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shaksmon

@shaksmon

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Dancer - choreographer
📍Berlin
Previously a Demi-soloist with @staatsballettberlin

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SUBJECT TO CHANGE - A Dance for David Bowie

A landmark new dance production by visionary choreographer Marcos Morau presented by Bunkamura, Sadler’s Wells and La Veronal; SUBJECT TO CHANGE draws inspiration from David Bowie and his fearless reinvention.

Everything changes… turn and face the strange.

Touring internationally from spring 2028. More info on our website, visit sadlerswells.com/bowie
_
@marcosmoraukoshska, @bunkamura_info @sadler_wells @laveronal
#DavidBowie #Dance #WorldPremiere

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opening on Friday, October 16 | 6-10pm
Serpent Wire
@schuetzenverein_ | Martin-Luther-Str. 78
on view October 16-18, 2026

w/ works by
@lieberfriedrich
@rfdieskau
@janegarbert
@kallirroi_ioannidou
@chatgfb
@sofiia.yesakova
perfomance by @shaksmon 8pm
floral installation by @alkoholiyfriday

curation @savciucaa
in collaboration with @substrat_artistmanagement

design by @alkoholiyfriday
image © Jane Garbert, NYM- JG42, 2026, Detail.
—
The exhibition takes its starting point from Aby Warburg’s lecture on the serpent ritual, which traces the motif from the ecstatic cults of ancient Greece to the ceremonial snake dances of the Hopi, a Pueblo nation, and finally into electrical wiring. The parallel seems unlikely at first, but the snake becomes a lens for a deeper pattern of behaviour: people constantly trying to negotiate with, tame, or move alongside raw nature.

The same gesture resurfaces whenever human design borrows from natural forms. The honeycomb becomes architecture, the sun becomes a lamp, the river becomes a pipeline. Each time, a human reaches toward the uncontrollable, trying to move in synchrony with it rather than against it.

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opening next Friday, October 16 | 6-10pm
Serpent Wire
@schuetzenverein_
on view October 16-18, 2026

w/ works by
@lieberfriedrich
@rfdieskau
@janegarbert
@kallirroi_ioannidou
@chatgfb
@sofiia.yesakova
perfomance by @shaksmon 8pm
floral installation by @alkoholiyfriday

curation @savciucaa

design by @alkoholiyfriday
image © Raphaël Fischer-Dieskau, Virtual Sun No. 0027, 2023, detail.
—
The exhibition takes its starting point from Aby Warburg’s lecture on the serpent ritual, which traces the motif from the ecstatic cults of ancient Greece to the ceremonial snake dances of the Hopi, a Pueblo nation, and finally into electrical wiring. The parallel seems unlikely at first, but the snake becomes a lens for a deeper pattern of behaviour: people constantly trying to negotiate with, tame, or move alongside raw nature.

The same gesture resurfaces whenever human design borrows from natural forms. The honeycomb becomes architecture, the sun becomes a lamp, the river becomes a pipeline. Each time, a human reaches toward the uncontrollable, trying to move in synchrony with it rather than against it.

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Expect the unexpected, naturally.

As always we will have impromptu performances and activations all evening.

18:00 join our darling @bibingka.berlin as she returns from gay Paris to host @dose.of.pleasure to get your body moving.

The rest I guess you’ll just have to see for yourself!

Doors open 17:00. Tickets via the link in our bio.

tracey zero is a sober experience.

Slide designs by @ssergeykuchinn

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🇪🇸/🇯🇵

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A new season begins 🤸🏻 25–26, you were intense and wildly nourishing. Before jumping into what’s next, here’s a little chronological recap.

September · I finally got my hands on a copy of sociologist Fabien Granjon’s book, in which I had the pleasure of telling, over some twenty pages together with my partner in virtue Melissa Acchiardi, the story of a year-long creative residency at the Maison du Peuple, working with the children from the neighbourhood “les Avignonnets”, a few years ago already. Time, babe.

