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Shawn Greenlee

@s3g

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@s3g multichannel runglers

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orca sending midi to @s3g spatial ambisonic synthesizer plugin: Ambi Encoder Wave Terrain

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Free and open to the public:

SUB
Concert
Friday, October 9th
20 Washington Place, Auditorium
7:00pm

Tcherepnin has developed a performance for modular synthesizer and keyboard based on his exhibition Miracle of Love originally shown at Twinkler, Vienna. The work was originally composed for a floor covered in 20,000 recycled ball pit balls. The composition is made from “Love Frequencies” and subharmonic sequences. The composition in the room was meant to be felt as much as it was heard.

Sergei Tcherepnin is an artist whose practice spans music, visual art and performance. His installations and performances bring together sound and image through tapping in to the sculptural possibilities of sound. His works for modular synthesizer create dreamy new worlds that are tactile and psychological. Having studied with and worked for artist Maryanne Amacher, his work carries on her legacy of composing for a “perceptual geography,” developing the interplay within a single work between the ways in which one receives and processes music. Tcherepnin has performed at venues in NY such as Blank Forms, Roulette, The Stone, Guggenheim Museum, Transpecos, Issue Project Room, and the Kitchen. He has been in group exhibitions at the Whitney Biennial, Greater New York at PS1, the 30th São Paulo Biennial, Museum of Modern Art; Pavilion of Georgia at the 55th Venice Biennale. Solo exhibitions have been held at Murray Guy (New York), Foksal Gallery (Warsaw), Company Gallery (New York), Overduin and Co (LA), Karma International (Zurich). Recent performances and exhibitions include Miracle of Love at Presshouse (Vienna) and Issue Project Room (New York), Sub at Twinkler (Vienna); Cloud Babies, Night Babies as part of the Japanese Pavillion in the Venice Biennale; and Birds as part of the group exhibition Lebt und Arbeitet in Wien, Kunsthalle Wien. His music for Fern Silva’s film Rock Bottom Riser won Best Original Music at Cinéma du Réel at the Pompidou in 2021.

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Concert of new works for spatial audio by Brown & RISD faculty. Presented in the Cube of the Lindemann Performing Arts Center.

Monday, February 9th, 7pm. Tickets are free and open to the public, but require a reservation. See link in bio for info and tickets.

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🎵The Lindemann's Main Hall is currently set up in its ambisonic cube configuration ⬜, where one of the main walls has traveled halfway across the space to create the perfect venue for spatial audio 🔊. Check out this feature of last year’s Residual Noise conference to get into the cube groove!

🔊🎶🔊🎶🔊⬜🔊🎶🔊🎶🔊

Videography / Editing / Production
Holly Gaboriault @hollygaboriault

#artsatbrown #risdsound #sceneatbrown #brownuniversity #brownartsinstitute
#RISD #RISD1877 #LifeAtRISD #BrownArts #SceneAtBrown #SonicPractices #BrownUniversity

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The Sited Sound course met at the main RISD Auditorium on Friday, 1/23 with capacity for 550 people, proscenium style. Student works heard the day before @risdmuseum for the IKO 3d loudspeaker were studied in a new acoustic context.

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Spent 9 days last month recording with some great players on this new project @drumcircle_la with Shawn Greenlee @s3g Rick Pelletier @sixfingersatellite Cordey Lopez @babyaspirindvd Scott Hsiung @mr.scottbag and Matt Johnson @matttjjjohnson Time now to crawl through the wreckage and extract an LP or two…

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Thanks to everyone who came out to the Residual Noise Festival this past weekend. Lots of great sounds, insightful presentations, and wornderful dialog. Big shoutout to the staff at the Brown Arts Institute for supporting the event and managing a whole set of complex technical challenges seamlessly.

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LANDED Safari Lounge Providence RI 1997/8? #tbt #noiserock #providence

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⚡️Entering Ambisonic Cube mode!⚡️⁠
For the first time since opening in October 2023, The Lindemann's Main Hall will be in ambisonic cube configuration. But what exactly is that?? 🤔 Good question!⁠
⁠
The ambisonic cube features 40-channel audio, equipped with 43 speakers that allow sound to be moved and presented in a virtual hemisphere. This creates a unique 3-D aural experience and a sense of being enveloped by the sound. 🔊⁠
⁠
You can experience the ambisonic cube and learn more about contemporary sonic practices next week during Residual Noise: a three-day festival highlighting the work of artists and scholars from Brown, RISD, and beyond. ⁠The Main Hall will be open to the public for a special "View the Cube!" event on Thursday, April 3 from 4:30-6:30pm. No ticket required, come through!

To view the full Residual Noise lineup and to secure your tickets for the Spatial Audio Concerts, Conference, and more, click the link in bio! 🎟️

🎞️ Video by Holly Gaboriault @hollygaboriault⁠
🎶 Music credits: Beatbox Studios with J. DePina @beatboxstudio401⁠
🎥 Footage credits: Udris Film, Oliver Scampoli, and Brown Media Services.

#brownuniversity #sceneatbrown #brownarts #sonicpractices

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I've been working for quite a while with a great crew here to make this a reality. Happy that it is finally happening.

Residual Noise, a festival highlighting a wide range of work that takes place in sound: noise, voice, audio narrative, field recording, and related sonic practices. Over the course of three days, Residual Noise will include audio concerts, installations, and a conference, all featuring works by Brown and RISD faculty and students, along with a number of prominent guest artists in the field.⁠

For the first time since The Lindemann Performing Arts Center's opening, the Main Hall will be in ambisonic cube formation — a unique venue designed for spatial audio presentations.

See link in bio to learn more and get tickets.

Residual Noise is a collaboration between Brown and the Studio for Research in Sound and Technology (SRST) at RISD, and is part of the Brown Arts IGNITE Series.⁠

@baibrownu
@risd_sound⁠
@brownmusicdept⁠
@brownvisualart⁠
@s3g⁠
@alexchechile⁠
@brownu⁠
@risd1877

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Join us for Residual Noise, a festival highlighting a wide range of work that takes place in sound: noise, voice, audio narrative, field recording, and related sonic practices. Over the course of three days, Residual Noise will include audio concerts, installations, and a conference, all featuring works by Brown and RISD faculty and students, along with a number of prominent guest artists in the field.⁠ 🔊⁠
⁠
And for the first time since The Lindemann Performing Arts Center's opening, the Main Hall will be in ambisonic cube formation — a unique venue designed for spatial audio presentations. You won't want to miss it!⁠
⁠
Swipe ➡️ to see the full lineup, and click the link 🔗 in bio to learn more and get your tickets. 🎟️⁠
⁠
Residual Noise is a collaboration between Brown and the Studio for Research in Sound and Technology (SRST) at RISD, and is part of the Brown Arts IGNITE Series.⁠
⁠
@risd_sound⁠
@brownmusicdept⁠
@brownvisualart⁠
@s3g⁠
@cormorantaray⁠
@alexchechile⁠
@brownu⁠
@risd1877⁠
⁠
#sceneatbrown #brownuniversity #brownarts #RISD

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