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Scythia Films

@scythiafilms

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Everything has not been done. There are new stories, living and breathing today. They are hard to find because at first they are tiny and quiet.

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Colby Day's THE COMEDY HOUR, starring Tatiana Maslany and Tim Heidecker, will begin production this december in Los Angeles!

Tim Heidecker will play Jimmy, a lte-night talk show host forced to produce his show while America is on the brink of collapse, while trying to compete with his robot co-host. Tatiana Maslany will play Priya, a corporate climber and Jimmy's long-time producer.

Source: USA Production News & Deadline Pictures of Tatiana Maslany (top left) and Tim Heidecker (top right). The Comedy Hour, starring Tatiana Maslany and Tim Heidecker, directed by Colby Day, begins filming December 2026 in LA. The black comedy is set five minutes into the future when modern America is on the brink of collapse. Tim Heidecker will play Jimmy, a late-night talk show host forced to produce his show through famine, fire, and plague. When the network assigns him a robot to be his co-host and help boost ratings, everyone in America loves the robot more than him. Tatiana Maslany will play Priya, a corporate climber and Jimmy’s long-time producer. Source: USA Production News. Daily Tatiana Maslany @SestraHulk

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🏆 𝐈 𝐯𝐢𝐧𝐜𝐢𝐭𝐨𝐫𝐢 𝐝𝐞𝐥 𝐏𝐞𝐫𝐒𝐨 𝟐𝟎𝟐𝟔 🏆

Undici giorni di film, incontri e sale piene: ecco i titoli premiati dalle giurie della dodicesima edizione 👉

Grazie alla giuria ufficiale, alla giuria universitaria, alla giuria delle detenute della Casa Circondariale di Perugia-Capanne, agli studenti del Liceo “G. Galilei”, alla redazione di Film Tv e a tutto il pubblico che ha votato in sala.

Grazie a chi i film li ha fatti, a chi li ha giudicati e a chi è venuto a vederli. Ci vediamo al PerSo 2027 ❤️

#PerSo2026 #PerugiaSocialFilmFestival #DifferenteNonIndifferente

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Jane Schoenbrun : Cocon pour âmes vagabondes

Son cinéma invite nos sens à se laisser emporter, tels la neige qui pleut ses larmes au ralenti, fascination si hypnotique. Son œuvre se joue sur une onde enveloppante et rassurante qui émet pourtant une tristesse profonde, diffuse, inaltérable; loin pourtant de la morbidité qui pourrait venir la brouiller.
Cinéma cosmique, jaillissant, il demande le passage par un « voile », pris dans les bouffées de vent. Son attraction, si on lui tend vraiment la main, prêts a traverser, est alors un refuge des âmes, nous qui redoutons le gouffre du vide et du néant, qui trouvons notre confort presque exclusivement dans les œuvres, leur goût de l’interdit (l’horreur, le fantastique qui demandent d’échapper à la vigilance pour nos yeux stupéfaits), leur biais avec la « réalité », en tout cas quelque chose qui nous prouve que nous sommes encore là, au fond, si l’on perce la glace du lac et ressentons ce qui se trouve « derrière » notre regard.
Fine observatrice, anatomiste de la solitude de la condition humaine, de notre peur mortelle de disparaître, Jane matérialise toujours, face à cette opacité, un entrechoquement de ces dites solitudes. Deux personnages, comme deux étoiles perdues, réunies dans un monde à part, qui échappe à la tangibilité.
Devant ses films, nous vivons la petite mort que nous voudrions sans fin, la tête sourde à l’écran qui s’est ré-éteint, alors que c’est bien cet instant suspendu qui permet de le distinguer du vide, de l’y inscrire en espérant le prochain.
Le cinéma est-il une forme de sexualité ? La pluralité d’un univers comme celui bâti avec ces trois films, qui brandit la poésie et le lyrisme face à la frontalité, appelant à un regard démultiplié, me fait dire que oui. Laisser une œuvre nous transpercer quand nous croyons que cette action vient de nous…

Je finirai en disant qu’on ne quitte jamais un tel film, on ne le laisse pas derrière, je n’y crois pas, et c’est peut-être là ma fameuse salvation. Les amours sont toutes différentes, et c’est dans l’astérisme des dividendes tels que Jane Shoenbrun que je veux disparaitre quand la lumière ne se rallumera plus…

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What would a bullied kid actually do if he suddenly had superpowers?

That question is SPIRIT WEEK, our feature film. This week it’s one of the projects selected for the 2026 @thegotham Week Project Market in Brooklyn.

It started as a short, BALLOON—going viral with 6M+ views in four weeks on YouTube. The feature is a character-driven indie superhero thriller with a mother-son story as its beating heart. The film explores how we raise boys, and what a boy does with power before he knows who he wants to be.

Written and directed by @jeremymerrifield. Produced by Dream Three with @scythiafilms: @danielatbekerman (THE WITCH), @jordanhart11 and @katechamuris.

At 26 Bridge this week? Come find us!

