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@sammemoyer

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. . . N e a r l y S o m e w h e r e C o - c u r a t e d w i t h H a r r y T a f o y a O n v i e w t h r o u g h N o v e m b e r 8 R e a c h o u t f o r d e t a i l s #landscape #painting
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#sammoyer Payne 115, 2021 Oil on Bristol 24 x 19 inches Sam Moyer (b. 1983, Chicago) received her BFA from the Corcoran College of Art and Design, Washington, D.C., and her MFA from Yale University, New Haven. Inspired equally by nature and architecture, cinema and literature, Moyer has over the course of a fifteen-year career, produced a highly evocative body of work across a broad range of natural and industrial media, ranging from stone to canvas, metal, and glass. Acutely attuned to subtle nuances of color, tone, and light, and the dynamics of space that her works occupy, Moyer’s interest in materiality and the relationship between organic and constructed form drives a practice unrestricted by traditional notions of beauty, or distinctions between painting and sculpture. She produces work on both a monumental and intimate scale, embracing absence and presence, and balance and chance, to create powerfully expressive forms. Moyer’s Payne series is a collection of monochromatic paintings named after and featuring Payne’s Gray, which, to the artist, “represents the cold reflective light of ‘magic hour,’ the moment after the sun has set, before it’s dark.” Moyer experiments with various forms, gestures, and techniques on paper—the resulting compositions play with the boundaries between flat and dimensional, matte and reflective, demonstrating how light can create various depths, even on a monochromatic plane. On view in Nearly Somewhere thru November 8. Please contact us for additional information. © Sam Moyer. Courtesy of Sean Kelly, New York and Sam Moyer. #painting #landscape #magichour
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The Large Payne series, an ongoing body of oil-on-panel paintings initiated in 2020, extends Sam Moyer’s long-standing engagement with the effects of light. Evolving from her earlier Payne works on paper, which she began in 2017, these paintings are unified by a restrained palette dominated by Payne’s Gray—a color that captures the fleeting glow of the “magic hour,” the brief moment between sunset and nightfall when light softens, and contrast intensifies. Reinforcing the sculptural nature of her work, Moyer’s tactile application of oil paint, creates surfaces that shift and transform as the viewer moves. “Moyer uses the term “Payne” not only as a reference to the pigment itself, but also to the standard windowpane, an architectural and illusory device that has strongly informed her drawing practice particularly... It is a device that simultaneously defines and abstracts the natural world and provides an apparatus for the artist to focus her attention and explore new spatial relationships.” - Jeffrey Grove, Director, Museums & Publications, Sean Kelly Images: Sam Moyer, Large Payne 35, 2023, oil on panel, walnut frame, panel: 60 x 48 x 2 inches, framed: 60 13/16 x 48 7/8 x 2 1/4 inches @sammemoyer #SeanKellyGallery
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🏥#BasilicadiSanNazaroInBrolo #BasilicaApostolorum Original Construction: Built between 382 and 386 AD as the Basilica Apostolorum under the patronage of Saint Ambrose… Design Shift: It was reconstructed into a Latin cross floor plan following a major fire in 1075 AD, establishing the iconic cruciform layout that became a template for medieval and Gothic Western #architecture... _ #PhotoBySKKI ©️
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A new triptych by Sam Moyer marks a significant departure in her work, pushing the boundaries of painting and sculpture as marble ferns transverse the three panels of the work. Acutely attuned to subtle nuances of color, tone, and light, and the dynamics of space that her works occupy, Moyer’s interest in materiality and the relationship between organic and constructed form drives a practice unrestricted by traditional notions of beauty. By embedding fragments of reclaimed marble into textured, hand-painted surfaces, Moyer highlights the interplay between natural material and artistic intervention. The Armory Show Booth 208 VIP Day: Thursday, September 24, 2026 Public Days: September 25–27, 2026 Sean Kelly at The Armory Show 2026, September 25-27, Javits Center, Booth 208, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York @sammemoyer @thearmoryshow @the_adaa #SeanKellyGallery
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Lindsay Adams’s Lamp Black series explores movement, color, and form through layered gesture and material. Across her practice, she employs a black ground as a foundational element, allowing color to emerge, recede, and assert itself. Entitled, Take my word for jewel in your open light, this work is rooted in ideas of refusal, resisting fixed narratives and singular readings through abstraction and painterly movement. “The title reflects my ongoing interest in poetry and Black feminist thought and is drawn from Audre Lorde’s poem “Coal,” whose language around Blackness, transformation, and self-definition resonates deeply with my broader painterly oeuvre.” - Lindsay Adams The Armory Show Booth 208 Public Days: September 25–27, 2026 Images: #LindsayAdams, Take my word for jewel in your open light, 2026, oil, oil pastel, and oil stick on canvas, 46 inches (116.8 cm) diameter © Lindsay Adams Courtesy: the artist and Sean Kelly, New York; Sean Kelly at The Armory Show 2026, September 25-27, Javits Center, Booth 208, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York @lindsaybriadams @thearmoryshow @the_adaa
