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@ringdownmusic

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New album “LADY ON THE BIKE” out everywhere on @nonesuchrecords
🎶 by @carolineadelaideshaw & @dannileeparpan

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Really proud of this song. You shouldn’t pick favorites when it comes to your children but it’s hard not to. I hope this song finds the people it’s supposed to and that I see y’all on the hill ✨

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happy birthday to this treasure who makes me laugh every day. i love you @dannileeparpan ❤️

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The countdown is on! Stream new songs from The Decemberists, Ringdown, and more on Wildwood Sessions, Music Inspired by LAIKA’s #Wildwood, out next Friday, October 16. Pre-save it now via the link in bio.

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📣🎶 New video release!

Ringdown — Caroline Shaw and Danni Lee Parpan — perform "My Turn", "Ghost", and "Crazy" in this live concert recording presented by Music on Main and filmed on April 7, 2026 at the @foxcabaret in Vancouver, BC by @collideentertainment

▶️ Watch now directly at Music on Main’s YouTube Channel: https://youtu.be/Ad9EX1uS6jM

Or check out the link in bio! 🔗

#Ringdown #CarolineShaw #DanniLeeParpan #MusicOnMain #LivePerformance

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Odin was having a rough day & a care package from his Aunties completely changed his mood. ❤️

Ringdown is a project by Caroline Shaw & Danni Lee Parpan, two incredible musicians & now part of Odin’s chosen fam. They sent the sweetest note along with a special vinyl and hat that made Odin’s day.

When Odin has these calm verbal reactions, it is incredibly sacred & beautiful. Just a reminder that simple kindness can change the trajectory of someone’s day. Love Always Wins!❤️🤟

#autismacceptance #disabilitypride #sharejoy #odinspiration #lovewins

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Wildwood Sessions, Music Inspired by LAIKA's #Wildwood, available everywhere October 16. Hear the first single "That's Enough for Me" from @quicklyquickly on streaming services now.

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Extract of a section called push and pull from our duet “stop breaking my balls” love comes in many shapes and forms. We love this version of Crazy thanks Danni! Filmed by @morreaux_video in 2003 #juggling #dance #love

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New Video Release! Watch Ringdown’s “Reckoning”.

Caroline Shaw and Danni Lee Parpan perform their song “Reckoning” in a new video featuring dancers Shion Skye Carter and Allison Lang, with choreography by Vanessa Goodman of Action at a Distance.

@shionskye @allisonxlang @dannileeparpan @carolineadelaideshaw @vancouver_live_sound

Filmed live on April 7, 2026, at @foxcabaret, this performance is a striking meeting of sound and movement.

Video by Collide Entertainment
Audio by Andrew Smith

▶️ Watch now! https://www.youtube.com/watch?v=L0GHWe71OYE

Or check the link in our bio!

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📣 TODAY is your last chance to stream NOW: Premieres 2026!! Catch the 12 new works that took the stage in Vail from the comfort of your living room, laptop, or phone! Our live stream comes down at 9pm MT today (Monday, Aug 17), so make the most of these last few hours!!

🎥 Danni Lee Parpan and Caroline Shaw of Ringdown, Lil Buck, and Kayla Mak rehearsing their own Tender Chaos, a 2026 world premiere of the Vail Dance Festival. @ringdownmusic @dannileeparpan @carolineadelaideshaw @kaylamak10 @lilbuckdalegend #vaildance #dance #jookin #contemporarydance #bts

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✨ #CelebratingDamian20 // We can’t believe the 2026 Vail Dance Festival is behind us! As we look back on all that’s happened, it’s a chance to take a broad look at 20 years with our Artistic Director Damian Woetzel. Hear from him as he looks back on two decades of leading the Vail Dance Festival — from his earliest memories of the event, to what he looks forward to in the future. We can’t help but be full of appreciation for what his vision has brought to life (and excited for what is yet to come)!

Vid by @nelshelbyfilms
#vaildance #dance #performance #collaboration

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Decoda Chamber Music Festival, June 2026

What an inspiring, crazy two weeks!

Participating in Decoda Chamber Music Festival as a pianist and composer this summer taught me so much, especially the true meaning and purpose of music.

I was assigned to perform in two different ensembles - a trio performing Juhi Bansal’s Love, Loss, and Exile, and a sextet performing Chausson’s Chanson Perpetuelle. Both works were very emotionally poignant, exploring the suffering and deaths of women. Bansal's piece, in particular, was based on the poems that were written anonymously by Afghan women, talking about the love, loss, and exile in their lives. By performing these pieces I could reflect deeply on how music can highlight stories that might otherwise remain unheard.

Throughout the festival, we performed in venues including a correctional facility, an arboretum, a museum, and a retirement home. Each space and audience completely transformed the way I experienced the music especially as it was my first time performing in such nontraditional venues. These performances opened my eyes to the many ways music can connect with the people and the community, and shifted my perspective on what I want my future career as a musician to be.

As a composer, the rehearsal processes with our mentors reminded me of how sacred music making is. I realized deeply how every note I write is carefully interpreted and given life by performers. This experience made me think more seriously about the responsibility I have as a composer, and how our music is brought into the world through countless choices and intentions.

During the festival, I also had the opportunity to write and premiere a new piece in two weeks. It was both terrifying and exhilarating, and one of the most memorable experiences of the festival. I am incredibly grateful for the wonderful Decoda faculty who made this possible and the kind friends who stayed supportive and made the whole experience as a performer/composer so meaningful.

Experiences at Decoda gave me the answer to why I should keep making music, and that it will never be in vain. Thank you 🩵

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Caroline Shaw, Sō Percussion, and Ringdown made the Tennessee Theatre feel full of musical possibility.

Original songs, unexpected covers, intricate rhythms, and moments of disarming humor all belonged to the same conversation. It was the kind of performance that kept opening new doors, right through the final notes.

Photos by Cora Wagoner

Which reinterpretation was your favorite?

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