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Philippe Castillo

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Le cercle des amis de Polyptyque a donné carte blanche à Philippe Castillo pour présenter une partie de sa collection photographique à Marseille.
Avec Marie Clerel @mclerel @laratabet
Marina Gadonneix @marina_gadonneix Thomas Brunet, Raphaëlle Peria @raphaelleperia
@polyptyque_marseille @phil.d.ar

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Emergence Grant ADIAF 2025 (4th ed)
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France is one of the richest international scenes in the visual arts sector. Its large pool of artists is supported by a network of very committed private, public and associative actors across the country.
Initiatives contributing to helping the scene in FR to export have developed over the past 20 years: The Marcel Duchamp Prize initiated by ADIAF in 2000, and its program of international exhibitions; The increased presence of museum institutions outside France, and first and foremost the Centre Pompidou, a long-standing partner of ADIAF; A new dynamism of French art residencies abroad (…); and numerous initiatives by young generations of artists and curators who go beyond our borders.
ADIAF and its partners are engaged in the international development of the French art scene. They chose to join forces to engage alongside new generations of artists and curators by creating the ‘Emergence Grant’.
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Thank you to the 2025 Jury members :
. Artist : Julien Prévieux
. Expert : Emmanuelle Jardonnet, Le Monde
. ADIAF repr. : Philippe Castillo, Thuy-Oanh Do-Khac
. Patrons & partners repr. : Tatiana Ruiz, Contemporary Art Sr Expert & Curator
. Observers : Elora Weill-Engerer, Emergence Grant 2025 - College Art critic & Curator, Ronan Grossiat, ADIAF General Secretary.
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Photo : ADIAF, A. Thibault, T. Busutil, Say Who, Jury members.
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#BourseADIAFemergence #ADIAFemergenceGrant #BourseADIAFemergence2025 #ADIAFemergenceGrant2025 #ADIAF #ADIAFemergence #PhilippeCastillo @phil.d.ar #ThuyOanhDoKhac @oanh.do_ouah #RonanGrossiat @ronan_gr #EmmanuelleJardonnet @emmanuellejardonnet #JulienPrévieux #TatianaRuiz @titi_bestofartandlife #EloraWeillEngerer #ContemporaryArt #ArtContemporain #Artist #EmergingArtist #FrenchArtScene #BourseEmergence #BourseEmergence2025 #ArtGrant

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Congratulations to the new ‘ADIAF Emergence Grant’ 2025 Laureates (4th edition):
. Younès Ben Slimane - College ‘Artists Art Schools - Post graduate Art ENSBA Lyon’
. Nathan Ghali - College ‘Artists Open Call’
. Chloé Vanderstraeten - College ‘Artists Open Call’
. Elora Weill-Engerer - College ‘Art critic / curator’.
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Images / Artworks:
1. 2025 Laureates: Younès Ben Slimane, Nathan Ghali, Chloé Vanderstraeten, Elora Weill-Engerer
2. Younès Ben Slimane
3. Nathan Ghali
4. Chloé Vanderstraeten
5. Jury 2025, at Artcurial, Paris (FR).
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Thank you to the 2025 jury members: Philippe Castillo, Thuy-Oanh Do-Khac,, Ronan Grossiat (observer member), Emmanuelle Jardonnet, Julien Prévieux - Marcel Duchamp Prize 2014 -, Tatiana Ruiz, Elora Weill-Engerer (observer member).
Thank you to Elisa G. and Diane V. for ADIAF.
Thank you to ENSBA Lyon Post Graduate Art.
Thank you to Artcurial Paris and Armance teams.
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Upcoming open call for the 2026 grants (5th edition) from mid of Dec. 2025 through end of April, 2026.
More information on ADIAF website (link in bio).
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Photo copyrights: The Laureates, Fondation Fiminco, Pauline Süthold, Thomas Busutil, Elisa G. for ADIAF, and Artcurial.
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#YounèsBenSlimane @younes_ben__slimane #NathanGhali @nathan_ghali #ChloéVanderstraeten @chloe_vanderstraeten #EloraWeillEngerer #BourseADIAFemergence #ADIAFemergenceGrant #BourseADIAFemergence2025 #ADIAF #ADIAFemergence #PhilippeCastillo @phil.d.ar #ThuyOanhDoKhac @oanh.do_ouah #RonanGrossiat @ronan_gr #EmmanuelleJardonnet @emmanuellejardonnet #JulienPrévieux #TatianaRuiz @titi_bestofartandlife #ContemporaryArt #ArtContemporain #Artist #Curator #FrenchArtScene #BourseEmergence #BourseEmergence2025 @ensba_lyon #ArtGrant

