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Silke Puu

@silkepuu

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FRAGMENTS D'UN JARDIN

Avec : Antoine Barberon, Nina Bernagozzi, Willie Brisco, Aëla Cabel, Christel Conchon, Florent Dégé, Adrien Genty, Romain Grateau, Sarah Holveck, Baptiste Perrin, Pauline Roches, Claire de Pimodan, Mathilde Rives, Sabrina Violet

#antoinebarberon #ninabernagozzi @ninabernagozzi #williebrisco @ofnotof #aëlacabel @aela.mai.cabel #christelconchon #florentdégé #adriengenty @adriengenty #romaingrateau @fiere_et_en_forme #sarahholveck @sarahholveck #baptisteperrin #jeremypiningre @jeremy_piningre #paulineroches @paulineroches #clairedepimodan @clairedepim #mathilderives @mathilde.rives #sabrinaviolet

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Darya Diamond / Esther Gatón

' TETILLAS '

15.06 -19.07.2024

Taking a slang word, both small breasts and a rural Spanish cheese, ´tetillas´ sets Darya Diamond and Esther Gatón to present recent and representative works from their respective œuvres. Developed from friendship, tetillas is an intimate reflection on the conditions of labour experienced by these artists, interiors, and femininity. Among the various works, Gatón presents wall pieces assembled of hand-dyed fabric and bundled wood. Diamond brings resin-cast waste baskets, that the artist stole from the motels where she worked as a prostitute.

Peripherally co-regulatory and permeable, Diamond and Gatón use extensions of their private lives as materials in their studio practice. Evoking touch, complex intimacies and blurry representations of their immediate environments- the exhibition unintentionally re-contextualizes domestic and precarious labour. Gatón’s textiles are at once tactile and layered, echoing a physical encounter with the material and processes of dying and fading fabrics. Her practice is haunted by the stark aesthetics of Castile, the deserted Spanish region where she grew up; while Diamond´s originates in the artist´s invisible labour as a surrogate human, sex worker, and carer.

With the use of illegible and fainted traces, painted on the textiles, Gatón aims to tap into an infantile type of vision; one that engulfs everything around itself and stays stupefied, as much by the wound that pierces its knee, as by the enormous altarpiece, covered in gold leaf. Such an outsider way of looking could be allied with the illusions that sex workers like Diamond need to perform, to manufacture conventional forms of intimacy and emotional transit.

(...)

Photography : Romain Darnaud
@romaindarnaud

An invitation by Willie Brisco & Christel Conchon / @ofnotof / @puppyswamp / With the kind support of Acción Cultural Española (AC/E) @acecultura

✨@_nontender_
✨@esthergaton_

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Darya Diamond / Esther Gatón

' TETILLAS '

15.06 - 19.07.2024

Taking a slang word, both small breasts and a rural Spanish cheese, ´tetillas´ sets Darya Diamond and Esther Gatón to present recent and representative works from their respective œuvres. Developed from friendship, tetillas is an intimate reflection on the conditions of labour experienced by these artists, interiors, and femininity. Among the various works, Gatón presents wall pieces assembled of hand-dyed fabric and bundled wood. Diamond brings resin-cast waste baskets, that the artist stole from the motels where she worked as a prostitute.

Peripherally co-regulatory and permeable, Diamond and Gatón use extensions of their private lives as materials in their studio practice. Evoking touch, complex intimacies and blurry representations of their immediate environments- the exhibition unintentionally re-contextualizes domestic and precarious labour. Gatón’s textiles are at once tactile and layered, echoing a physical encounter with the material and processes of dying and fading fabrics. Her practice is haunted by the stark aesthetics of Castile, the deserted Spanish region where she grew up; while Diamond´s originates in the artist´s invisible labour as a surrogate human, sex worker, and carer.

