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Assistant Curator @kanal.centrepompidou
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The last six months have been so full on that they have felt like a whole year has passed, and now we’re nearly in 2024. I’m most thankful for my new and old friends, all of whom have made me feel at home in Brussels, and elsewhere.

More love, more resistance, more anger, more sit-ins, more destiny, more lucidity, more, more, more for us all —but particularly MORE for Palestinians and everyone fighting for liberation.

#FreePalestine 🇵🇸✊🏼‼️
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I just joined the team of KANAK-Centre Pompidou, a 40,000 m2 former car factory, situated in the city-world capital of Europe and Belgium, Brussels, with the exciting mission of designing — together with the team, artists, thinkers and social initiatives — a possible museum of the 21st Century, with the Commons. 

The Commons became one of my main concerns through projects I have been doing over the past 15 years at the crossing of curating, research and institution making, working for the composition of marginalized knowledge, ways of being and lands, while preserving their radical differences. This metalic skeleton framing the landscape nearby is the best metaphone to express where I think this effort for the Commons should be situated: in the structure itself, and in the ecosystems on which the institution depends. 

I am gratefull to share this adventure with an experienced team with solid values, and with a supportive community of colleagues in Belgium and beyond. I will always be thankful to the ones who walked by my side this last decade: @sandraterdjman @natasapetresin @dhakadiana @tomorrowmaybecolonykids @arrhen @hichamkhalidi @kerenidis.pepe.collection Joris Lacoste, Franck Leibovici, and my ❤️ @laura_huertas_millan with whom I will slowly move to Brussels, but keep one foot (or some toes) in Paris Goutte d’Or. 

My other collaborations with @afieldfellowship @gulbenkianparis @janvaneyckacademie and @kerenidis.pepe.collection continue. More news soon!
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Kazuko Miyamoto’s show is on @museomadre 

A profound thanks to those who made it possible 🐈 and to those who made it so special! 

#kazukomiyamoto 
#museomadre
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~ 3 of 3 ~ “U Scantu”: A Disorderly Tale thanks to:

@beschierenberg who moved to Palermo with @_lousoler for 2 months because we have been taking care of each other for years and who worked on the theoretical references which informed “U Scantu”: A Disorderly Tale. And @amacaman and @claud_seminara who hosted us in their studio.

@adrianolalicata who as an artist covered the most disparate roles throughout the production (scenography, costume production, set photo documentation, and more). And Giulia Costumati, Bernardo Giannone, Claudio Gravano, Marco Schimenti, Bruno Bonafede, Concetta Chillemi, Mirella Romano, Rosario Petralia who worked on the set during the shooting.

And all the people who supported, advised and encourage me during these seven months: @laura_barreca1 (and GAP-Graffiti Art in Prison), @barbara_casavecchia, @cameranebbia, @michele.cristella, #MaryAnnDoane, @crasking, @fabrizio.giardina.papa, @fontana0567, @nkhstudio, #PerrinMeyer, @andreamasu, @gregniemeyer, @lapatti83, @_albertosalvadorii, @pietroscm, @kelliraeadams, @soulellis, @clmntvalla, @damonyoung, @bichx__, @iycrtylph, @smart_italia.

The Queer Theory Rewilded School in Lisbon (@jackhalberstam, @just_tav, @damonyoung) thanks to which I learned and then unlearned to ask myself what queer futurity; kinship; wildness; collectivity; post-humanism; archives; and fabulation can mean.

@labiennale #BiennaleArte2022 #IlLatteDeiSogni #TheMilkOfDreams #uscantuadisorderlytale
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