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Quadrivium

@quadrivium.dv

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Originated in 500 BC by Pythagoras
Charitable gatherings by @valerie.maselis @dries_criel

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Creative encounters

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@quadrivium.dv @lamonnaie.demunt

A captivating performance by the talented @emma.posman surrounded by beauty and passion.
Thank you to @valerie.maselis and everyone involved.

An evening dedicated to MM Academy.

#beinspired

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@quadrivium.dv @africamuseumbe

A night at the museum, enlightening guided tours followed by a captivating performance by the talented @emmabalemusic
Thank you @valerie.maselis and everyone involved.

An evening dedicated to VZW Homie @mustionlen

#beinspired

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Jan ‘24

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Looking back on an elegant evening,
discovering the wonderful talent of @morganlugo_ and @nelswerts in the unique @zahahadidarchitects designed Havenhuis @portantwerpbruges

We are ready for an inspiring 2024.

#quadrivium #beinspired

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@quadrivium.dv @portofantwerpbruges

An evening dedicated to the Michael Van Waeyenberghe Fund, thank you to everyone involved.

#beinspired

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@studioboscosodi
"What goes around comes around" at the Venice Biennale 2022.

#quadrivium #beinspired

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‘The Dance:
a minimum of explanation, a minimum of anecdotes - and a maximum of sensations’
Maurice Bejart

#quadrivium #beinspired

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@quadrivium.dv
Preview @kmska_museum

Thank you to everyone involved.
#beinspired

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Anselm Kiefer at Palazzo Ducale, Venice.

The series of paintings produced specially for the Palazzo Ducale in 2020 and 2021 are arranged in the space and magnificent setting of the Sala dello Scrutinio, engaging closely with the thirty-three monumental paintings on the ceiling and with the heroic values expressed by the palace’s entire decorative scheme. The show underlines the role of contemporary art in reflecting on universal themes, transcending Venice and opening up to current philosophical perspectives.

The result of Kiefer’s impressive undertaking is before our eyes, beginning with the title, a quotation from the philosopher Andrea Emo; both he and the artist remind us that these paintings — as in the inescapable plan of life — emerge from negation, the cancellation of others on which they are superimposed. Those paintings are in a certain sense the outcome of the fire that destroyed the room’s earlier decoration, and the new paintings too are destined to die when they are removed from the Palazzo Ducale. The tragic and irresolvable unity of opposites.

#kiefer #labiennaledivenezia
#beinspired #quadrivium

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Ida Rubenstein (1883-1960) was born into one of Russia’s richest families. She became an orphan with a vast fortune at the age of eight. She grew up on her aunt's estate where she received the finest education. She became fluent in many languages including English, French, German and Italian. She also received the best instruction in music, dance and theater, but nonetheless, she lacked any natural dance ability. As a teenager she went to Paris to ‘continue her education’ on stage as an actress.
She later formed her own dance company and commissioned an orchestral piece by French composer Maurice Ravel (1875-1937). It was composed as a ballet and called Bolero. It was one of his last compositions before his illness forced him into retirement. The piece premiered in 1928 and became one of Ravel’s most famous compositions.

#quadrivium #beinspired

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Recital One.

#beinspired

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