With the use of illegible and fainted traces, painted on the textiles, Gatón aims to tap into an infantile type of vision; one that engulfs everything around itself and stays stupefied, as much by the wound that pierces its knee, as by the enormous altarpiece, covered in gold leaf. Such an outsider way of looking could be allied with the illusions that sex workers like Diamond need to perform, to manufacture conventional forms of intimacy and emotional transit.

(...)

Photography : Romain Darnaud
@romaindarnaud

An invitation by Willie Brisco & Christel Conchon / @ofnotof / @puppyswamp / With the kind support of Acción Cultural Española (AC/E) @acecultura

✨@_nontender_
✨@esthergaton_

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~ La dictature de la minorité au décor de couronnes de feuilles. Portail de Pauline Perplexe 78 Avenue de la Convention, acier, éléments en fer, aluminium et plomb-étain-antimoine, 2020. 228x100cm Photo shared by Pauline Perplexe on May 12, 2022 tagging @ofnotof, @adriengenty, @paulineperplexe, and @puppyswamp. Aucune description de photo disponible..

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FRAGMENTS D'UN JARDIN

Samedi 9 octobre à partir de 18h
Chez Pauline Perplexe

Fragments d’un jardin est une exposition collective sous la forme d’un banquet. Pensée comme une série de dispersions, elle est une invitation à se réunir pour inaugurer la vaisselle de l’atelier de Pauline Perplexe. Le jardin, univers clos où se déploient des mondes imaginaires et réels déborde de sa parcelle pour être contenu dans la céramique, dans les mains et dans la bouche.

Avec : Antoine Barberon, Nina Bernagozzi, Willie Brisco, Aëla Cabel, Christel Conchon, Florent Dégé, Adrien Genty, Romain Grateau, Sarah Holveck, Baptiste Perrin, Jérémy Piningre, Pauline Roches, Claire de Pimodan, Mathilde Rives, Sabrina Violet.

Avec le soutient de la DRAC Île-de-France.

Photographie : @liconeverte

#antoinebarberon #ninabernagozzi @ninabernagozzi #williebrisco @ofnotof #aëlacabel @aela.mai.cabel #christelconchon #florentdégé #adriengenty @adriengenty #romaingrateau @fiere_et_en_forme #sarahholveck @sarahholveck #baptisteperrin #jeremypiningre @jeremy_piningre #paulineroches @paulineroches #clairedepimodan @clairedepim #mathilderives @mathilde.rives #sabrinaviolet @liconeverte

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Double feature
13.03 - 12.04.26

Solo show of Brendan Reed and group show with Hugo Ansel, Paul Bonnet, Willie Brisco, Dean Cercone, Christel Conchon, Sebastian Jarpa, Hendrik Hegray, Max Kaario, Muriel Leray, Dudi Malka, Nicolas Roggy, Disobedient Shinobu. Curated by Silke Puu

Opening Friday March 13th 7pm with music performances by Andy Bolus and Glare Collage

Exhibition texts express the focus or limitations of an exhibition. They express affinity and aspire to produce the cosubstantial materials of curiosity and understanding. There are catalytic effects between words and the conditions those words are placed. The work is to find categorical identities that sharpen significance and without meandering into tedium.

Double Feature is an exhibition of two or possibly more exhibitions. While some would argue that increased information decreases the economy of attention, here imminence will be a higher love. Art is not a God of authority or acceptance but one of deduction, observation, affinity and raffination. To be repulsed is a magnetism of its own significance.

A stone soup?
A pedagogical instrument?
Pegasus lifting the sun from its slumber?

- FR

Les textes d’exposition définissent une orientation, mais aussi parfois les limites d’une exposition. Ils révèlent des affinités et cherchent à faire émerger les matières communes de la curiosité et de la compréhension. Entre les mots et les contextes qui les accueillent se produisent des effets catalytiques. L’enjeu est alors de trouver des catégories capables d’intensifier le sens sans sombrer dans la redondance.

