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Posted On: September 30th 2026, 05:55 pm
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SUB
Concert
Friday, October 9th
20 Washington Place, Auditorium
7:00pm
Tcherepnin has developed a performance for modular synthesizer and keyboard based on his exhibition Miracle of Love originally shown at Twinkler, Vienna. The work was originally composed for a floor covered in 20,000 recycled ball pit balls. The composition is made from “Love Frequencies” and subharmonic sequences. The composition in the room was meant to be felt as much as it was heard.
Sergei Tcherepnin is an artist whose practice spans music, visual art and performance. His installations and performances bring together sound and image through tapping in to the sculptural possibilities of sound. His works for modular synthesizer create dreamy new worlds that are tactile and psychological. Having studied with and worked for artist Maryanne Amacher, his work carries on her legacy of composing for a “perceptual geography,” developing the interplay within a single work between the ways in which one receives and processes music. Tcherepnin has performed at venues in NY such as Blank Forms, Roulette, The Stone, Guggenheim Museum, Transpecos, Issue Project Room, and the Kitchen. He has been in group exhibitions at the Whitney Biennial, Greater New York at PS1, the 30th São Paulo Biennial, Museum of Modern Art; Pavilion of Georgia at the 55th Venice Biennale. Solo exhibitions have been held at Murray Guy (New York), Foksal Gallery (Warsaw), Company Gallery (New York), Overduin and Co (LA), Karma International (Zurich). Recent performances and exhibitions include Miracle of Love at Presshouse (Vienna) and Issue Project Room (New York), Sub at Twinkler (Vienna); Cloud Babies, Night Babies as part of the Japanese Pavillion in the Venice Biennale; and Birds as part of the group exhibition Lebt und Arbeitet in Wien, Kunsthalle Wien. His music for Fern Silva’s film Rock Bottom Riser won Best Original Music at Cinéma du Réel at the Pompidou in 2021.
SUB
Concert
Friday, October 9th
20 Washington Place, Auditorium
7:00pm
Tcherepnin has developed a performance for modular synthesizer and keyboard based on his exhibition Miracle of Love originally shown at Twinkler, Vienna. The work was originally composed for a floor covered in 20,000 recycled ball pit balls. The composition is made from “Love Frequencies” and subharmonic sequences. The composition in the room was meant to be felt as much as it was heard.
Sergei Tcherepnin is an artist whose practice spans music, visual art and performance. His installations and performances bring together sound and image through tapping in to the sculptural possibilities of sound. His works for modular synthesizer create dreamy new worlds that are tactile and psychological. Having studied with and worked for artist Maryanne Amacher, his work carries on her legacy of composing for a “perceptual geography,” developing the interplay within a single work between the ways in which one receives and processes music. Tcherepnin has performed at venues in NY such as Blank Forms, Roulette, The Stone, Guggenheim Museum, Transpecos, Issue Project Room, and the Kitchen. He has been in group exhibitions at the Whitney Biennial, Greater New York at PS1, the 30th São Paulo Biennial, Museum of Modern Art; Pavilion of Georgia at the 55th Venice Biennale. Solo exhibitions have been held at Murray Guy (New York), Foksal Gallery (Warsaw), Company Gallery (New York), Overduin and Co (LA), Karma International (Zurich). Recent performances and exhibitions include Miracle of Love at Presshouse (Vienna) and Issue Project Room (New York), Sub at Twinkler (Vienna); Cloud Babies, Night Babies as part of the Japanese Pavillion in the Venice Biennale; and Birds as part of the group exhibition Lebt und Arbeitet in Wien, Kunsthalle Wien. His music for Fern Silva’s film Rock Bottom Riser won Best Original Music at Cinéma du Réel at the Pompidou in 2021.
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