that says “aus liebe”
7. A delicious döner
8. Window ironwork that forms a flower stem with cascading, wavy leaves
9. A walk symbol at a stop light that was different from others showing a little guy walking instead of the usual stick figure.
10. Sculpture by Judith Hopf. A suitcase made of bricks. The top handle is clay that bears the imprints of smushing and forming by hands.
11. A thrift shop plate with an extremely vibrant photo of tomatoes printed on the plate.
12. Ei Arakawa-Nash’s Mega Please Draw Freely at Haus Der Kunst. The floor covered with tempura stick drawings by the public including a Palestinian flag, a duck, a peace sign, and the name Matteo.
13. Two church doors with fun window shapes. Each window is sort of a tall rectangle that has been pinched at the top and bottom.
14. A screen from Christine Sun Kim and Thomas Mader’s installation ABC (Always Be Communicating). It’s a pixel drawing and to me looks like layers and layers of fluffy clouds.
15. The terrace at Deborah Schamoni with golden sun and green trees.
16. My copy of Jamaica Kincaid’s book My Brother
17. A 1700s(?) mural of a snail and frog hanging out amongst thistle.
18. A blue bench photographed from a distance that says “it was hard to get here”
19. Three spaghetti ices, extra strawberry style
20. Me in my sunglasses in front of lilacs 1. Selfie of me with a little bouquet. My orange sweatshirt matches the vase.

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Wie erinnern sich Körper? Und welche Sprache sprechen sie?
Plural Citizenships lädt am 5. Juni zu einem Abend mit Keynote, Paneldiskussion und Performance ins HKW ein.

Dein Urteil: meine WUNDEN
Keynote von Dinçer Güçyeter, im Anschluss Gespräch mit Lara Sielmann
📅 Fr., 5.6.2026, 18:00
📍 Angie Stardust Foyer
*Auf Deutsch mit englischer Simultanübersetzung

„Mein Freund, sei nie zu schnell mit deinem Urteil, weder jetzt noch später. Die Wahrheit bleibt oft ein Geheimnis. Sie wird oft stärker verborgen, als wir uns das vorstellen können. Sei nicht so schnell, zeichne die Fledermaus nicht auf mein Gesicht.”
– Dinçer Güçyeter

Wunden und Wendungen: Körper als Orte der Befreiung
Paneldiskussion mit Souhaib Ayoub, Yael Inokai, Saskia Vogel und Olivia Wenzel, moderiert von Anna Jäger 
📅 Fr., 5.6.2026
📍 Angie Stardust Foyer
*Auf Arabisch und Englisch, mit Simultanübersetzung ins Arabische, Deutsche und Englische

Die Autor*innen Souhaib Ayoub, Yael Inokai, Saskia Vogel und Olivia Wenzel diskutieren über Körper als Archiv, Medium für Zeug*innenschaft und Ursprung möglicher Veränderungen.

Olivia Wenzel schreibt über Rassismus, Angst und zerrissene Identitäten, während Saskia Vogel sich mit Intimität, Sexualität und der körperlichen Dimension von Sprache und Begehren auseinandersetzt.
Souhaib Ayoub spürt in seiner Arbeit persönlichen Erinnerungen und kollektiven Geschichten nach, und Yael Inokais Werke beschäftigen sich mit körperlicher Autonomie unter den Bedingungen gesellschaftlicher Kontrolle.

Hôte Cicatriciel
Performance von Perel
📅 Fr., 5.6.2026
📍 Angie Stardust Foyer

Ausgehend von Jacques Derridas Texten zur Gastfreundschaft untersucht Perel Narben, Körper und Verletzlichkeit als Orte von Begegnung, Zugehörigkeit und dem Verhältnis zum „Anderen“.

🎟️ Der Eintritt zu allen Veranstaltungen des Abends ist frei.

🔗 Mehr Informationen: hkw.de
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Credits:
1. Sibylle Fendt
2. Palagrafie
3. Dieter Hartwig
4. Märta Thisner
5. Lansy Siessie
6. Natalie Reich
7. Ladina Bischof
8. Yannis Koikas
9. Studio Yukiko/HKW

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You want to combine artistic dance practice with theory?

Our research projects offer the opportunity to explore the practice of a particular field, as well as the working methods and artistic forms of the respective teaching artists. Across 10 research projects, participants can open up sensory spaces of voice, imagination and touch, intertwine physical practice with „cunty Marxism“ and unorthodox prayers, or explore exclusion and difference in dance. Let horses become gateways to the mythical world, or dive into Myth, Madness, Montage and Melodrama. The most important thing to bring: curiosity!

Depending on the teaching artist, research projects may be process-oriented and focus on shared methods and ideas, or lead to a concrete outcome such as a collaborative final showing.

For research projects, you need to apply via our Education Portal. Link in our Bio ✨

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This Saturday and Sunday!

EXHIBITION. PERFORMANCE. READING.
TULL FAIL :|: THE ANIMAL DOESN’T BUCK AS EXPECTED

New sculpture/ performance / text by lou ftzsimmons and abby crain with film by william crain and readings by perel and martina mackinlay

9.05.2026- 10.05.2026
9.05 19hr – 21hr PERFORMANCE by abby crain and lou fitzsimmons
10.05 16 hr – READINGS
17hr - PERFORMANCE
Come and go as you please.

FREE

confounding the miniature, the gigantic / a rend in interior life / reinterrupting the narrative / memory and absence

FLUTGRABEN E.V.
am Flutgraben 3
12435 Berlin

THE SPACE IS ACCESSIBLE.

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fiddler

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"... both crip time and grief time are nonlinear measurements of time...
Throughout the process of making 'Natural Acts,' and even now, my body has been wrestling with the need to surrender to both chronic pain and the pain of grieving."

Perel (@perelpix) is an interdisciplinary artist whose work is centered on disability and queerness as they relate to care, consent, sexuality, and personal and historic trauma. Learn more about the process of making their recent work 'Natural Acts' on stanceondance.com (link in bio).

Pictured: A performer lies on a dimly lit stage beneath several large, cocoon‑like hanging forms that glow softly in the darkness. Photo by Mayra Wallraff.

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