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Rua Red is a contemporary art space in South Dublin.
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There’s something about September that feels like the baby sister of the New Year, a quieter kind of beginning that arrives with cooler mornings, changing leaves, fresh notebooks, new jobs, new courses, new routines and the possibility of starting again, even when you’re not entirely sure what you’re starting over from. šŸ‚

For some people, September brings excitement, new connections, new opportunities and a renewed sense of direction, while for others, it’s a reminder of how much has changed, what hasn’t worked out, what we’re still grieving and all the things we hoped we might have figured out by now. Sometimes it’s a little bit of everything at once.

I’m still reflecting on how quickly summer passed, because honestly, I don’t think I really got to experience much of it. 

But lets talk about the relief of finally feeling a breeze after that horrendous heatwave? There is something so deeply comforting about cooler air against your skin when your body has spent weeks struggling through temperatures that make everything harder. I know autumn brings its own challenges, but I cannot pretend I haven’t been grateful for a little breathing room.

We’re now entering the final three months of the year, which feels genuinely surreal. October, in particular, brings its own complicated feelings and challenges for me, and I’m trying. I’m trying to remember that we don’t all enter a new season with the same resources, the same energy, the same health or the same amount of support.

Anticipated birthday grief and the blues are especially there, consuming my thoughts daily.

Overall - may the final three months of this year be kind to you. I'm glad you exist depsite it all 🌱

#cameracrumbs #writingcommunity #mentalhealthawareness #blackhistorymonth #dublinireland
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I recently released my first artist book, Better Must Come | Caithfidh Feabhas Theacht.

Better Must Come brings together a selection of my multichannel film installations, archival research and writings, alongside conversations and critical essays with artists, writers and researchers, Kodwo Eshun, Davinia Gregory-Kameka & Ruairí McCann. Spanning works made over a decade, the publication explores histories of migration, land, labour, displacement and colonialism, moving between Ireland, Jamaica & more. 

Bringing together moving image works, archival material and critical and personal perspectives, the book reflects on my research-led practice and my interest in how histories are recorded, remembered and carried into the present. The accompanying texts & conversations extend the films, opening up questions around place, identity, memory and the political and power structures that shape them.

I would like to thank the wonderful writers & thinkers who gave their time, energy & voices to the texts in this publication & to the galleries where these conversations originally took place. Kodwo Eshun & @theshowroom; my sistren Davinia Gregory-Kameka @drdav & @blacktowersprojects & Ruairí McCann @langsmonkey @dhg_dublin @photoireland Thank you for taking the time & bringing your wealth of knowledge & care that allowed these conversations to come to fruition. 

But none of this would have happened without @joy_gregory_studios @derekbishton @crooksbishton who gave me the most amazing opportunity way back in 2013 that changed my life. You have become family & I will never forget what you have done for me; words are not enough.

And finally, a huge thank you to all those who have supported me over the years; you have been fundamental to this research & output. Without your support, none of this could have been possible, you know who you are.

Better Must Come is currently available in the UK @tenderbooks @rubycruel
And in Ireland @tlp_says @immaireland @dhg_dublin @rha.arts 

Editors: Megs Morley & Marianne Keating
Proofreader: Joanne Laws @joanne_laws_
Design: Pure Design- Padraig Cunningham

Supported by @rha.arts @artscouncilireland
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