Double Feature est une exposition de deux expositions — peut-être davantage. S'il est parfois avancé que l'abondance d'information épuise l'économie de l'attention, ici l’imminence est envisagée comme une forme d'intensité. L’art n’est pas une autorité à laquelle adhérer, mais un champ de déduction, d’observation, d’affinité et d'affinage. La répulsion possède son propre magnétisme.

Une soupe de pierre ? Un instrument pédagogique ? Pégase tirant le soleil de son sommeil ?

_

13.03.26 : cfolle
10.04.26 : Ravi Shardja, Rababar,
Divisas, White Chief, DJ Claude Quantum

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Double Feature this friday with music performances starting at 7pm : Ravi Shardja, Rabarbar, Divisas, White Chief, Dj Claude Quantum

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Brendan Reed
Pressure, 2026
Spray paint on paper and cereal boxes, wallpaper glue

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Dr Montparnasse - petit chelem (première collection) à Fltmstpc jusqu’au 26 mars.
3 nouvelles sorties k7 sur DrM
+ quelques k7 de MMP et AEP.
Collages de Clark Gable & Disobedient Shinobu.
Dessins d’Orso originaux d’Orso

ZINES
Petit chelem 1,2,3 et 4
Tribulations d’Orso
Rare Glue n1

T-SHIRTS
Dr Montparnasse, faits à la main à L’insolante atelier.

Quelques "anciens" zines de Fltmstpc, Eden Éditions & Slow Revenge.

@edenfalldown
@disobedient_shinobu
@faisletoimemesitespascontent
@slow.revenge
@atelier_insolante
@orso_19

Mid-daymassageparlor.bandcamp.com
Afterhoursedenprostitute.bandcamp.com
Slowrevenge.tumblr.com

Fltmstpc
76 rue des rigoles, 75020 Paris

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Willie Brisco - Nothing Changes
2025.06.06 - 2025.06.20
Espace Robert Filou temporairement dans la galerie de Charbon Collectif.
109 rue Victor Hugo
93170 Bagnolet

@silkepuu
@slow.revenge
@disobedient_shinobu
@charbon.collectif

#espacerobertfilou

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❀ FROH EROZ

Christel Conchon & Willie Brisco

chez Pauline Perplexe
Finissage samedi 29 septembre
à partir de 18h avec une performance sonore
de Blake Hargreaves (18h30)

Analog electronics, singing, jokes - Spontaneous combustion- Perfectly barbecued live songwriting for deep exfoliation - As seen at Middelheim Museum, Antwerpen ; Poesia Carnosa, Roma ; Centrala Birmingham ; Punctum, Prague.. - "Passion makes the world go round ; love makes it a safer place" — Ice T

@freakblood #blakehargreaves @ofnotof / @silkepuu #williebrisco @puppyswamp #christelconchon

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~ La dictature de la minorité au décor de couronnes de feuilles. Portail de Pauline Perplexe 78 Avenue de la Convention, acier, éléments en fer, aluminium et plomb-étain-antimoine, 2020. 228x100cm

La dictature de la minorité au décor de couronnes de feuilles est une oeuvre issue de la collaboration entre trois artistes membres de Pauline Perplexe (Adrien Genty, Christel Conchon, Willie Brisco). Pensée comme une oeuvre in situ (à l’origine il s'agit de la porte du nouvel espace de Pauline Perplexe à Arcueil), elle a été dégondée de son encadrement afin d’être exposée à Paris Internationale. Les têtes de lion, la lance et la fleur greffés sur le portail peuvent être lus comme les symboles d’une citadelle assiégée ; une forme de résistance ambivalente opérée par le lieu.
Dupliquer un ornement est à la fois un gage d'allégeance et une satire d'autonomie. Les éléments de ferronneries décoratives proviennent d’une usine désormais close à Bobigny. La tête de lion est une reproduction en aluminium fondue d’après une empreinte sur la porte située 12 rue Boissy d’Anglas. Les dynamiques spatiales entre le centre et la périphérie sont abordées par le langage littéral de l’architecture.

@adriengenty
@puppyswamp
@ofnotof / @silkepuu

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