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settantaventidue

@settantaventidue

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Contemporary arts, sound arts, architecture, design, radical thinking, visual culture, publishing, research based practice.
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@charlemagnepalestine - Continuity @settantaventidue
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We have the pleasure of inviting you to the opening of Continuity, an exhibition by Charlemagne Palestine at settantaventidue on 17 September 2026 in Milan, Italy. The artist will be present for the opening. Charlemagne Palestine is a pioneering figure in experimental music and performance, whose practice explores sound repetition and visual notation. The exhibition presents Palestine’s Books of Continuity, a series of large notebooks recording visual experiments through drawing and painting. It was first exhibited in New York in 1977. A hand-built analogue synthesiser, conceptualised by Palestine in collaboration with the late designer Don Buchla will be activated by the artist on the opening day. It will then remain switched on for the duration of the exhibition, generating sound autonomously through the instability of its analogue circuitry. settantaventidue is a non-profit exhibition space for contemporary art funded by the Kira A. Princess of Prussia Foundation. @charlemagnepalestine @settantaventidue Opening 17 September 2026 from 20:00 Via Lodovico il Moro 1 Milan, Italy #charlemagnepalestine #soundart #performanceart #settantaventidue #prussiafoundation
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We are delighted to be part of the creative programme for the @festivalfilo 2026 (18-20/09) with the exhibition “Chaos = Flux”, by Gabriele Basilico and Giovanni Hänninen. From 18 to 30/09 2026. Hours: Monday to Saturday, from 9am to 730pm. Extended opening hours to coincide with the @festivalfilo 📸 Gabriele Basilico, “Beirut”, 1991, cm. 100 x 130. Giovanni Hänninen, “Oculus New York”, 2018, cm. 140 x 105. #galleriaantonioverolino #gabrielebasilico #giovannihanninen #festivalfilosofia #festivalfilo26
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next: September 25 — what we do when in silence @nicolarattee @_enricomalatesta_ Milano — @triennalemilano @unionebuddhistaitaliana October 17 — The Artistic Image Is Always a Miracle solo Forlì — @crisalidefestival October 24 — Duo Kaserne with @lauracorolla Milano — @settantaventidue see you around. 📷 @elenarussoarman
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TIME OUT TRAVEL. Le tour de la France bouclé, on met la botte en Italie, où l’on vous emmène une semaine dans le pays qui a inventé la perspective et le Negroni sbagliato. Premier épisode : Milan, par l’art et par le design. Dans cette liste, il n’y a donc pas la Cène. Ni le Duomo, ni Brera. C’est assumé : à Milan, l’art qui compte aujourd’hui ne se regarde pas là où l’on fait la queue. Il se regarde chez Ordet, un garage de la via Filippino Lippi dont le plafond monte à neuf mètres, où l’espace indépendant le plus suivi de la ville a déménagé en 2024. À la Fondazione Prada, une ancienne distillerie que Rem Koolhaas a coiffée d’une tour de 60 mètres, avec au rez-de-chaussée le Bar Luce, formica et juke-box, dessiné par Wes Anderson. Au Pirelli HangarBicocca, une halle où l’entrée ne coûte rien toute l’année et où sept tours de béton d’Anselm Kiefer, 90 tonnes chacune, tiennent debout depuis 2004. Et au Spazio Maiocchi, mille mètres carrés ouverts par deux marques de streetwear plutôt que par un mécène. Le design, lui, a son rendez-vous : chaque printemps, la planète entière vient défiler devant des chaises, c’est le Salone. Puis les camions repartent et la ville se remet au travail. Le Compasso d’Oro récompense les objets italiens depuis 1954, et plus de 350 d’entre eux sont réunis à l’ADI Design Museum, une sous-station électrique désaffectée doublée d’un dépôt de trams. La Triennale, elle, occupe le Palazzo dell’Arte, que Giovanni Muzio a bâti en un an et demi et livré en 1933. Mais le meilleur tient dans un bureau que personne n’a rangé : le Studio Museo Achille Castiglioni, resté tel quel après sa disparition, en 2002, prototypes et bordel compris. On a tout ratissé avant de trancher, et il en reste dix-huit. Ce qui les relie n’est pas un style, c’est une équation que peu de villes ont sous la main : de l’argent de mode d’un côté, des usines vides de l’autre, et pas grand-chose pour empêcher les deux de se rencontrer. #TimeOutParis
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Finn Juhl / Rolf Julius @settantaventidue 1-5: Finn Juhl - Watercolors and drawings 6-7: Rolf Julius - Sound cooking
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. ◼️◽️メディア掲載のお知らせ / Media Coverage◽️◼️ fold / intervalのキュレートによりミラノ・settantaventidueで開催されている"Sound Exhibition Series"について、コンテンポラリーアート・建築などを横断するイタリアの主要アートメディア、“Artribune"にて本サウンドインスタレーションを取り上げていただきました。このチームに携われたことを光栄に思います。誠にありがとうございます。 記事のリンクはプロフィールのLinktree内にございますので、よろしければ是非ご覧下さいませ。 The sound installation, presented as part of "Sound Exhibition Series" at Settantaventidue in Milan, curated by fold / interval, has been featured by "Artribune", one of Italy’s leading art media platforms covering contemporary art, architecture, and culture. I'm truly grateful for this thoughtful feature and it has been a true honor to be part of this team. Thank you so much! Link of the article in bio. venue: @settantaventidue curation: @fold.interval ( @senufoeditions , @fabioperletta ) sound system: @futura___research composition: @masaya_kat0 article, photo: @annalisa.campagna