#SpiritWeekMovie #GothamWeek #IndieFilm #superheromovies #filmmaking

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Thanks to the killer audience at the @atlanticfilmfest . It meant a lot to sceen this at home where it was filmed. And thanks to the jury for giving us best score. Shout out to @missslxv @csspidle @chadvangaalen for the music collabs and @officialrezz @thesadiesofficial for appearing on the soundtrack 🔥#permanentdamagemovie

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The Liberation — @carriecoon is devastatingly perfect in this beautiful film by @guy_nattiv that we all worked so hard on ❤️ Coming soon!

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The HYDE PARK PICTURE HOUSE in LEEDS was originally opened as a 587-seat single screen cinema in 1914. It underwent a massive renovation thanks to the National Lottery Heritage Fund and reopened in July 2023 with a second screen (51 seats) and a refurbished main auditorium (now 237 seats).

The renovation is stunning— Every detail is deeply considered & perfect! They kept the old ticket booth out front, polished up the original flooring, maintained the stain-glass window and have a self-tour museum inside that includes snack wrappers enjoyed by patrons in the 1910’s & 1920’s (Mostly cigarettes, chocolate & ice-cream).

They’ve also created two comfy seated areas for the community to work, chill and chat before screenings. A genuine, heart-felt and culturally valuable contribution to the Hyde Park neighbourhood & Leeds in general!

I saw two films here—

> PRESSURE
By Adelaide / Australian Director ANTHONY MARAS. Written by DAVID HAIG, with amazing performances from ANDREW SCOTT, CHRIS MESSINA, BRENDAN FRASER, KERRY CONDON & @damianlewisreallyofficial Produced by @workingtitlefilms and @studiocanal

> TEENAGE SEX AND DEATH AT CAMP MIASMA
Written and Directed by @janedoesnotknow and starring @hannaheinbinder & @gilliana Produced by PLAN B & @scythiafilms and Distributed by @mubi

Hyde Park Picture House: @hydeparkph
Pressure: @pressuremovie
Teenage sex & Death: @welcometocampmiasma

#indie #cinema #leeds #uk

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Proud to be part of Creative Canada Créatif: Building Your World in Our Backlot at TIFF 🇨🇦🎬

Sharing the panel with some seriously talented Canadian creators, and somehow they let the documentary guy from Edmonton sneak in too. 😂

Proud to keep proving we can make films right here in Edmonton, Alberta that reach audiences around the world. 🌎🇨🇦

If you’re around TIFF, come say hello, always great seeing old friends and making new ones. 👊

#CreativeCanada #TIFF #CanadianFilm #AlbertaFilm #ScoreGProductions

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Join this discussion with indie filmmakers who are both uncompromising in their visions – Bruce LaBruce and Karen Chapman – and who have made some of the biggest hits in decades – Haley Johnson and Kori Adelson, producers of Obsession and Backrooms. The panel is moderated by producer Daniel Bekerman and also includes Andrew McLuhan, founder and director of The McLuhan Institute @tiff_net @scythiafilms @mcinstatute

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Sh*t is F***ing Magic 👽. Teenage Death and Sex at Camp Miasma. #moviereviewer #moviereview #horror #amc

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Kris wird als Regisseurin angeheuert, um das Reboot einer ihrer liebsten Slasherfilmreihen zu drehen. Sie reist zu Billy, die im ersten Teil das Final Girl war, danach nie mehr als Schauspielerin gearbeitet hat und nun unbedingt wieder mitspielen soll. Diese lebt jedoch ausgerechnet abgeschieden im ehemaligen Gruselcamp Miasma...

Da kommt Jane Schoenbrun, heuert ein geniales Hauptdarstellerinnenduo mit Gillian Anderson und Hannah Einbinder an, und mischt die Kinowelt mit einem poetischen, bildgewaltigen Werk auf, das nur oberflächlich Slasher-Hommage ist. Unter der Oberfläche lauert noch viel, viel mehr.

Seit dem 20.08.26 läuft "Teenage Sex and Death at Camp Miasma" in ausgewählten Kinos. Und meinen ausführlichen Artikel "Fatales Verlangen nach dem kleinen Tod" gibt's ab sofort im Plotgewitter-Blog. Link in Bio und Story.

Ganz lieben Dank an MUBI und SteinbrennerMüller für die freundliche Einladung!

Gesehen im Metropol Filmkunstkino Düsseldorf.

#teenagesexanddeathatcampmiasma #Slasher #queer #kleinertod #jetztimkino

Fotos: © MUBI Szene im Shop einer Tankstelle: am Regal mit Süßigkeiten stehen Billy (Gillian Anderson) und Kris (Hannah Einbinder) einander eng gegenüber. Beide sind großflächig am ganzen Körper mit Blut besudelt. Vor ihnen steht ihr bereits gut gefüllter Einkaufswagen. Foto: MUBI.

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I won a grant! It is quite an honor to receive a grant from the @mentalhealthstorytelling initiative, recognized alongside an incredible group of storytellers.

@wittelstephanie and I met because of this award, and I’m especially grateful for the opportunity to work with her in support of a mission we both believe in: using stories to create connection and community. Thanks to MHSI’s generous support, we recorded a special episode of her podcast, Last Day, in recognition of her new book, also called Last Day. (Have you gotten your copy yet? It’s an incredible and important read.)

Our podcast episode is now live if you’d like to give it a listen!

Congratulations to all my fellow grantees! 🥳

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