A week of creation at La Metive for Variations on Tenderness, our new piece with my beloved Pol Pi and Nitsan Margaliot. Premiering in November at Atelier de Paris, as part of the Festival d’Automne.

October · My very first day as an Art teacher in the “Hors Format” department at HEAR in Strasbourg. A year full of emotions, discoveries and beautiful encounters. Being so close to the students’ work nourished me and moved me way beyond what I could have imagined.

Bleeep bleeeep blop trrrrr prrrrr krrrrr bouep (translation not guaranteed) in the basement of an almost Parisian house I absolutely loved living in — for a short while, but long enough to meet housemates who became people I love very, very deeply.

November · The premiere of Quelques Choses in Paris, a piece by Chloé Zamboni for which I had the pleasure of composing the music. It also gave me the chance to meet with beautiful dancers Marie Viennot and Joachim Maudet, and to reunite with Tom Beauseigneur and his premium ears.

The very last concert (and photo) of my band CHROMB! Something like our 250th. Fifteen years of history, five albums, and ridiculously strong bonds forged on the road, through all the people we met along the way. This final concert felt like a celebration. It happened at our beloved Le Périscope in Lyon, which hosted every single one of our release parties since 2012. It was beautiful. Very emotional. And for the first time ever, we actually took a bow before leaving the stage. If you ever decide to end your band, give yourselves one last concert. It’s worth it, trust me!

I made around 140 drawings in this small format, plus some bigger ones (but fewer of those).

A few d

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I saw a stage production directed by Marcos Morau based on Yukio Mishima’s *The Temple of the Golden Pavilion*.
A cast comprising world-class dancers selected through auditions, Japanese Kabuki actors, and Joruri puppeteers executed intricate choreography and blended together seamlessly; they commanded the space, and I was utterly captivated. The performance brilliantly conveyed the inner emotions of the characters and the various events of the story. I was surprised by how well the ethereal voice of Spanish singer (She is the composer of the music of kinkakuji and she also sing live some of the songs) Maria Arnal harmonized with the melodies of Kabuki.
The costumes and set design were exactly to my taste. They possessed a quiet strength and an air of mystery; although rooted entirely in Japanese architecture and kimono, they occasionally reminded me of an Alexander McQueen show.
I never expected that artists visiting Japan from abroad would make me feel even prouder of Japan itself. I am grateful for the wonderful new world they revealed to me.❤︎

三島由紀夫の「金閣寺」を題材にマルコス・モラウが演出した舞台を観てきた。
オーディションで選りすぐられた世界トップクラスのダンサー陣と日本の歌舞伎役者、浄瑠璃の人形使がそれぞれに緻密な振りをこなし違和感なく溶け合い、空間を支配し圧倒させられた。金閣寺の登場人物の心情や様々な事件を見事に現していた。歌舞伎の旋律にはスペインの歌手のマリアナ・アルナルの神々しい声がよく合ったのに驚いた。
衣装・美術は本当に好みだった。強く静かで、怪しさも秘めていて、完全に日本の建築や着物がベースであるにも関わらず、時折アレクサンダー・マックイーンのshowを想起させられるようで、鳥肌と涙が溢れた。
海外から日本に来た表現者たちによってまさか自分が、さらに日本を誇りに思うとは思ってもいなかった。新たな美しい世界を魅せてもらい感謝でいっぱいです❤︎

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“KINKAKU-JI” - @marcosmoraukoshska @laveronal
with @mariaarnaldimas @maholoonoe @suenagakoh @nakamurakazutaro @tamasuke2017 @takemoto.takutayu @hanji_tsurusawa
x @bunkamura_dance

Ph. @silviapoch

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from The Death of Klinghoffer @teatrodelmaggio directed by Luca Guadagnino and choreographed by the incredible @ella_rothschild

Heart still beating for this time with these breathtaking humans❤️

Photos by Michele Monasta.

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マルコス浄瑠璃『金閣寺』8/29(土)〜9/6(月)
@東京芸術劇場プレイハウス

#金閣寺　#舞踊　#ダンス　#歌舞伎　#文楽　#東京舞台芸術祭2026

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