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#designdiplomacy #internimagazine #logbook June 2026
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. ◼️◽️展示のお知らせ② / exhibition info②◽️◼️ 6/18よりイタリアsettantaventidueにて開催されております"The Sound Exhibition Series"の展示空間の様子を現地のFabioさんが共有して下さいました。撮影は会場オーナーのAlessandroさん。お写真ありがとうございました。 写真に使われている音は展示楽曲の一部です。少しでも会場の空気を体感いただけましたら幸いです。 . Starting from June 18th, Fabio kindly shared images of the exhibition space for “The Sound Exhibition Series", currently being held at settantaventidue in Italy. The photos were taken by the venue owner, Alessandro. Thank you so much for the wonderful pictures. The sound used in the photos is a part of the exhibition piece. I hope this gives you at least a little sense the atmosphere at the venue. @settantaventidue @fold.interval @futura___research @fabioperletta @senufoeditions @masaya_kat0 #soundart
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We have the pleasure of inviting you to the opening of John Coplans’ retrospective and Alessandra Spranzi’s exhibition Tightrope at settantaventidue on 25 June 2026 in Milan, Italy. John Coplans developed one of the most outstanding bodies of work in post-war photography. Internationally renowned for his monumental black-and-white self-portraits, he transformed the ageing body into a universal subject, challenging idealised representations of masculinity and confronting vulnerability, physical decline, and the passage of time. The exhibition at settantaventidue presents a selection of seminal photographs alongside Xerox-based works, revealing a lesser-known and experimental aspect of his practice. Alessandra Spranzi’s artistic research is rooted in photographic staging, collage, video, and the reuse and transformation of found and personal images. Through subtle acts of appropriation and re-photography, she reveals the poetic potential of humble materials, everyday situations, domestic settings, and overlooked objects. The exhibitions are realized in collaboration with the John Coplans Trust, New York, and P420, Bologna. settantaventidue is a non-profit exhibition space for contemporary art supported by the Kira A. Princess of Prussia Foundation. @alessandra_spranzi @p420gallery @settantaventidue Opening 25 June 2026 from 19:00 Exhibition 26 June - 10 September 2026 Via Lodovico il Moro 1 Milan, Italy #johncoplans #alessandraspranzi #photography #settantaventidue #prussiafoundation
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Let’s Go torna con la selezione settimanale di Pinknoises.it per attraversare la città quando il caldo sale, l’asfalto frigge, l’ufficio svuota la testa e l’unica cosa sensata diventa scegliere bene dove finire la sera. Milano suda punk sotto il lucido: nei club, nei cinema, nei cortili, nei posti dove il rumore non copre la stanchezza ma la sveglia. Questa settimana serve una mappa rapida, utile, viva. Non per riempire l’agenda, ma per evitare l’ennesimo “boh vediamo” che muore alle 21:17. Il rumore che risveglia passa anche da qui. Salvalo, mandalo alla chat milanese, usalo quando qualcuno propone di “fare una cosa tranquilla” e sapete già come finirà. Milano hey oh let’s go.
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◼️◽️展示のお知らせ/ exhibition info◽️◼️ 6/18(木)よりイタリア・ミラノのギャラリー、settantaventidueにて開催される、 Fabio Perlettaさん、Giuseppe Ielasiさん主宰のfold/intervalがキュレートする"The Sound Exhibition Series"の第一回目の展示作家としてお招きいただき、この度"flux (still)"という音響作品を出品いたします。 展示形態としてはサウンドインスタレーションとなり、「視覚芸術作品とほぼ同様の方法で楽曲を展示する」というコンセプトのもと、展示用に特別に開発されたFutura Researchのサウンドシステムを通じ楽曲をsettantaventidueにご来場のお客さま方にご体験いただく、というシステムとなります。 今作は砂・水の音、微細な電子音、ピアノの内部奏法とフェンダーローズのインプロビゼーションから成る音響作品となり、 コンセプトとしては、フェンダーローズ以外の非楽音・現象音(主にドレミ以外の音)により構成された空間に、フェンダーローズを通した演奏行為から生まれる身体性、つまり自分の肉体をその空間にトレースすることにより、その空間に自分自身そのものを融和させることへの期待から生まれた作品となります。 記念すべき"The Sound Exhibition Series"の第一回目にお招きいただき、とても光栄に思います。Fabioさん、Giuseppeさん、settantaventidueさん、Futura Researchさん、誠にありがとうございます。今から空間にどのように音が響くのか、とても楽しみです。 ミラノ近郊にお立ち寄りの皆さま、是非ご来館の上ご体感いただけましたら幸いです。 It is a great honor to be part of the inaugural edition of "The Sound Exhibition Series". My sincere thanks to Fabio, Giuseppe, settantaventidue and Futura Research. @settantaventidue @fold.interval @futura___research @fabioperletta @senufoeditions @masaya_kat0 #soundart Below is a statement from settantaventidue. #Repost @settantaventidue with @use.repost ・・・・・・ The Sound Exhibition Series is curated by fold/interval and presents sound works exclusively commissioned from selected artists and composers. Unreleased and previously unheard, these works are approached in much the same manner as visual artworks within an exhibition context: they may be experienced at settantaventidue solely for the duration of the exhibition, through the specially developed Futura Research sound system. Masaya Kato’s flux (still) is composed of the sounds of sand and water, subtle electronic textures, extended techniques on piano, and improvisation on the Fender Rhodes. Conceptually, within a space composed of non-pitched sounds, excluding the Fender Rhodes, a sense of physicality emerges through the act of performance on the instrument. By tracing one’s own body into that space, the work arises from an anticipation of dissolving and merging oneself into it. Like all exhibitions hosted at settantaventidue, the Sound Exhibition Series is open to visitors during the gallery’s regular opening hours. ・・・・・・
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