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@saveriocantoni

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activism, aesthetic of access, Deaf soundart, Disability Justice
💫 @janvaneyckacademie
🌱 @villaromanaflorenz
🗺️ @dutchartinstitute
🥭 @pivoartepesquisa

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The Secret Life of Ekphrasis
Workshop & Reading with Erin Honeycutt, Cru Encarnação & Saverio Cantoni

Sun, 18 October, 3–6pm
Bärenzwinger Berlin
Free admission

This workshop, led by Saverio Cantoni and Erin Honeycutt, takes ekphrasis as a methodology, a practice of translation between senses, mediums, and forms of attention. Taking its cue from Stevie Wonder's Journey Through "The Secret Life of Plants" a soundtrack composed from written descriptions of a documentary never fully seen, they ask what travels when one sense hands its information to another, and what is necessarily lost, transformed, or invented in the crossing?

Transcriptions will be written into a shared score, using Nina Paszkowski’s Furore exhibition as a guide, followed by a performance by Cru Encarnação.

Erin Honeycutt is a writer and bookmaker based in Berlin, where they run CUTT PRESS, a publishing project exploring the materiality of writing. They are the author of Dear Enheduanna (2025) and Night School (2026), as well as various zines and novelettes.

Cru Encarnação is a performance artist and writer based between Berlin and Portugal. Their practice explores masculinity, stage magic, the history of science and trans discourse, focusing on mechanisms of wonder, illusion, deception and belief.

Saverio Cantoni is a white-passing oral–Deaf artist based in Berlin. Working with sonics, haptic experiences and assistive technologies, their practice explores the “aesthetics of access” through text, visuals and audible experiences.

Curated by Pauline Kling, Josephine Steffens and Nicola Reißer

Photo: @cutt_press

@_cru___ @saveriocantoni @_towardsart @nici_j.r @peppiichulo
@kulturmitte @kommunale_galerien_berlin

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Act III
Nowhere will world be, but within
October 16–18, 2026

Artistic programme

The third act of the artistic annual programme, titled Nowhere will world be, but within, brings the year’s exploration of the theme Hauntings/ Heimsuchungen to a close — a process that has unfolded at the Bärenzwinger over the past months.

What began with the question of how the hidden can be brought to the surface and transformed now culminates in a process of reorientation and re-situating: A walk with the Amazonen through and around the Bärenzwinger on Friday evening sharpens our attention to what lies in the immediate surroundings. After the walk, C.D. Noé will present a live concert.

On Saturday, the DJ set by Sonoki creates a shared space for coming together. Tess Voelker’s dance performance traces the inner complexity of experience and asks what happens when the inside moves outward. The programme concludes on Sunday with an ekphrasis workshop by Erin Honeycutt, Cru Encarnação und Saverio Cantoni.

Free admission

Curated by Pauline Kling, Josephine Steffens and Nicola Reißer

@amazoneninberlin @chiarafaggionato_ @mazenett.lina @peacho__ @_sonoki_ @tessvoelker @cutt_press @_cru___ @saveriocantoni @_towardsart @peppiichulo @nici_j.r @kulturmitte @kommunale_galerien_berlin

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23/09/2026
15:30-19:30
Sarean (Plaza Corazón de María, 4)
Access: practices and habits I: Nadie es igual: grupo de trabajo sobre accesibilidad institucional.

➡︎ Nadie es igual: Grupo de trabajo sobre accesibilidad institucional, dirigido por Júlia Ayerbe y Saverio Cantoni.
Para apuntarse y solicitar accesibilidad, escribir a bulegoa@bulegoa.org

➡︎ Inor ez da berdina: Sarbide instituzionalari buruzko lantaldea., Júlia Ayerbek eta Saverio Cantonik zuzenduta.
Izena emateko eta irisgarritasun-beharrak azaltzeko, idatzi helbide honetara: bulegoa@bulegoa.org

*Nadie es igual es una producción de Bulegoa z/b como parte de access: practices and habits (acceso: prácticas y hábitos), un proyecto de colaboración a largo plazo con If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution (Ámsterdam, Holanda) y Askeaton Contemporary Arts (Askeaton, Irlanda). Su objetivo es desarrollar la accesibilidad como una práctica creativa en el centro del trabajo de estas organizaciones artísticas. Access: practices and habits está cofinanciado por la Unión Europea.
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@juliaayerbe @saveriocantoni @sareangunea @ificantdance_ @askeatoncontemporary
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#bulegoazb #oficinadearteypensamiento #accesibilidad #bilbao

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25/09/2026
19:30
Sarean (Plaza Corazón de María, 4)
Access: practices and habits II: Bruised, Undivided, Backways to the Borderlands

➡︎ Bruised, Undivided, Backways to the Borderlands
Bruised, Undivided, Backways to the Borderlands es una performance que estudia el cruce entre la discapacidad y el confinamiento. Está concebida como una fabulación sónica que gira alrededor de formas de acceso desordenadas y relacionales.

