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raylustig

@raylustig

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NYC-based composer, songwriter, performer, producer. Creator of SEMMELWEIS, co-lead of MANICBURG

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Happy to see these recordings being considered on this year’s GRAMMY® ballot! It’s an honor to share this music and be a part of these incredible musical journeys ❤️

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We’re honored to present ‘Semmelweis’ for your GRAMMYs® consideration this year.

Artists: Raymond J. Lustig & Matthew Doherty, with Charlotte Mundy & The Rhythm Method

- Best Opera Recording
- Best Immersive Audio Album

We are deeply grateful to our incredible community for the support.

To all voting members—thank you for considering ‘Semmelweis’

#Grammys #TheRecordingAcademy #GrammyNominations

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MAGNET Exclusive: Premiere of Raymond J. Lustig’s “Corrientes 2500” (Respirano). “It imagines the loot-cluttered space, with a loop-based beat, a stash of stolen instruments: ukulele, accordion, surf guitar, synths.” Check it out:

https://magnetmagazine.com/2026/10/07/magnet-exclusive-premiere-of-raymond-j-lustigs-corrientes-2500/

#magnetexclusive #raymondjlustig #respiranorecords #usthemgroup @raylustig @respiranorecords @usthemgroup

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SPILL NEW MUSIC: RAYMOND J. LUSTIG - "THAT'S THE MOMENT"
https://spillmagazine.com/115467

#news #newmusic #music #newsong #newrelease #rt #retweet #singer #songwriter #band #alternative #chamber #classicalguitar #postminimalism #nyc #newyork #usa 🇺🇸

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Raymond J. Lustig’s “That’s The Moment” introduces a striking alternative-pop vision that feels adventurous without sacrificing accessibility. As the opening single from his forthcoming album Welcome, the track blends electronic textures with psychedelic pop and an unmistakable indie-rock sensibility. Its hook-led structure gives the song an immediate appeal, while the layered production reveals greater detail with each listen. Rather than settling into a predictable genre, Lustig creates a fluid musical language that feels restless, colourful, and intriguingly difficult to categorize. #Click on the link in our bio.

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Swipe to see Jensen Artists in the news! 🤩

The Boston Globe writes that “Julien Labro’s bandoneon was paradoxically punchy and delicate, the sighing of the bellows reflecting the lamenting tack of the music” at Tanglewood finale with the BSO.

Simone Dinnerstein joins WETA to discuss “Hourglass” with Evan Keely on Classical Score.

West Coast premiere of Lisa Bielawa’s “PULSE” is included in East Bay Times’ highlights.

Adam Schrader previews Experiential Orchestra’s 2026-2027 season with Music Director James Blachly for Urgent Matter.

Ray Lustig’s “formally elegant and deeply touching” SEMMELWEIS receives five stars from All Music.

Chamber Music America includes a highlight of Jupiter String Quartet’s “Undreamed Shores” album.

Simone Dinnerstein joins Fifteen Questions to talk interpretation and her latest album “Hourglass” out on Naïve.

Lisa Bielawa’s “PULSE” with Tessa Lark and Cristian Măcelaru at the Cabrillo Festival is listed in SFGate’s Best Bets.

Chamber Music America names Telegraph Quartet’s Edge of the Storm as Album of the Year with a highlight and review by Laurence Vittes.

Brandon Patrick George joins La Jolla Music Society’s SummerFest with a highlight by The San Diego Union-Tribune.

GoodTimes previews the Cabrillo Festival’s finale concert which includes the west coast premiere of Lisa Bielawa’s Violin Concerto No. 2, PULSE.

Textura reviews Charlotte Hu’s Goyescas.

EarRelevant covers Music@Menlo’s 24th season opener with Kristin Lee.

Textura reviews Simone Dinnerstein and Baroklyn’s Hourglass.

📸: @graysondantzic

Robert Sirota’s new album CONTRAPASSOS receives a highlight by Broadway World.

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We are back.
We'll be playing @lucky13saloon on September 25th, with @everstill_band @empirical_matador @killerfilmband .
Doors at 8pm. Tx at door.

#fulllineupagain #alltogethernow

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The album, ‘SEMMELWEIS’ got a lovely review in All Music. Here’s an excerpt:

.”..Lustig’s music is approachable for many segments of listeners. It is tonal and minimalist, directly beautiful and consistently consonant. The composer plays the keyboard parts and sings the male vocal parts. The vocal writing for him and soprano Charlotte Mundy mainly sits in a natural, pop-inflected register that is unforced and intimate. It is the extensive studio engineering and sound design process that elevates the material into the realm of art...”

Read the review in the 🔗 in our stories and get the album through our website.

#newmusic #newalbum #sonoluminus #composition

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Composer and vocalist Ray Lustig joined John Schaefer, host of WNYC Studios’ New Sounds, to discuss the creation of his song cycle SEMMELWEIS (recorded and released on Sono Luminus), historical inspiration, and composing an immersive auditory story. Listen to the full episode through the link in our bio!

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"Anhedonie"

I recently visited SFMOMA for the first time since moving to the US. As I strolled through the "1900 to Now: SFMOMA's Collection", I wondered who gets to decide what art or artists are shown in a gallery. It does not really matter to me personally. I was stimulated by the experience, and by the thoughts and emotions that appeared as I observed the art. That's the point, right? I liked this painting by Virginia Admiral, and I thought it fit well with my Logic clip, "Anhedonie"--a sound experiment in lines and grids and dots on a grid, rearranged until I liked the sounds enough to post them here.

"Astrazione No. 1", 1941 - Virginia Admiral

https://www.sfmoma.org/exhibition/1900-to-now/

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Silken Pavilion (recorder at the Brooklin Pearl) - Resist the Gravity (2026)

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On the album, “Semmelweis” | The entire action of SEMMELWEIS may be seen as a reflection – a fever dream or death dream – of Ignaz Semmelweis’ inner psyche at his life’s end. Dr. Semmelweis re-experiences events from throughout his life, perhaps out of sequence, distorted, or unreliable, as if through a lens of a mind in turmoil.

Get the album through our website and through the 🔗 in today’s stories.

#newmusic #contemporarymusic #musiclabel #sonoluminus

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