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@saarauo

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www.saarasays.com
@saarauntrachtoakner
Musician / Artist / Art Department

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Sense la @meteoro.bcn jo no faria fotos a concerts.

No va ser el primer lloc on vaig plantar-hi la càmera, ja l’havia passejada per l’enyorat Hi Jauh del Poble Nou entre d’altres emplaçaments recòndits, però una sala petita, a tocar de casa i on a un senyor que vorejava els quaranta se’l deixava fer fotos en silenci era com una extensió de la sala d’estar. A la Meteoro hi he viscut directes absorbents, íntims o delirants, però sempre enèrgics i especials, sovint a tocar del desmai per la calor o una vegada amb un cop a una costella a un concert dels Brux que em va fer visitar urgències un parell de dies més tard.

Costa imaginar que a partir del gener o febrer ja no la tindrem. Que no veurem els seus directes esgotadors i cridaners però infinitament alegres, o les seves particularíssimes sessions de club que servidor amb prou feines va visitar, però no foren poques les vegades que hi passava per davant passejant a l’enyorada Maggie observant les necessàries infusions d’aire fresc d’un jovent que allà hi tenia el seu refugi.

El que si tindrem és el debat de sempre sobre Barcelona: Que si la hipocresia com a capital de la música, que si els grans esdeveniments, etc. Sense voler restar-li validesa a aitals consideracions, les sales petites tenen enemics més subtils i alhora decisius que els festivals o les visites dels Oasis o Oques Grasses de torn: Mirar amb lupa aforaments o límits sonors per escampar multes coercitives a tort i a dret, no tenir una política de base consistent (excepte pels centres cívics) i trobar normal que hi hagi veïns que tinguin ganes de fastiguejar la vida cultural per pur egoisme. Algun dia la confrontació ha de baixar al carrer en lloc de fotre crits que no acaben enlloc.

Pd: la primera foto (dels Bloque) ha estat el darrer concert que vaig il·lustrar a la Sala. La darrera (de Rolando Bruno) va ser el meu primer concert allà

Pd: La foto 6 és de Zonula, la 9 de Glaas , la 13 de mrt i la 14 dels Brux. No he trobut els tags adequats, em podeu ajudar si voleu.

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Off season swimming ✨

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✨ PARIS ✨ we’re not done yet ✨
🎙️ @baladessonores ce samedi @ 19h!!
🎵 accompanied by @marc_dlca + supporting @saarauo 🤩
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#baladessonores #paris9 #vinylrecordstore #indierecordstore #independentrecordstore

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TOURS CITY LVT CITY on arrive ᕕ( ᐛ )ᕗ

01.10 @le_super_9 dj set
02.10 @lcdmcollectif
04.10 @laregie_lebar

📸 NYC feast @altcitizen @night_club_101 all photos by @jennamurray I think

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Summertime

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End of summer weekend aura reading: Green (Growth/Healing/Compassion/Balance/Renewal), Blue (Calm/Intuition/Truth) with a heavy dose of Pink (Love/Kindness/Nurturing/Aesthetic) and sprinkling of Orange (Abundance/Joy/Creativity/Warmth/Connection)

(And thank you for the sandy hole, Pachi cc @ginaespo @saarauo )

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𝘎𝘰𝘥 𝘪𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘣𝘦𝘢𝘤𝘩, 2025-26 — picture selection.⁣⁣⁣
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These pictures were made on the ancestral, unceded homeland of the Rockaway (Rekawakie) and Munsee Lenape peoples between September 2025 and March 2026. The name Rockaway is derived from Indigenous expressions such as Reckonwacky (“place of our own people”) and Reckanawahaha (“place of laugh water”). The series is a meditation on these invocations of the divine as it is rooted in place, exploring its unfolding through dimensions of time, indigeneity, birth, death, loss, desire, refuse, addiction, ancestry, ritual, faith, and other pathways of interconnectedness, and situates these portals against, within, and through the ever-shifting containers of freedom and control that organize human life.⁣⁣⁣
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𝘍𝘰𝘳 𝘚𝘰𝘶𝘳𝘢, 𝘏𝘢𝘴𝘢𝘯 (@hasanhachem), 𝘑𝘦𝘴𝘴𝘦 (@jessewardlow) & 𝘔𝘢𝘯𝘤𝘩𝘢𝘴, 𝘸𝘩𝘰 𝘣𝘳𝘢𝘷𝘦𝘥 𝘵𝘩𝘦 𝘣𝘦𝘢𝘤𝘩 𝘸𝘪𝘵𝘩 𝘮𝘦 𝘵𝘩𝘪𝘴 𝘸𝘪𝘯𝘵𝘦𝘳.⁣⁣⁣

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𝘎𝘰𝘥 𝘪𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘣𝘦𝘢𝘤𝘩, 2025-26. Included in 𝘓𝘢 𝘚𝘪𝘳𝘦𝘯𝘢 (𝘥𝘦 𝘳𝘰𝘤𝘬𝘢𝘸𝘢𝘺), vol. iii, 2026 — publication documentation.⁣⁣⁣
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These pictures were made on the ancestral, unceded homeland of the Rockaway (Rekawakie) and Munsee Lenape peoples between September 2025 and March 2026. The name Rockaway is derived from Indigenous expressions such as Reckonwacky (“place of our own people”) and Reckanawahaha (“place of laugh water”). The series is a meditation on these invocations of the divine as it is rooted in place, exploring its unfolding through dimensions of time, indigeneity, birth, death, loss, desire, refuse, addiction, ancestry, ritual, faith, and other pathways of interconnectedness, and situates these portals against, within, and through the ever-shifting containers of freedom and control that organize human life.⁣⁣⁣
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𝘍𝘰𝘳 𝘚𝘰𝘶𝘳𝘢, 𝘏𝘢𝘴𝘢𝘯 (@hasanhachem), 𝘑𝘦𝘴𝘴𝘦 (@jessewardlow) & 𝘔𝘢𝘯𝘤𝘩𝘢𝘴, 𝘸𝘩𝘰 𝘣𝘳𝘢𝘷𝘦𝘥 𝘵𝘩𝘦 𝘣𝘦𝘢𝘤𝘩 𝘸𝘪𝘵𝘩 𝘮𝘦 𝘵𝘩𝘪𝘴 𝘸𝘪𝘯𝘵𝘦𝘳.⁣⁣⁣
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Thank you to @laura_thomp for including me in this summer’s issue, and for all of your efforts bringing this project to completion.

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Starting to fill my space with pieces from friends and non friends who I admire greatly. #art #home

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One week til @bazookafestbk ! We play Sunday at 10

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Hooked posting !🪝 🍒 ✨🪝 🍒 ✨

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Styles that don’t get enough attention 🌸

Model @charlut
Photo @jennasaraco
HMU @harkoff_makeup
Styling / Crew @ginaespo @maiagradante @saarauo

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