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L’exposition James Barnor: Accra / London à la @serpentineuk est ouverte jusqu’à dimanche. Retour en images sur ces 6 mois d’exposition et de fêtes.
Merci à tous les visiteurs, et à ceux qui ont permis la réalisation de cette belle exposition.

The exhibition James Barnor: Accra / London at the @serpentineuk is open until Sunday. Throwback in pictures on these 6 months of exhibition and parties.
Thank you to all who came and those who made it happen!

@serpentineuk @hansulrichobrist @bettinakorek @injera_plantain_mami @lizziect5 @bianca_a_manu @autographabp @octobergallery @christinebarthe @david_hartt @adjaye_visual_sketchbook @margaux.lavernhe.photo @isabellaseniuta

Exhibition views by Zoe Maxwell

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And it’s a wrap!
What a week in London and Bristol! Many wonderful moments and beautiful encounters, first at @photolondonfair and at Lucky Jim’s concert party at @serpentineuk, followed by a very special visit to the @martinparrfoundation and @bristolmuseums. Thank you to all who came and those who made it happen!
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@serpentineuk @bettinakorek @bianca_a_manu @lizziect5 @hansulrichobrist @martinparrstudio @martinparrfdn @rudi_thoemmes @julia___carver @bristolmuseums @brsphotofest @loupdelariviere
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@clementinedelaferonniere

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That was... 90th {3-days} b-day party of James Barnor ! A big party for a big man... thanks all for coming, sharing, dancing, playing, loving... #jamesbarnor #90yearsold #6june1929 #bestteamever @citedesartsparis @palaisdelaportedoree

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Une journée à Caen autour des photographies d’Adrien Boyer et du fonds photographique de l’Ardi

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Adrien Boyer - Présences - dernière semaine pour profiter de l’exposition

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Adrien Boyer « Proposition caennaise » jusqu’au 24 février au Pavillon de Caen. Cette série réalisée sur une année à Caen est aboutissement d’une invitation de l’Ardi photographies

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Agnès Varda’s UNE CABANE DE CINEMA : La serre du Bonheur (A CINEMA SHACK : The greenhouse of Happiness) on view April 14 - May 31, 2018 at Galerie Nathalie Obadia @galerieobadia
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First photo by @inesboit
Second photo by @_lacollectionneuse_
Third photo by @phil.d.ar .
“It is the third shack I build. I imagine a specific shape for each of my movies. The movie Le Bonheur (Happiness) was the story of a happy couple, embodied by Jean-Claude Drouot, his wife and kids. They liked picnics. I shot it in Ile-de-France thinking about impressionist painters, with Mozart music for the soundtrack. The credits were shot next to a field of sunflowers, the flowers of summer and happiness.
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This greenhouse, with its distinctive double-windows, is made of an entire print of the film, 2200 meters, allowing to cover the walls, doors and the roof. Visitors will be able to enter in the shack and look closer at the transparent images of the movie. 24 images of the sweet Claire Drouot make up one second of the movie and will cover a surface of 45cm. They will be surrounded by the whole duration of the movie and images of a lost time.
As for the reel metal boxes, they have become obsolete. I like these boxes. I remember when we used to go to the mixing, we had to carry tons of them around (a hundred at least). When we threw them into the trunk, it was like a drum concert: boxes for images, boxes for live dialogues, boxes for music, for noise etc. Is it still nostalgia or recycling? A royal arch welcomes us into the gallery. It is made of these now empty boxes.
We enter in the realm of movies’ second life.” -Agnès Varda

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