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Today is the first public day of The Armory Show, visit us at Booth 208 through Sunday. On our booth is Julian Charrière’s sculpture Imperfect Lovers, from a series that debuted at the 2026 Venice Biennale, of a clock that no longer measures time conventionally, but instead has become a surface upon which time is expressed as a physical accumulation. Covered in layers of minerals like salt, calcium carbonate, and metals, the clocks now become places where time accumulates and manifests. As the once-precise ticking gives way to the languid progression of geological time, the clocks exhibit signs of transformation, illustrating that time is not merely a construct we regulate. Instead, it emerges as a powerful force that continually inform and influences the surrounding environment, revealing the interconnectedness of the Earth’s processes with our human-made systems. The Armory Show Booth 208 VIP Day: Thursday, September 24, 2026 Public Days: September 25–27, 2026 Images: Julian Charrière, Imperfect Lovers, 2026, lithified antique mechanical clock, clock: 12 3/16 x 6 5/16 x 6 5/16 inches, glass vitrine: 24 3/4 x 16 1/2 x 16 1/2 inches, plinth: 41 5/16 x 16 9/16 x 16 9/16 inches, overall: 66 1/16 x 16 9/16 x 16 9/16 inches © Julian Charrière / VG Bild-Kunst, Bonn 2026 Courtesy: the artist and Sean Kelly, New York; Sean Kelly at The Armory Show 2026, September 25-27, Javits Center, Booth 208, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York @julian.charriere @thearmoryshow @the_adaa #JulianCharrière
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Sean Kelly Gallery is delighted to return to The Armory Show with a thoughtfully curated presentation of new and recent works by Lindsay Adams, Dawoud Bey, Julian Charrière, Jose Dávila, Awol Erizku, Magdiel García Almanza, Ana González, Laurent Grasso, Donna Huanca, Idris Khan, Anthony McCall, Hugo McCloud, Sam Moyer, Shahzia Sikander, Janaina Tschäpe, and Kehinde Wiley. Spanning painting, sculpture, photography, and mosaic, the works on our booth bring together artists whose work explores material transformation, memory, landscape, and the body. The Armory Show Booth 208 VIP Day: Thursday, September 24, 2026 Public Days: September 25–27, 2026 Images: Sean Kelly at The Armory Show 2026, September 25-27, Javits Center, Booth 208, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York @lindsaybriadams @dawoudbey @julian.charriere @josedavila @awolerizku @magdiel448 @anagonzalezrojas @laurentgrasso @ruaminx @idriskhan_studio @anthonymccallstudio @hugomccloudstudio @sammemoyer @shahzia.sikander @shahzia_sikander_studio @janainatschape @kehindewiley @thearmoryshow @the_adaa
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Sean Kelly Gallery is delighted to return to The Armory Show with a thoughtfully curated presentation of new and recent works by Lindsay Adams, Dawoud Bey, Julian Charrière, Jose Dávila, Awol Erizku, Magdiel García Almanza, Ana González, Laurent Grasso, Donna Huanca, Idris Khan, Anthony McCall, Hugo McCloud, Sam Moyer, Shahzia Sikander, Janaina Tschäpe, and Kehinde Wiley. Spanning painting, sculpture, photography, and mosaic, the works on our booth bring together artists whose work explores material transformation, memory, landscape, and the body. Together, the presentation highlights the diverse ways the gallery’s artists transform materials, images, and histories to create new perspectives on the contemporary world. The Armory Show Booth 208 VIP Day: Thursday, September 24, 2026 Public Days: September 25–27, 2026 @lindsaybriadams @dawoudbey @julian.charriere @josedavila @awolerizku @magdiel448 @anagonzalezrojas @laurentgrasso @ruaminx @idriskhan_studio @anthonymccallstudio @hugomccloudstudio @sammemoyer @shahzia.sikander @shahzia_sikander_studio @janainatschape @kehindewiley @thearmoryshow @the_adaa
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Part 2 of 2 of some of the art we experienced last week in the Hamptons. Way more than can fit here. Some highlights: At @thechurchsagharbor : 1: Basil with @aliceaycock 2: @sammemoyer 3: @aprilgornik 4: Detail of a powerful installation by @cmfrndz 5: Basil, @liadefeo and me From a terrific group exhibition at @halseymckaygallery : 6: @unclejulia 7: #catherineczudej 8: @angelinagualdoni 9: @grahamcollins 10: @kadar_brock_studio 11: @econover + @patbrennanpics 12: Beach Basil At @guild_hall : 13 + 14: #EricFreeman “The Volume of Color” through October 25 15 - 17: @rossbleckner “Never the Less” through October 25 At @duckcreekarts : 18: @felixdavey 19: @andy.andy.harris 20: Pam J Brown #hamptonsart #easthampton #sagharbor
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Each month, we’re highlighting upcoming events, projects and press from YoungArts award winners, guest artists and panelists. Check out the full August Spotlight on our blog, and submit your news for upcoming months. Link in bio 🔗 📸: @jasonkphotography
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Back to it. Thats a wrap, summer💧 gonna miss our beach hangs, beach dinners, summer fam, swimming, dolphin sightings, farm stands, olafs, carissas, fried seafood, many books, all that tennis, and fam time 🩵
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