➡︎ Bruised, Undivided, Backways to the Borderlands performanceak desgaitasunaren eta konfinamenduaren arteko gurutzaketa du aztergai. Fabulazio soniko gisa sortu da, eta sarbide desordenatuak eta erlazionalak jorratzen ditu.

* Junto al grupo de trabajo Nadie es igual, Bruised, Undivided, Backways to the Borderlands forma parte de la invitación de Bulegoa z/b a Saverio Cantoni en el marco de access: practices and habits, (acceso: prácticas y hábitos), un proyecto de colaboración a largo plazo con If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution (Ámsterdam, Holanda) y Askeaton Contemporary Arts (Askeaton, Irlanda). Su objetivo es desarrollar la accesibilidad como una práctica creativa en el centro del trabajo de estas organizaciones artísticas. Access: practices and habits está cofinanciado por la Unión Europea.
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@shitshines @noastorrsgokul @menion_music @saveriocantoni @sareangunea @ificantdance_ @askeatoncontemporary
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#bulegoazb #oficinadearteypensamiento #accesibilidad #bilbao #performance

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Thank you to everyone who came out to see the ENTER/PUBLIC/STAGE performance festival!

Last weekend performances, workshops and tours took over ROZENSTRAAT and several parts of the city.

We welcomed Jennifer Tosch’s Black Heritage Tours, specially developed for this exhibition, had people walk around the Jordaan with the interactive audio tour by PolakVanBekkum, and reflected on activist practices during Mapping Solidarity for Palestine. We saw Giulia Damiani perform a try-out of her new work on several occasions, and listened to the live musical performance and poetry reading by Çağlar Köseoğlu and Saverio Cantoni in the Amstelkerk. Finally, we came together for an absurdist closing moment in the park with a performance by Geo Wyex.

For those who missed the weekend, stay tuned… We have an extra Mapping Solidarity workshop and PolakVanBekkum participative performance coming up.

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⭐️Performance highlight: Çağlar Köseoğlu and Saverio Cantoni

‘throw a stone: Ramallah looks violet from the night of justice’ is a live reading and sonic performance by poet Çağlar Köseoğlu and sound artist Saverio Cantoni. Structured around four poems engaging the ongoing war and genocide in Palestine, the work treats text as a live score, improvising across voice and sound in real time.

The performance is followed by an artist talk. Free entry, no registration required.

📍 Saturday 5 September, 19.00-20.30
Amstelkerk, Amstelveld 10

See the full ENTER/PUBLIC/STAGE performance festival programme on our website ➡️

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The opening of the ENTER/PUBLIC/SPACE exhibition & the ENTER/PUBLIC/STAGE performance festival is approaching! 🧭

Join us next Thursday, September 3rd, at 18:00 for the opening of the exhibition, followed by a weekend full of performances inside and outside ROZENSTRAAT, exploring bodies in public space and the political dimensions of urban design and technology.

During opening night, Marina Orlova will have a try out of her new performance Human.VPN. Described as a collective geographic self-study, the performance follows two dancers navigating the distinction between a person’s emotional and physical location.

Programme:
18:00 — Opening words by Sanneke Huisman, belit sağ & Esther Polak
19:00–19:30 — Performance Human.VPN/someplace_else by Marina Orlova
19:30 — Talk with Marina Orlova, moderated by the curators
20:00 — End

The full performance programme is now live on our website — check it out! 🌹
We look forward to seeing you there.

ENTER/PUBLIC/STAGE
Performance Festival: 3–6 September 2026

ENTER/PUBLIC/SPACE
Exhibition: 3 September–3 October 2026

Image: Mona Hatoum, Roadworks, 1985. Collection: @lima_media_art

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ENTER/PUBLIC/SPACE & ENTER/PUBLIC/STAGE
a special group exhibition including a four-day performance festival
 With this project, which opens on September 3rd, ROZENSTRAAT continues its engagement with performance in public space and video art in general.

Bringing together a diverse group of artists, the exhibition and festival explore the performativity of the body, presence in public spaces, and the political dimensions of urban design and technology.

Taking Esther Polak’s AmsterdamREALTIME (2002) – produced in collaboration with Jeroen Kee and Waag Futurelab – as its starting point, Enter/Public/Space and Enter/Public/Stage bring together videos, performances, readings, tours, and workshops that consider public space as both stage and subject. The programme invites us to look at the ways bodies are read, regulated and surveilled, while also imagining new forms of movement, solidarity and collective action.

📆 Opening: Thursday 3 september, 18.00-20.00

ENTER/PUBLIC/STAGE Performance Festival 3–6 September 2026

ENTER/PUBLIC/SPACE Exhibition 3 September–3 October 2026

Curated by Sanneke Huisman and belit sağ.

With works by Noor Abed, Black Heritage Tours, Cyan Bae, Çağlar Köseoğlu and Saverio Cantoni, Esther Polak, Geo Wyex, Giulia Damiani, Jan Robert Leegte, Mapping Solidarity for Palestine, Marina Orlova, Mona Hatoum, Pegah Tabasinejad, PolakVanBekkum

📍Save the dates – more soon!

Image: Pegah Tabassinejad, Entropic Fields of Displacement, 2024, video still.

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up close 〰️

Curated by @lavinfreitas, ApertoArts, on the invitation of Kracart.
Photography: Daniel Dotgain @dotgain.info and Michal Andrysiak @andryiszku

works by @yena_young @andryiszku @chemsedineherriche @saveriocantoni @ronja_the_art_whore

The venue is a former electric motor manufacturing plant; BAUWERT AG secured the site for interim cultural use, transforming it into a place for people to meet and the starting point for the future "Moaville" district. www.moaville.de

#bauwert #zwischennutzung
@bauwert.ag @uc.urbancontemporary

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Come celebrate Testing Grounds / Seeding Worlds with us!

Join us for a little booklaunch + picnic in Körnerpark 🧺
We’re gathering to share the book, and we can’t think of a better way to do it than lying in the grass together with snacks.

📅 Monday, 27 July
🕡 18:30–21:00
📍 Körnerpark, Neukölln

The book gathers reflections from the artists, curators and ecologists who gardened, wondered and grew alongside the garden of Villa Romana through the Testing Grounds programme (2023–ongoing), curated by @elenaagudio, @marleen.boschen, @mistura.a

Grab a copy, meet the people behind it, and let’s spend a slow summer evening together 🌱
Also feel free to bring your own picnic things — blankets, snacks, drinks, friends

Edited by @yuni_hoayun_chung · Designed by @eunjilee.indd
With contributions from @elenaagudio @marleen.boschen @leone.contini @danielazambranoalmidon @archipeldotcommunity @saveriocantoni @gabriellahirst @yeni.ma.7 & Isabella Devetta
A @villaromanaflorenz project, supported by Arts Council Korea & Culture Moves Europe

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We‘re excited to share that the book 𝑾𝒂𝒍𝒌 𝑵𝒐𝒕𝒂𝒕𝒊𝒐𝒏𝒔 is now into it’s 2nd print run!!

… and just in time for @missreadberlin Book Fair this weekend, where you can find the book at @ngbk_berlin ‘s stand and join us will for a walk & read as part of their event program.

𝑾𝒂𝒍𝒌 𝑵𝒐𝒕𝒂𝒕𝒊𝒐𝒏𝒔: 𝒂 𝒓𝒆𝒂𝒅𝒊𝒏𝒈 𝒊𝒏-𝒎𝒐𝒕𝒊𝒐𝒏
📅 Saturday 27.06
🕒 17-18h
🗣️ English
📍 At the front of @silent.green, Wedding Berlin  💫 Free event / No registration required
♿️ Wheelchair accessible route + shaded reading stops from the sun

We’ll be joined by some of the book’s contributors to share a reading in-motion, turning public space around @missreadberlin at Silent Green into our reading rooms.

With readings and more from:
Suelen Calonga @suelencalonga
Saverio Cantoni @saveriocantoni
Mahshid Mahboubifar @__maia____
Natthapong Samakkaew @nttpsmkw
Moderated by Luise Leon Elborn @triptleon & Viviane Tabach @vivianetabach

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Image credit 1: Dissident Paths (Cruise) - A Hard Rain with Liz Rosenfeld - LiveDrawing, 2025, Pen on paper, 10.5 × 14.8 cm, Natthapong Samakkaew

Image credit 2: Walk Notations / photo by Lucía Alfaro Valencia @lu.alfarovalencia

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chronically radical disabled Deaf political is ready :) foto collage with film stills: a tortoise in a beautiful dark green lake, a shield" mask is cool, against corona and police", a white person stroking a cute dog, a black person with very curly hair next to a pride flag, a whiteperson in front of a computer screen, a white person in front of solar pannels

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